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  • Apologia of Socrates (Xenophontes)

    Apologia of Socrates (Xenophontes)

    Author of the text: Friedrich Hohenstaufen

    Russian (orig) and Ukrainian versions

    According to Xenophon’s version, Socrates allegedly behaved honorably and majestically at the trial, and he considered his best defense to be his life up to that point. Socrates was not afraid of punishment, because by that time he had already considered death to be preferable to life. He supposedly did not think over his defense speech because he was forbidden by the “gods” themselves, and it was they who suggested to him that it was time to die and opened the easiest way to this goal. But death turns out to be preferable to life for him not because some “post-mortem” will be better than life on earth. That, of course, is also the case, but it is hardly mentioned in Xenophontes’ version. His arguments in favor of death were very down-to-earth, and here he complains about senile difficulties and lack of pleasures. It turns out that here too the argumentation is presented through the prism of sensationalism (as in “Hiero” and “Oeconomicus”). And as it was already mentioned about the dialog “Hiero”, Socrates here also speaks about the “mental” ability to love as one of the most important abilities of a human being in principle. But what is most interesting are Socrates’ own words in response to the judges’ accusations. Here Xenophontes, clearly constructing the character to suit himself and his own views (as, indeed, did Plato), makes Socrates adore Sparta:

    However, Athenians, the god expressed an even higher opinion of the Spartan legislator Lycurgus in his oracle than of me. When he entered the temple, they say, the god addressed him with this salutation: ‘I do not know whether I should call you god or man.’ But he did not equate me with a god, but only recognized that I was far above men.

    Do you know a man who is less than I am a slave to the passions of the flesh? Or a man more unselfish, taking neither gifts nor payment from anyone? Who can you recognize with good reason as more just than one who is so comfortable with his position that he needs nothing from anyone else?

    And what is the reason why, although everyone knows that I have no means of repaying with money, yet many people wish to give me something? And the fact that no one asks me to repay a favor, but many recognize that they owe me a debt of gratitude?

    Not that Socrates himself did not love Sparta, obviously he did (Plato also points to this), but it still seems a very strange speech at the trial, too meaningless a digression, unless the Laconophilic views were part of the prosecution itself (and indirect indications suggest that this was the main motive for his trial). Otherwise, Socrates’ style of defense is very similar to what we see in Plato’s Apologia. We see that Socrates here is still the same snob, claiming to be a superhuman being surrounded by common people. But the dialog is interesting because here the accusers specify their accusations, and it becomes clear that “corrupting youth” implies literally the following things: Socrates allegedly makes young men «obey you more than their parents ” and, in essence, teaches them sophisms. And if Plato is to be believed, he was literally teaching sophisms, even if for a noble purpose. Xenophontus understands so well what Socrates is being attacked for and why, that he even appeals to us:

    If some people on the basis of written and oral testimonies about Socrates think that he could turn people to virtue perfectly well, but was not able to show the way to it, then let them consider not only those conversations of his, in which he with an edifying purpose with the help of questions refuted people who imagined that they knew everything (i.e. Plato’s dialogues), but also his everyday conversations with his friends, and let them then judge whether he was able to correct them.

    In Xenophon’s account, Socrates behaves much more restrained at the trial, and his arguments are already much more solid, and one even gets the feeling that Socrates was actually slandered. He is an ordinary virtuous man who does not engage in such pranks as assigning himself a dinner at the expense of the state as a punishment (in Xenophont’s case he will not assign himself anything because he does not admit his guilt). Xenophontus supports the “meme” about Socrates as an “ethical philosopher” who was not engaged in “physics” because of its uselessness (after all, it is impossible to change planets even after learning the principles of planetary motion, and why study something that is not in our will and is generally useless for life?)

    And he did not argue about the “nature of everything”, as others do for the most part; he did not touch the question of how the “cosmos” so called by philosophers is organized and according to what immutable laws every celestial phenomenon takes place. On the contrary, he even pointed out the folly of those who deal with such problems.

    And by this he tries to say that Socrates does not coincide with what Aristophanes said about him in his comedies. Apparently, this also seemed to be an important part of the accusation, if one has to justify oneself in this way. Here Xenophontes also adds that physics is not useful because all physicist-philosophers disagree with each other and give different theories of matter, motion, etc. The only problem is that the same problems apply to the same ethics… but this example is interesting even just as an illustration of the Greeks’ attitude toward the abundance of “systems” and their mutual contradiction. Since there are so many of them, they are all equally false. This was one of the most likely reasons why the Sophists chose to state relativism. Socrates apparently decided, on the same grounds, to simply state the futility of physics, and did not decide on full relativism. But these are just interesting details, and the main thing is different. The most interesting thing in Xenophontes’ system of excuses seems to be that he himself gives examples that essentially bury Socrates and prove his guilt.

    What was Socrates being tried for?

    The dialog we are about to describe is a textbook example of Socratic sophistry. If it is to be believed, it turns out that Socrates was accused of corrupting youth at least three times, at different periods of Athenian history, under the rule of quite different people: (1) during the Peloponnesian War (Aristophanes’ comedy); (2) after the defeat and under the rule of oligarchs and tyrants (our example); and (3) after the return of democracy (the execution itself). It turns out that this was not a random pretext, but a long-running problem. And the following illustration from Xenophon makes us agree with the charge as never before! This plot goes like this:

    After the victory over Athens and under the patronage of the Spartans, the regime of the “Tyranny of the Thirty”, led by one of Socrates’ disciples (not even one, but at least several, but the main figure was Critias), launches a roller of repression, which affected the aristocrats. Socrates was very indignant about this and allegedly said:

    “It would be strange, it seems to me, if a man, having become a shepherd of a herd of cows and reducing the number and quality of cows, did not recognize himself as a bad shepherd; but it is even stranger that a man, having become the ruler of the state and reducing the number and quality of citizens, is not ashamed of it and does not consider himself a bad ruler of the state”.

    When the tyrants Critias and Charicles were informed of this, they called Socrates to themselves, showed him a certain law and forbade him to speak to young men. One can say that this is a formal reason for punishment, but these same people unceremoniously executed even their own associates (e.g. “the tyrant of thirty” and Theramenes, who was close to Socrates in his views), and here, for some reason, instead of showing him the same things as his associates, they forbid him to communicate with young people! This is a very strange change of subject, and a very mild punishment. It is very hard to explain this behavior. Perhaps the explanation lies in the tyrants’ personal respect for Socrates, who knows? But after such a ruling, Socrates got the right to ask questions about the points he allegedly did not understand:

    Well, I am ready to obey the laws; but in order that I may not imperceptibly, through ignorance, break the law in something, I want to receive from you precise instructions about this: why do you order to abstain from the art of speech, — is it because it, in your opinion, helps to speak rightly, or wrongly? If — to speak rightly, then, obviously, one would have to refrain from speaking rightly; if — to speak wrongly, then, obviously, one should try to speak rightly.

    That is, when he was demanded to stop practicing sophistry, he literally answers in the face of tyrants with a sophistic device. One might suspect that he did this deliberately in such a defiant manner to show his protest. Thereupon “Charicles became angry” (you bet he did), and said:

    When, Socrates, you do not know this, we announce to you this, which is more understandable to you, — that you should not speak to young men at all.

    It is clear that this radicalization was more of a rhetorical one, so that Socrates would get the gist of the claim. But Socrates continues to ironize, and to engage in just what he is being asked to stop doing:

    — Thus, lest there be any doubt, define to me until how old people should be considered young.
    — Until they are allowed to be members of the Council, as men as yet unwise; and thou shalt not speak to men under thirty years of age.
    — And when I buy something, if a man under thirty years of age sells it, neither should I ask how much he sells it for?
    About such things we can. But you, Socrates, mostly ask about what you know; so don’t ask about that.

    Socrates is told bluntly that both he himself and they all know what the problem is, and that the question is solely on the subject of teaching young men sophistic techniques! But Socrates continues to play the fool:

    — So I should not answer if a young man asks me about something I know, such as where Charicles lives or where Critias is?
    About such things it is possible, — answered Charicles.
    Then Kritius said: No, you have to, Socrates , give up these shoemakers, carpenters, blacksmiths: I think they are completely worn out from the fact that they are always on your tongue.

    You can’t get any straighter than that. He is literally asked not to piss people off in the streets with examples of narrow specialists who are “supposedly wise”, when wisdom is not available to anyone. Young men listen to this and then mock their parents in the same way. Socrates is told, not for the first time, “please stop”. But Socrates is inexorable!

    — ‘So,’ replied Socrates, ‘from the things that follow — from justice, piety and all that sort of thing?
    — Yes, by Zeus,” said Charicles, ”and from the shepherds; otherwise, see how you do not reduce the number of cows.

    And here Xenophontus decides that the reason is not that Socrates has been pestering Athenians for more than 30 years, and therefore most citizens do not like him, but only that the tyrants took offense at the metaphor about cows and shepherds! And since then, taking Socrates’ lawyer at his word, all literary criticism considers it not another example of condemnation for corrupting the youth, but an example of banal offense of tyrants who did not understand the greatness of Socrates. In general, this dialogue is given here not by chance, but as evidence in defense of Socrates. If Critias subjected Socrates to repressions, and Socrates himself considered Critias a bad man — then the fact that Critias was a pupil of Socrates loses its significance. He was a pupil, but his teacher condemned him, and they went their separate ways. The second figure with bad fame, among the students of Socrates, was Alkiviades, an ambitious commander, who during the war several times ran from camp to camp, but if averaged, he was a “populist” and rather a supporter of the democratic party of Athens. Alkibiades was also killed by Critias, but still this did not make him a good man in the eyes of the Athenians.

    Xenophontus gives us an example of how Alkibiades learned how to debate from Socrates, but immediately adds that once he realized that he had defeated Pericles in debate, he immediately decided that he didn’t need anything more from Socrates. This is used as a rare case and a private example of real “spoiling of youth”, but in general Socrates is not responsible for the bad character of Alkibiades. Alkibiades and Critias are supposedly just two bad examples, and all the other disciples of Socrates are saints. Let us even suppose that this is true. But much more interesting is what Alkibiades learned from Socrates, and how he “defeated” Pericles in an argument. This is one of the examples that speak of Xenophontes (and Socrates, Plato, and all associated with them) as a rigid conservative.

    — ‘Tell me, Pericles,’ began Alkibiades, ‘could you explain to me what law is?
    — ‘Certainly,’ answered Pericles.
    — Then explain to me, for the sake of the gods, — said Alkibiades, — when I hear people praised for their respect for the law, I think that such praise has hardly the right to receive someone who does not know what the law is.
    — Do you want to know, Alcibiades, what the law is? — Pericles answered. — Your wish is not difficult to fulfill: laws are all that the people in the assembly will accept and write with an indication of what should be done and what should not.
    — What thought the people are guided by in this — good should be done or bad?
    — Good, by Zeus, my boy, — answered Pericles, — certainly not bad.
    — And if not the people, but, as happens in oligarchies, a few people gather and write what should be done — what is it?
    — Everything, — answered Pericles, — that will write those who rule in the state, having discussed what should be done, is called law.
    — So if also a tyrant, who rules in the state, writes to the citizens what should be done, and this is law?
    — Yes, — answered Pericles, — and everything that writes the tyrant, while the power is in his hands, is also called law.
    — And violence and lawlessness,’ asked Alcibiades, ‘what is it, Pericles? Is not it when the strong forces the weak not by persuasion, but by force to do as he pleases?
    — ‘I think so,’ said Pericles.
    — So, everything that the tyrant writes, not by persuasion, but by force forcing citizens to do, is lawlessness?
    — It seems to me, yes, — answered Pericles. — I take back my words that everything that the tyrant writes, without convincing citizens, is law.
    — And all that is written by a minority, without convincing the majority, but using their power, should we call it violence, or should not?
    — It seems to me, — answered Pericles, — everything that someone forces someone to do without convincing, — no matter whether he writes it or not — will be more violence than law.
    Then what the whole nation writes, using its power over the wealthy without convincing them, is more violence than law?
    Yes, Alkiviad, — answered Pericles, — and we in your years were masters of such things: we were busy with it and invented the same things, which, apparently, busy now and you (this, apparently Pericles realized that caught on sophism).
    Alcibiades said to this:
    — Ah, if, Pericles, I had been with you at the time when you surpassed yourself in this skill!

    In the eyes of Xenophontes, Alkibiades had won, and proved that democracy = tyranny of the majority over the minority. And he learned it from Socrates. This is not a bad example, but an example of success, after which Socrates was no longer needed by Alkibiades, and therefore, after such a “base” — Alkibiades became corrupted, and he himself became no better than Pericles and tyrants.


    It turns out that Xenophontus literally shows that Socrates even in other regimes and by other people was accused of corrupting the youth, as well as the fact that he was an engaged supporter of the aristocracy (and this in a democratic regime, in the very one where he was finally executed, could be an additional argument in favor of execution). Xenophontus even expands the variation of the charges, and speaks of more such charges: (1) “Socrates taught contemptuous treatment of fathers, he inculcated the belief that he made them smarter than their fathers, and he inculcated disrespect not only for fathers but also for other relatives”. (2) «Socrates of the most famous poets chose the most immoral places and inculcated criminal thoughts and the desire for tyranny ”.

    Of the first we have already spoken; only the connotation changes here. But the second is very interesting. From the point of view of the democratic regime, indeed, Socrates sought to overthrow democracy, and this in any form is already “tyranny”. Xenophontes, on the other hand, presents his own ideas about the term “tyranny”, and, of course, Socrates did not propose such a term (cf. how a Marxist proves that Stalinism is not fascism, referring to his own definitions of fascism). Two specific quotations were allegedly cited against Socrates, and Xenophontus fights them off without difficulty. Of course, being the author of the book, Xenophontus can paint his accusers as fools; and in the way it is presented to us, it is hard to disagree. But what quotations are given (the quotations themselves at least should not be spurious)? These are:

    1) “Work is by no means alone disgraceful, but disgrace is only idleness.”
    2) A lengthy quote from Homer about Odysseus striking with his rod Tersitus, who dared to speak out against the aristocracy in the name of the people.

    In the first case Xenophontus tries to convince us that Socrates meant agitation for labor, in the spirit of the Communists. In the second case, we have a not particularly convincing excuse that Socrates, using Tersitus as an example, supposedly condemns all those who shake the boat of the state, not just the poor. And while the second quotation is such a classic moralizing example of aristocrats that everything is clear here; the first might well have meant that any means are good for overthrowing democracy. In the context of all the things Socrates says outside the court — these quotes were really used as political. But as part of the justification, he suddenly starts to mean “other”. However, Xenophontes, which is especially funny, managed to shove the quotation of Theognides (a man who in poetry calls almost to cut the throats of nobles in the name of aristocracy) directly into Socrates’ defense speech at the trial. The very lines Socrates uses are very neutral out of context, and are about how citizens should be educated:

    From the noble you will learn goodness; but if with the bad.
    You will lose your former mind.

    And there may not be any subtext here. But the very fact of such citations says something, at least about what literature Socrates was oriented to. The noble is Theognides’ = aristocrats, and the “bad” is the people/crowd. It goes without saying that Socrates did not quote the harshest things from Theognides, for which aristocrats love him, in his defense at the trial, because he is not a complete fool. But he could have quoted it:

    With a strong heel crush this unreasonable nigger to death.
    Beat it with a sharp heel, bend its neck under the yoke.

    But he was presented with a quotation from Homer about Tersitus, which is as close to this theme as possible. If it really was one of the most popular quotes in Socrates’ repertoire, it is very hard to get away with it. For us all this is important only because even in the acquittal speeches Xenophontus managed to add weight to the accusation, and a little better revealed the line of attack of Socrates’ enemies.

    The political position of Socrates and his disciples

    The only thing to be said about Socrates’ accusation is that you don’t really get executed for such a thing. So in any case the judges were wrong. But it should be understood that they were not “wrong” in the charges themselves, they are not blind and stupid, as the whole scholarly community still says. It’s just that even if Socrates did all the things they charged him with, it wasn’t a violation of the laws of Athens, and so yes, the persecution was purely political. For that matter, we too would have condemned the execution of Socrates and stood in his defense, just as we should have condemned the attempted executions of Anaxagoras and Protagoras. It doesn’t matter that Socrates was a fascist bastard, the law didn’t forbid him to be one. If he had to be put down, it would have been better to do it outside the judicial system.

    Just now we can sort out whether Socrates was a “fascist” and what his political views really were. Here we will look at Xenophon’s Greek History. One of the most interesting events here is the last major victory of Athens over Sparta during the “Peloponnesian War”. The very battle after which all the victorious generals were put on trial and executed. It is this event that Xenophontus and Plato emphasize, showing that Socrates was then almost the only person from the panel of judges who opposed this decision and tried to save the strategists from execution. This example in their eyes proves Socrates’ patriotism. Usually this event (see “Trial of the strategists” on Wikipedia) is discussed in the abstract. The people executed the generals for not even attempting to rescue survivors and pick up the bodies of fallen allies after the battle. The defense usually claims that a storm prevented them from doing so. This is a religious issue because not picking up the bodies of the fallen was considered horrible blasphemy. What is surprising here is that Socrates and Xenophontes, who are always on the side of maximizing religiosity, in this case put efficiency above religious tradition. Here we can suspect that they were not satisfied with the very fact that victorious generals are judged by some blacks, and all other circumstances are secondary. Or we can simply say that they thought here as pragmatists. There are many variants, but the reasons for the execution, and the reasons for the defense of Socrates, hardly had a partisan character.

    Be that as it may, it is important to record that Socrates here was against the condemnation, while one of the accusers was Theramenes. In that campaign it was Theramenes who was ordered to take away the dead, but he could not, referring to the storm. They could hang all the dogs on him, but he justified himself in such a way that it turned out that the generals themselves did not know whether the weather was normal or not, but just went home without a second thought. And Feramen at least tried, and besides, he had a subordinate position, so it was not the highest responsibility. The generals tried to sink Feramen, but in the end he sank them.


    After this event, Sparta was able to gain the support of Cyrus, the prince of Persia, and with his money and fleet — defeated Athens. Xenophontus in his book exults on this occasion and relishes every move of Sparta and every humiliation of the Athenians. The final peace treaty, i.e. in essence capitulation, was signed by the very same Theramenes. How Socrates felt about it, we can only guess. Now the Athenians had to establish oligarchic rule, as elsewhere in the territories subject to Sparta.

    This oligarchic system began in this way: the people decided to elect thirty men to compile a code of laws in the spirit of the old days; these laws were to form the basis of the new state system.

    Thus began the “Tyranny of the Thirty”, at the head of which stood the student of Socrates — Kritias, as well as another uncle of Plato — Harmides, and many aristocrats close to them. The top of the “thirty” included Theramenes. Moderate conservatives, such as Xenophontes, were dissatisfied with the fact that the issuance of “laws in the spirit of antiquity” delayed, and thus, “thirty” indefinitely prolonged their stay in power. And the power was used for repressive purges, both in the camp of democrats and among discontented aristocrats (that is why the tyranny was condemned by Socrates, Plato and Xenophontes). And for their own safety, the “thirty” requested Sparta to garrison Athens at the city’s own expense.

    The next important moment in the “History” Xenophontes — is the image of the opposition that opposed the tyranny of the thirty. It was headed by Theramenes. It should be understood that this character is far from an exemplary ideal, and in addition to the fact that he was among the “tyrants” and appeared in the case with the fleet, he became famous for the fact that he changed parties and ran from camp to camp several times. The same Alkibiades was reviled by everyone for the same behavior. Like many conservatives, Theramenes was in the circle of Socrates, but also in the circle of the sophist Prodicus. He was one of those who led the oligarchic coup of 411, but he also became the one who strangled this coup. And it was Theramenes who made the final peace with Sparta. Just as in the previous coup he was among the leaders of the oligarchy, but was horrified by their “righteousness”, and opposed, the same thing happened in the case of the “tyranny of the thirty”. Theramenes criticized almost every move of Critias. Let us recall that Kritias began arbitrary repression, took away the arms of all citizens, and granted political rights to only 3000 Athenians chosen at his own discretion, not to mention that he introduced a Spartan garrison of his own free will. Resistance on the part of Theramenes began to frighten Critias, so he too fell under the gusher of repression.

    Theramenes was accused, to cut a long story short, of not adoring Sparta enough. From the defense of Theramenes we will cite only the most basic of his personal political position. He is a patriot of Athens, and wanted to see a conservative Athens, not a copy of Sparta. He was particularly incensed that Critias had executed many aristocrats, simply for not being principled enough in their hostility to democracy. Among other things, Theramenes even condemned the exile of such future leaders of democracy as Thrasybulus and Anitus. Yes, the same Anitus who would later judge Socrates. From Theramenes’ point of view — this only strengthened the enemies of the aristocracy:

    Do you really think that Thrasybulus, Anitus and the other exiles would be more eager to see the kind of order that I seek to bring about here than the state of affairs to which my co-rulers have brought the state? No, I think that in the present state of things they are convinced that they meet with implicit sympathy everywhere; but if we succeeded in bringing the best elements of the population to our side, they would consider the very idea of ever returning to their native land almost unfulfilled.

    It is evident that the positions of Feramen and Anita are diametrically opposed. From what has already been said, it is clear that he is not even a moderate democrat, but he is not a supporter of Critias either. This can be called “moderate” or “classical” conservatism. He himself describes his position as follows:

    I, however, Kritias, all the time tirelessly fight the extreme currents: I fight with those democrats who believe that the real democracy — only when the government involves slaves and beggars, who, in need of drachma, ready to sell the state for drachma; I fight and with those oligarchs who believe that the real oligarchy — only when the state is ruled at will by a few unlimited lords. I have always — both before and now — been in favor of a system in which power would belong to those who are able to defend the state from the enemy, fighting on horseback or in heavy armor. Come on, Critias, show me a case in which I have tried to remove good citizens from participation in public affairs by siding with extreme democrats or unlimited tyrants.

    And even within the framework of the laws that the Thirty had enacted, Theramenes was going to be acquitted. But Critias decided to kill Theramenes outside the framework of his own law. The scene of his murder is very long and pathos-laden, but we won’t drag it out. The main thing here is that Xenophontes treats Theramenes with obvious sympathy, despite all the “controversial” sides. It would seem that Socrates, Xenophontes, Plato, and all the members of their circle (among whom, among others, was the same Kritias!), all of them were supporters of Sparta and aristocracy. Why, when their comrade and like-minded Kritias finally took power and began to realize their ideals — they supported Theramenes? What does that mean? They were not supporters of Sparta? No, it means they were moderate conservatives like Theramenes. This politician is a manifestation of their political ideas. The question was only about the degree of radicalism, not the substance of the ideas themselves.


    And here it is interesting to add that of the extant sources, the most praise for Theramenes was given by such conservative-minded supporters of the Socratic/Platonic tradition as Isocrates and Aristotle. Aristotle even called Theramenes the ideal model of a politician. Later, the historian Diodorus would even write a scene that is considered to be not authentic (for Socrates’ disciples would obviously have mentioned it if it were true), but which clearly appeared for a reason:

    Theramenes bore the misfortune courageously, for he had learned from Socrates the deep-philosophical view of things, but the rest of the crowd sympathized with Theramenes’ misfortune. No one dared to help him, however, for he was surrounded on all sides by a mass of armed men. Only the philosopher Socrates and two of his disciples ran up to him and tried to wrest him from the hands of the attendants. Theramenes begged him not to do so. “Of course, he remarked, I am deeply touched by your friendship and courage; but it would be the greatest misfortune for myself if I should find myself responsible for the death of men so devoted to me.” Socrates and his disciples, seeing that no one was coming to their aid, and that the arrogance of their triumphant opponents was increasing, ceased their attempt.

    Suppose, let us say, that this is a fiction. But Diodorus clearly felt that Socrates’ group was ideologically in line with the ideals of Theramenes. It is not surprising (given Theramenes’ own speeches above) that when Anitus returned to power, Socrates’ group fell under the gusher of repression, not immediately, but still fell. They were moderate but still laconophiles.

    Systematic philistine v. Epicurus

    But if even Socrates was rightly accused of corrupting the youth (at least in the paradigm of Athenian public opinion), then from Xenophon’s point of view, Socrates’ bad reputation was to blame for his dialogues with citizens, which were later recorded by Plato. Xenophontus, as we have seen, thought it unfair to judge Socrates only from this side, and tried to show what he was like in his narrow circle of friends. In these conversations Socrates tells us the philistine “base” about intelligent design, i.e. that God created everything for a purpose, and that grass was created for the sake of the cow’s stomach, and her stomach for the sake of grass (teleology). He also talked about abstaining from all pleasures, respecting one’s parents, etc., etc., a general conservative base. In one of many dialogues, Socrates takes the opportunity to reveal his ideas about teleology (target causes), and in the process prove the existence of gods. Teleology itself is a bastardization of thought that doesn’t even deserve criticism (seriously, just read the arguments in its favor). But Socrates is not just stating his views to the ceiling, but by talking to a certain opponent named Aristodemus. It so happens that this man in his argumentation anticipates Epicurus, and for this reason he is worth our attention. Touching upon teleology, they moved on to the more global question of whether the gods take part in our lives at all, and Aristodemus insists that they do not. Here we see the justification of the deism position .

    Noticing that he does not sacrifice to the gods, does not pray to them and does not resort to divination, but, on the contrary, even laughs at those who do it, Socrates addressed him with the following question:
    — Tell me, Aristodemus, are there people whose wisdom you admire?
    — Yes, — he answered.
    — Give us their names,” said Socrates.
    — In epic poetry I admire Homer most of all, in dithyramb — Melanippides, in tragedy — Sophocles, in sculpture — Polycletus, in painting — Zeuxides.
    — Who do you think deserves more admiration, — is it he who makes images devoid of reason and movement, or he who creates living beings, intelligent and self-motivated?
    — By Zeus, much more the one who creates living beings, if indeed they become so not by some accident but by reason.

    And after the standard arguments of teleology in the spirit of “the gods created the cow so that man could have milk”, and the gods gave us reason to compensate for the lack of fur and claws, by which Socrates supposedly proves a constant care for us (and in fact only care during the act of creation, that’s in the best case), Aristodemus expresses a typical Epicurean attitude to the gods.

    — Is there nothing sensible anywhere else? Can you really think so, knowing that the body contains only a small part of the vast earth and a tiny fraction of the vast amount of liquid? In the same way, from each of the other elements, which are undoubtedly great, you have received a tiny particle for the composition of your body; only the mind, which, therefore, is nowhere to be found, by some happy accident, do you think you have taken it all for yourself, and this world, vast, boundless in its multiplicity, do you think it is due to some madness that it remains in such order?
    — Yes, by Zeus, I think so: I see no rulers there, as I see masters in the works here.
    — Nor do you see your soul, but it is the mistress of the body: therefore, if you reason thus, you have a right to say that you do nothing by reason, but everything by chance.
    Here Aristodemus said:
    — No, Socrates, right, I do not despise the deity, but, on the contrary, I consider him too majestic that he needs still reverence on my part.
    — If so, — objected Socrates, — then the more majestic the deity, which, however, dignifies you with his care, the more you should honor him.
    — Rest assured, — replied Aristodemus, — if I had come to the conviction that the gods at least some care for people, I would not treat them with disdain.

    In general, in relatively small texts Xenophont touches directly on a lot of issues. Among them are the issues of art, where Socrates gives evaluations close to the positions of classicism. For example, in a conversation with the artist Parrassius, Socrates proves that the artist is capable of expressing mental qualities by conveying emotions in the movements of statues, in facial expressions, and in the depiction of the gaze. Whereas Parrhasius himself, up until this conversation, believed that “intangible” things could not be depicted. So overall yes, we see a very conservative, idealistic thinker who can even be called religious. Not only does he honor the gods, but literally every action requires to be accompanied by sacrifices in favor of the gods. But it is funny that Xenophontus accuses Plato of giving Socrates a bad reputation, saying that it was he who made the teacher look like a sophist clown. While Xenophontes himself left no less unpleasant examples for Socrates. In some places he does it even more harshly than Plato. Take, for example, the story about the dispute between Socrates and his student, the hedonist Aristippus (it turns out that there are more careless students than just Critias and Alkibiades).

    One day Aristippus took it upon himself to knock Socrates down, just as he himself had been knocked down by Socrates before. But Socrates, having in mind the benefit of his interlocutors, answered him not as people who fear that their words will not be interpreted in some other sense, but as a man convinced that he is just doing his duty. The case was like this: Aristippus asked Socrates if he knew anything good. If Socrates had named something like food, drink, money, health, strength, courage, Aristippus would have argued that these were sometimes evil. But Socrates, meaning that if anything bothers us, we look for means to get rid of it, gave the most dignified answer:
    — ‘You ask me,’ he said, ‘do I know anything good for fever?
    — ‘No,’ replied Aristippus.
    — ‘Perhaps for eye-sickness?
    — ‘Neither do I.
    — How about for hunger?
    — Not from hunger either.
    — Well, if you ask me if I know anything so good that it is not good from anything, I do not know it, and I do not want to know it.

    That is, when Socrates was presented with exactly the same questions with which he himself asks everyone — he answered that either he would give a private definition (like the sophists), or he would not say anything. This is what all his interlocutors do. But only they are dumb, and Socrates is smart. Apparently, Socrates is smart only in that he did not let himself be drawn into this. But already here it becomes obvious that Socrates himself treats the “Socratic dialogues” as a mockery. In another fragment Socrates in general responds identically to the sophists, but according to Xenophontes it is all very wise:

    Aristippus asked him if he knew anything beautiful.
    S: Even many such things.
    A: Are they all similar one to another?
    S: No, as unlike some as possible.
    A: So how can the unlike be beautiful?
    S: And this is how: a man who is beautiful in running, by Zeus, is not like another who is beautiful in wrestling; a shield, beautiful for defense, is as unlike as possible to a throwing spear, beautiful for flying fast with power.
    A: Your answer is not at all different from the answer to my question whether you know anything good.
    S: Do you think that good is one thing and beautiful is another? Don’t you know that everything in relation to the same thing is beautiful and good? So, first of all, about spiritual virtues it cannot be said that they are in relation to some objects something good and in relation to others something beautiful; then, people are called both beautiful and good in the same respect and in relation to the same objects; also in relation to the same objects the human body seems both beautiful and good; equally, everything that people use is considered both beautiful and good in relation to the same objects in relation to which it is useful.
    A: So is a dung-basket a beautiful object?
    S: Yes, by Zeus, and a golden shield is an ugly object, if for its purpose the former is made beautifully and the latter badly.
    A: Do you mean to say that the same objects are both beautiful and ugly?
    S: Yes, by Zeus, as well as good and bad: often what is good for hunger is bad for fever, and what is good for fever is bad for hunger; often what is beautiful for running is ugly for fighting, and what is beautiful for fighting is ugly for running: because everything is good and beautiful in relation to what it is well adapted for, and, conversely, bad and ugly in relation to what it is badly adapted for.

    Xenophontes’ version is an unusual character altogether; his version of Socrates holds that although people are of different qualities from birth (for physiological reasons), education plays a huge role and virtue can be taught. On this point he is again hardly different from the Sophists. And in one of the sketches Xenophontus even shows Socrates interacting with the hetaera Theodotas. When the students began to talk about popular rumors about her beauty, Socrates decided that it is not enough to listen, it is necessary to evaluate it! And he led the whole crowd of listeners to her, and he evaluated her very highly, and, in fact, began to openly flirt with her (!).

    — So how could I arouse hunger for what I have? — Theodota asked.
    — And here’s how, by Zeus, — replied Socrates. — First of all, if you will not offer it, or remember when people are full, until they will not pass the feeling of satiety and will not appear again desire; then, when they have a desire, you will remind them of it only in the most modest form, so that it does not seem that you yourself impose on them with your love, but, on the contrary, that you avoid it, until finally their passion does not reach the highest limit: at that moment, the same gifts have a much higher price than if you offer them while there is still no passion.
    Here Theodotus said:
    — Why don’t you, Socrates, hunt for friends with me!
    — Well, if only you persuade me, — replied Socrates.
    — And how can I persuade you? — Theodotus asked.
    — You think about it yourself and find such a way, if there is a need for me, — replied Socrates.
    — So you come to me more often, — said Theodota.

    In the end, of course, Socrates will turn on the irony and excuse himself from dating, hinting that he has some better “girls” (and by girls he means his friends-students) and therefore it is unlikely that he will have enough time for one more. But the very fact that Socrates quietly visits hetaera, and is not ashamed of their society (Socrates is even proud of his friendship with Aspasia, the wife of Pericles, the leader of democracy and an enemy of Sparta), attends feasts, and behaves there like an ordinary partygoer (see “Feast” by Xenophontes); all this makes him, on the one hand, an ordinary man without the aplomb of an “ascetic philosopher”, but on the other hand, shows him from the side of an ordinary sophist of his time.

    The only thing that makes Socrates special, sharply different from other sophists, is his principled advocacy of the principles of meritocracy. Professional managers should rule, and all things should be done by specialists in their field (whereas the sophists insisted that everyone could do as many different things as possible). Moreover, the notion of “happy life”, which Socrates, like Democritus, makes the central notion of philosophy, is associated with virtue in the sense of “doing good deeds”, i.e. with active civil life on patsan notions (cf. Stoics). Otherwise, he is conservative, traditional, religious, but as a rule “moderately”, without fanaticism. An ordinary patriarchal man, which in modern times are plentiful in every run-down village. I would say that in modern terms Socrates is more of a “right-wing radical” than a fascist; and in the realities of that time, his political representative could be the aristocrat Theramenes.

  • Xenophonte on the “Enlightened Monarch” (Cyropaedia, Hiero, Agesilaus)

    Xenophonte on the “Enlightened Monarch” (Cyropaedia, Hiero, Agesilaus)

    Author of the text: Friedrich Hohenstaufen

    Russian and Ukrainian versions

    In this paper we will combine reviews of several works by Xenophon because they are all linked by one conceptual theme — the education of the ruler. This theme is presented in three ways. In the historical novel “Cyropaedia” the best example is given, where they show an idealized Persian monarch, his growth from childhood to the deepest old age. In the panegyric on the death of Xenophon’s friend and patron, the king of Sparta named “Agesilaus” — show a rather more formed ideal, without its long formation, but the essence is about the same. By looking at Agesilaus, we can learn something useful. Well and the dialog “Hiero”, about the disadvantages of tyranny, where the protagonist is a man already formed into a tyrant, but who still suffers from his position and would like to change for the better. He is given instructions that he never takes advantage of. But we consider it in the same series of essays, because admonitions to the monarch for his improvement are, in principle, also part of the general theme of “education of the ruler” and “enlightened monarch.”

    Immediately it is worth saying that in terms of content the most interesting will be “Hiero”, so we recommend going straight to it. “Agesilaus” appears here rather for statistics, because the work is very secondary, but ‘Cyropaedia’, although it is the most significant work in this list, is a very voluminous work, and reading its description will be no less tedious than reading the original.

    Cyropedia — a success story

    One of the first works in world literature devoted to the theme of educating an “enlightened monarch” is Xenophonte’s Cyropaedia. Given that the author of the work was Greek, it is particularly interesting that this monarch is Persian. Especially since, as a rule, pro-Spartan Greeks and lovers of aristocracy (and Xenophontes was such) opposed Persia in order to shift internal squabbles to an external enemy, while increasing the importance of the land army, while democrats showed loyalty to Persia as a profitable market. But here the opposite is happening. Of course, this is partly due to the fact that already at the end of the Peloponnesian War, following the “divide and rule” policy, Persia helped Sparta to defeat Athens and become a hegemon; and partly due to the fact that Xenophontes himself fought in the intra-Persian wars on the side of one of the princes (see “Anabasis”).

    No matter how Xenophontus viewed modern Persia, at least at the time of its foundation, it was an excellent country, where aristocrats ruled, the refusal of luxury was cultivated (in the ruling classes), agricultural traditions were inculcated, etc. (he speaks about it in his work “Oeconomicus”). In a sense, Persia is painted as the same Sparta, but only of enormous size. The main achievement of Persia was that its monarch was subjected to people from the most diverse nations and cultures, without having the opportunity to see in person the king they served. He deliberately emphasizes that all countries of the world have a national character, whereas Persia is a multinational empire. This degree of “voluntary” submission to kings is, in Xenophon’s eyes, the main reason to admire their polity; unlike them, the Greeks can hardly be forced to obey even a man they know well. That is why “Cyropaedia” begins with a comparison of the work of a shepherd and a monarch. Humans, unlike animals, are supposedly very willful, and do not want to obey; they rebel at the first convenient reason.

    On the basis of all this we thought that it is much easier for man to establish his dominance over all other living beings than over humans. But after learning about the life of Cyrus the Persian, who became the ruler of many subordinate people, states and nations, we were forced to change our opinion and recognize that the establishment of power over people should not be considered a difficult or impossible enterprise, if you take it with knowledge.

    Thanks to Cyrus we have learned that the difference between man and animal is not so great as it seems. Governing nations is like governing cattle. It is clear that the main focus of this novel (“Cyropaedia” is considered more of a literary work than a scientific-historical work) is on the upbringing of Cyrus, who will create this magnificent empire. Xenophonte wants to show us the way to create an ideal ruler, not just state the fact of Persia’s superiority over the rest of the states. But of course, it’s not just about upbringing, it’s also about Cyrus’ semi-divine ancestry (through lineage from the hero Perseus himself! That’s where the name of the state “Persia” comes from). The noble blood also does its work.

    As it is said in tales and sung in the songs of barbarians, Cyrus was a young man of rare beauty; he was distinguished by extraordinary ambition and curiosity, could dare any feat and any danger to be exposed for the sake of glory.

    The upbringing of children, at least among the elite, is very close to Spartan (once again: this is a novel, and here Xenophontus is trying to push his ideals, and in many ways they are Spartan). The Persian government quarter is deliberately cleansed of merchants so that “their coarse voices ‘ are not heard and so that the ’assembly” of these people “does not mingle with the noble and well-bred”. This beautiful place, in which only the “noble” live, is divided into four sections, according to age; and, as in Sparta, it is the old men who educate the young, because only they are able to educate the children in the best way. Of course, this education is of a paramilitary nature. And just as in Xenophon’s “Lacedaemonian Politics”, in Persia the ability to fulfill any orders of those in power as quickly as possible is valued.

    Persian laws contain preventive measures and from the very beginning educate citizens so that they will never allow themselves a bad or shameful act.

    If in Greece children go to school to learn literacy, in Persia they go to school to learn justice. Why these two things (literacy and justice) are opposed is not clear. But what is clear is that much of the time in Persian school takes place in show trials. Children are constantly being tried, similar to formal courts, for all their misdeeds. They are taught asceticism, patience for hunger and thirst, and basic archery and spear throwing skills. The principle of “respect your elders” plays a big role. And since all elders are role models, the children grow up to be perfect.


    In adolescence, children begin to perform more formal service, reminiscent of the police, and occasionally participate in hunting parties organized for kings and aristocrats. Engaging in hunting only reinforces all the previously learned skills of the ascetic warrior. Basically, here we see everything the same as in the “Lacedaemonian Polity”, but in a slightly smoothed out form. In time, the teenager passes into the category of “mature husband”, who, in principle, continues to do all the same things as the teenager, but only even more professionally, in addition to learning to fight in close combat. But even the “mature husband” is cut off from the administration of the state. All administrative affairs fall to the elders, who no longer fight, but are exclusively engaged in administration. This is a kind of career ladder of 4 stages, which must be passed step by step (like the “magistracy” in Rome, only very poor and almost without changes in duties). But participation in this career ladder only applies to the aristocracy. Those who can’t put their children in public school, those people have their children at home, and most likely they will simply inherit their parents’ civilian profession.

    Even to this day there are customs which testify to the moderation of their food and the care expended in digesting and assimilating it. Thus, in Persians it is considered indecent to spit and blow one‘s nose, to walk with a belly bloated with gas. It is considered disgraceful to leave in full view of everyone in order to urinate or for other natural needs. Persians may do so because they lead a moderate life and use up the moisture in their bodies in strenuous physical exertion, so that it finds its way out in other ways.

    This is just a funny fragment, and Herodotus writes about the same things. It turns out that in Greece it was customary to urinate and piss in the street, if this is given as an example for the Greek reader. But the fact that Persians do not piss, but sweat, looks like some “meme” about princesses. Further this theme, i.e. constant exercise to go to the toilet less, will be heard many times.


    In general, after such a description of the Persian education system, Xenophontus moves on to the prince Cyrus. Until he was 12 years old, Cyrus studied like all other children (only much better), until he had an audience with the king of Midia, his grandfather, who was very interested in his grandson’s success. After their meeting, Cyrus continued his education already at court, so it was a little different from the typical one. The main peculiarity of the situation was that his grandfather was a Musselman, while Cyrus himself was a Persian. At this time Persia was still only a small province of Mysia, and on this Xenophontus draws contrasts. The manners of King Astyages are much more depraved than those of the Persians, and so the king meets Cyrus in a luxurious purple robe with gold jewelry. And so when he gives a sumptuous lunch, little Cyrus will “involuntarily” start teaching his grandfather about manners:

    — Does not this dinner seem to you much more sumptuous than that which the Persians have? — Astiag objected.
    — No, grandfather, it does not. We reach satiety in a much simpler and shorter way than you do. It is customary for us to satisfy our hunger with bread and meat, while you strive for the same goal as we do, but you make many deviations on the way and, wandering in different directions, hardly come to the place where we have already come long ago.

    And then Cyrus gives his grandfather a lesson in practical stoicism, giving all his meat to the servants for good service, and leaving himself nothing at all. The whole of Cyrus’ “education” is composed in such moralizing. We are demonstratively shown the difference between power based on law (Persians) and power based on the will of a tyrant (Midians), etc., etc. The Persians are always analogous to the Spartan Greeks. And it was only at the expense of Persian morals that Cyrus was able to achieve immense popularity at the Midean court. The poor Musselmen had never seen a man who was not a rusty brute, and they lined up for the advice of the ideal man. His only disadvantage, against the background of the Spartans, was only that he liked to talk a lot (but even this is here called forgivable). And the main reason for his success was his desire to achieve victories where you are weak, through stoic endurance (what is not another manual on business stoicism?).

    Cyrus passed his test of courage in practice, during Assyria’s attack on their country. By making a reckless attack bordering on suicide, he was able to break a superior enemy. While this is usually condemned, here Xenophonte considers Cyrus’ act more of a good thing. The risk was rewarded (another success of business stoicism) and Cyrus became the most popular man in the country.

    Cyrus returned home to his Persian province, already a star of statesmanlike proportions. The local Persians were picky in their attempts to convict him of moral decay, but he was quick to prove that his Spartan Persian disposition had hardly deteriorated after living in a luxurious palace. And while he was in Persia, news came from the capital that his grandfather had died, and his uncle, Kiaxar, became king. Taking advantage of the convenient moment, the king of Assyria created a coalition to destroy the Midians and Persians (the coalition included the legendary king Croesus). Thus began the great war that would determine which nation would form the basis of the Middle Eastern Empire. In this war, Cyrus became the leader of the army of the Persians as vassals on the side of Midia.

    A great deal of space in the book is taken up by the theme of preparations for war, and the central place in which was religious piety and the search for favorable signals from the gods (if you take any work of Xenophontes, this theme will always occupy the first place in importance). For that time these things were rather commonplace, and therefore Xenophon is hardly distinguished as a conservative, especially in a work about history, if such a tradition was really observed. Therefore, the specific example that his father gives to Cyrus, which is essentially an argumentation of “Protestant ethics(cf. even more vividly this ethics looks in the work Oeconomicus”), is much more attractive:

    Do you remember, my boy, how once I had this thought. After all, the gods have given people who are skillful in deeds a better life than those who are inept; the industrious ones are helped to reach their goals sooner than the inactive ones, the caring ones — to be more confident in their safety than the carefree ones. And since one must become exactly what one needs to be in order to succeed, it is only on this condition that one can appeal to the gods for any good.

    Religious piety correlates directly with the behavior of a successful person, and vice versa (cf. Calvinism). Cyrus adds that it is pointless to ask the gods for a good harvest if you do not know how to cultivate the soil well, etc., etc. So it turns out that nothing really depends on the gods, they only give formal confirmation that you are good. And besides this example, the father gives another admonition to his son on the literal subject of the “enlightened monarch” and says that if any ruler :

    … would be able to command other people, so that they would have everything they need in abundance and yet become what they should be, would this not seem to us in general the greatest feat, worthy of admiration and wonder?

    That is, it turns out that a good ruler should show his quality in the welfare of his subordinates (see “Hiero”, the next section of the article), and most importantly, in the education of their morals (cf. European classicism, Plato’s ideals, etc.). But since Cyrus was to manage the army only, for the time being, this question turned to the military plane. And apart from the platitudes about providing everything in the best possible way: provisions with logistics, health and morale, equipment, etc., there is a funny moment where Cyrus intended to invite doctors into the army to take care of the sick. But it was his father who responded that doctors for the army were… well… fucking unnecessary:

    The men you just mentioned are like craftsmen who mend tattered himati; after all, doctors only treat people when they get sick. A wise general would rather temper his warriors constantly, taking care of their health, than invite physicians. From the very beginning you should take measures to ensure that your army is not sick.

    And the main recipe for maintaining health (except for choosing a place for the camp away from the swamps) is asceticism in food and physical training, because if you do not exercise, you will become lazy, and the lazy, as you know, necessarily eat more. So it turns out that without physical training the army will have problems with provisions. In Cyru’s opinion, to inspire others and lead them to the enemy, he has supposedly already learned. And not in spite of, but even thanks to the fact that he was brought up in total obedience to his elders. Allegedly it is after a life of subordination — you yourself get the knowledge of how to subdue others (the science of “obey and command” was considered the main science in Sparta). However, Cyrus’ father explains that this method is only the first stage, and the real subjugation can only be quite sincere, based on the belief in the superiority of the leader, i.e. the commander should just be the best of the best, and people will pull themselves.

    After more instruction on strategy and tactics, Cyrus gets to the battlefield. Their army has 2.5 times fewer soldiers than the Assyrian Coalition, and of course they will win, overcoming such a minor difficulty. And of course virtue flourishes in their midst and they try to observe equality, if only in the division of booty and rations at common meals (but preferably also in duties). But it is also striking that Cyrus advises to create an army not only from fellow citizens, but from any worthy people at all. Another note of leftist egalitarianism in a traditional conservative text. And while Cyrus’ army, overcoming difficulties, defeated a stronger enemy, he himself was busy educating his soldiers. In addition to fostering a spirit of equality, he also fostered in them a hatred of hedonism, linking it to idleness and anti-social behavior:

    And very often the vicious attract many more people than the honest. Lured by the pleasure provided immediately, vice in this way recruits a lot of like-minded people, while virtue, showing a steep path to the heights, is not too attractive in the present, so that it is followed without much thought, especially when others draw you down the sloping and seductive path of vice (cf. the tale of Heracles, allegedly authored by the sophist Prodicus, which is known only from Xenophontus). By the way, those who are bad by their laziness and carelessness, bring harm only by the fact that, like chickens, live at the expense of others. Those who shirk work and show extraordinary energy, shamelessly seeking to seize a greater share of benefits, more than others entice people to the path of vice, because by their example they prove that meanness is often profitable. From such men we must emphatically purge our army.

    In other words, it is not at all surprising that Communists find the aristocratic and conservative literature of antiquity — their own base. This is yet another clear illustration in the spirit of “find 10 differences between right and left”.

    In order not to prolong the narrative, we will skip the scene with the subjugation of Armenia, although there was a lot of conservative moralizing there too. Having exemplarily tried the king for treason, Cyrus made him his friend. But it is not only masculine virtues that should be the constant focus of attention. Xenophonte does not forget the female bondage of chastity. Thus, after a long scene of the king of Armenia being brought into submission, we are shown a dialog between his son and his wife:

    When they arrived home, they spoke only of Cyrus: one extolled his wisdom, another his strength, another the meekness of his temper. There were others who praised his beauty and stateliness. Tigran asked his wife:
    — Armenian princess, did you find Cyrus so handsome too?
    — By Zeus,” she answered, ”I did not look at him at all.
    — Who did you look at then?
    — The one who said he’d give his life if he didn’t want to see me as a slave.

    The perfect Cyrus, the perfect Tigran and the perfect Armenian wife. And the ideal Cyrus wins in many respects by his peace-loving policy, and the whole thing resembles the same sweet panegyric that was written to the Spartan king Agesilaus (see “Agesilaus”, section below). Having subjugated Armenia, Cyrus learned that it was suffering greatly from raids by mountain tribes of Chaldeans, and to secure the rear, he decided to deal with it. “They were employed by all who needed hired soldiers, for they were distinguished for their bravery and were poor, for their land was mountainous and infertile”. Cyrus defeated the Chaldeans in battle without much trouble, and showed the same humanism as the idealized Agesilaus in order to gain their trust, i.e. released all the captives and transferred the wounded to a hospital for treatment. However, even if this is another ideal picture that is not connected to reality, it is still interesting what Xenophontus considers his ideal. And here we see the principles of creating a strong confederation on economic grounds (a kind of European Union with the rudiments of UN peacekeepers). This is a very important fragment if we want to understand the economic logic of ancient Greek philosophers.

    Is it not because you Chaldeans want to make peace, that by taking possession of these mountains and making peace, we have made your lives, as you have now realized, safer than when the war was going on?

    The Chaldeans answered in the affirmative, and Cyrus continued:
    — And if you also receive other benefits by making peace?
    — Then we would be even more pleased,” replied the Chaldeans.
    — You are considered poor only because your lands are not fertile, are you not?
    The Chaldeans also answered in the affirmative.
    So don’t you agree, — Cyrus then said, — to pay the same taxes as Armenians, if you are allowed to cultivate as much land in Armenia as you wish?

    The Chaldeans responded to this proposal with consent, but only on condition that they would not be wronged. Then Cyrus addressed a question to the Armenian king:
    — And you, Armenian king, do you agree that your now vacant lands should be cultivated by them on condition that they pay the taxes fixed by you?
    — I would give a lot for this to be realized,” replied the king, ”because the state’s income would then increase much more.
    And you, Chaldeans, possessing beautiful mountains, will you allow Armenians to graze their flocks here if they pay you justly?

    The Chaldeans agreed, for, according to them, they said, they would benefit greatlyfrom such an agreement , and without any additional labor.
    — And you, the Armenian king, would you like to use the pastures of the Chaldeans on condition of paying a small sum to the Chaldeans, but receiving a great benefit?
    — Very willingly, for I believe I shall graze my flocks in perfect safety.
    — Surely you will feel safe when the mountains are your allies? — Cyrus asked.

    The Armenian king agreed to this.
    — But we are ready to swear by Zeus, — said the Chaldeans, — that we will have no peace, not only in the land of Armenians, but even in ours, if these mountains belong to them.
    — And if the mountains are yours?
    — Then we shall be sure of our safety.
    — But, by Zeus, — said the Armenian king, — we will not be calm, if Chaldeans again occupy these peaks, and also fortified.

    Then Cyrus said:
    — So I will do as follows. I will not give any of you authority over these mountain peaks, and we will guard them ourselves. And if any of you commits an unjust act, we will take the side of the offended.

    The Armenians and Chaldeans, hearing this decision, praised Cyrus and said that only on this condition the peace concluded between them would be lasting. At the same time they exchanged pledges of allegiance and made an agreement that both their peoples would be free and independent. Marriages between men and women of both nations were legalized, the right of mutual cultivation and grazing was established, and a defensive alliance was made in case either party was attacked from outside.

    From interesting trivia: the ancients sacrificed not only to their gods, but also to the gods of the enemy, to lure them to their side and weaken the position of the enemy. This is what Cyrus did before the key battle of the first phase of the war. Without recounting the entire course of the battle, the Midians and Persians were able to defeat the coalition of Assyrians, and Cyrus decided to go in pursuit of the breakaway parts of the enemy’s general army, in the process gaining the support of some small states that were vassals of Assyria. The king of Midian remained in camp, fearing lest the pursuit end in defeat (and thus doomed Cyrus to glory, eventual victory, and Persian dominance). And having discovered in battles that the weakness of the Persian army was that it consisted mainly of infantry and could not cope without the Midian cavalry, Cyrus decides to create a cavalry in Persia itself (Xenophontes himself was of the horsemen class and very fond of cavalry, about which he wrote several special essays).

    While the military campaign in Assyria is successful, Cyrus already has a considerable part of the empire under his rule, and we are given an arch-typical description of his behavior, following which he again releases prisoners and gains the support of the local population, and even the first Assyrian defector he trusts as his own brother and brings him into the circle of the high command. It is true that here it is tried to show us that he acts with naked calculation, and treats the whole subordinate population as potential “informal” slaves, but still with a very humane general discourse.

    ‘We must now take care of two things,’ said Cyrus, ‘first, to become stronger than the masters of this country; secondly, to keep the population of the country in its place. A land inhabited by people is the most valuable possession, and when it becomes deserted, it is also deprived of all its riches. I know,” added Cyrus, ”that you have slaughtered the enemies who resisted, and you have done the right thing; that is what makes a victory enduring. Those who have surrendered their weapons you have brought with you as prisoners. But if we let them go now, I believe it will also be good for us. Firstly, we shall not have to watch out for them and guard them; secondly, we shall not have to feed them, for otherwise we would not starve them! Then, if we let them go, we shall have many more prisoners. For when we take possession of this land, all those who live in it will be our prisoners. And when they see their fellow tribesmen unharmed and free, they would rather stay at home and be submissive than fight us.

    Not to mention such qualities as knowing all his commanders by name, we are left to wonder whether Julius Caesar was really as humane and pansy towards his enemies and his own soldiers, or were these the same fictional stories and eulogies as those of Cyrus or Agesilaus? Or perhaps Cyrus, Agesilaus, and Caesar were all really like that? Or maybe only Caesar, because the information about him is the most reliable, with sources on both sides of the barricades? I don’t know. But the fact is that the image of the ruler-soldier, which draws Xenophontus, is popular in different eras, and similar features are attributed even to Napoleon Bonaparte.

    And so, while Cyrus achieved success after success, the king of Midia slept and drank in the camp. And having sobered up, he suddenly learned that a considerable part of his army had left after Cyrus, who, without reporting anything and without asking permission (you bet, if the tsar was out of access), had gained the support of many fallen peoples, etc., etc. Because of which the tsar was very indignant and began to suspect the preparation of a coup. But Cyrus, of course, did not intend anything bad and was the embodiment of holiness itself, and so even the army of the Midians was heartily on his side. And how could they not be fans of the Persians, if for the umpteenth time, showing a picture of a camp-shelter, we are reminded of the hatred of hedonism:

    As experienced riders do not get lost when sitting on a horse, and can see, hear and say what is necessary, so the Persians believe that at meals one should remain reasonable and observe the measure. And to enjoy eating and drinking is in their eyes an animal and even pig-like quality.

    Once again, knowing perfectly well that there are many orders of magnitude more enemies, Cyrus decides to simply go straight ahead with the expectation of panic in the camp of the enemy, so he simply storms Babylon head-on, relying on the advice of a familiar nobleman from the ruling class of Assyria. Still, having achieved some successes, he does not dare to storm such a fortified city. Instead, he returns closer to the camp of Midian to talk to the king and reduce the degree of tension. At the meeting with Cyrus, the king cried, realizing his own alleged insignificance on his background. The tsar was very offended that all successes are made by Cyrus, but the perfect diplomatic abilities of the perfect in everything Cyrus allowed them, at least formally, to reconcile. Before the second round of the campaign, again on the initiative of Cyrus, begins a major reform of the army, the construction of new siege guns and new sickle chariots. From an ordinary war it turns into a frankly conquest war.

    The reformed army of Cyrus was to be met by a new coalition, now led by the Lydian king Croesus and the Greeks of Asia Minor. All descriptions of the battles are, as usual, long and uninteresting. From the point of view of tactics here, as well as in general in almost all literature about the war, examples are simply ridiculous. With the pathos of a grandmaster of war, Cyrus tells us that it is better to put archers behind the infantrymen rather than in the front row; or that cavalry is better to hit the flanks and try to surround the enemy; or that too many rows in a formation makes the men in the back rows useless. It’s so basic and primitive that even a preschooler who first downloaded Total War can master it, but the ancient books on warfare repeatedly present it as something very wise. I never understood that… but I guess in a topic as dull as battles, you can’t write anything more interesting. Anyway, Cyrus won again, and again none of his friends died, so the children’s ride continues, and now the siege of Sardes and the capture of Asia Minor awaits him.

    However, Sardes he took literally for 5 lines of text, and as usual, nothing robbed, did not take slaves, and the defeated king Croesus became his friend and adviser in the campaigns. And even at this point in Cyrus’ retinue, one of his comrades finally died, albeit of little importance to the plot. This man’s wife, having said that everything would be fine and that she would find somewhere else to go, lied to Cyrus, and commits suicide over her husband’s body. Drama a la classic Euripides. Finally, Cyrus has his first trouble in the entire narrative! Admittedly, by this point the book is nearing its finale. Having conquered a number of more countries and expanded the number of warriors, Cyrus has gone to Babylon. Supposedly, he now has not only a qualitative but also a numerical advantage. Whereas before he had taken candy from children, now he could surely beat up an infant. But the Babylonians hid behind the most powerful walls, and stocked up on provisions for 20 years of siege. The only way to take the city is by stealth. Now Xenophontus retells the story of how Cyrus, having dug two bypass channels, changed the course of the Euphrates River, which ran right through the city, and was able to pass along the old course right inside the city.

    Cyrus himself also wanted to surround himself with such an environment, which in his opinion, befitted a king.

    Having become a full-fledged king, in fact already an emperor, he explained to his friends why he would now have little time to socialize with them. He begins to behave like a typical king, fearing the revenge of the conquered peoples — he creates a personal guard and surrounds himself with eunuchs. Like the typical tyrant from the dialog “Hiero”, Cyrus tries to keep the Babylonians on the edge of poverty, so that they feel more vulnerable and cling more to his regal figure (although in this case it is not considered something bad). In essence, Cyrus becomes a tyrant, but Xenophon tries to present it as if “this is different”. Cyrus does everything sincerely and openly, and he himself is a good man. And since his friends approve of everything, it is not a “tyranny” at all, but a normal, naturally occurring monarchy.

    Cyrus supposedly makes his ascetic ideals of a Spartan the standard of the state. Everyone believes that a monarch = a good father, and a good father keeps his family well off and his house in order. Of course, Cyrus makes religiosity the main pillar of society, believing it to be an excellent pillar for morality and mass obedience to the king. Here appears the basic model of functioning of the “enlightened monarch”: if the monarch is good, the society will be exemplary. Everything works through personal example and thirst for emulation by elites, and “bad” nations are the merits of bad monarchs.

    In order to convert others to the constant observance of temperance, he considered it especially important to show that he himself was not distracted from good deeds by thepleasures always available, but on the contrary, before funpleasures, he strove to work for a lofty goal. Acting in this way, Cyrus achieved at his court strict order, when the worst hurried to give way to the best and all treated each other with courtesy and respect. One could not meet anyone there who expressed his anger with shouting and his joy with insolent laughter; on the contrary, observing these people, one could conclude that they really lived in accordance with high ideals.

    All in all, on the throne, Cyrus simply reproduces the old Persian/Spartan orders on the scale of an entire empire. Educates obedience, chastity, modesty, religiosity, military spirit, etc. etc. etc. (in “Oeconomicus” he will add that in practice such a superhuman must also cultivate the land himself, also an important point for a valiant husband).

    Cyrus’ opinion that a man should not rule unless he surpasses the valor of his subjects is sufficiently confirmed both by all the above examples and by the fact that, exercising his men in this way, he tempered himself with even greater care, becoming accustomed to temperance and mastering military techniques and exercises.

    He educated them also to the habit of not spitting or blowing their nose in public, and not to turn around visibly at the sight of anyone, but to remain imperturbable. He believed that all this helps to appear in front of subordinates in a more honorable way 🧐.

    There will be nothing further to recount in detail. It will just be a set of repetitions of what has already been said. We were shown that the only threat to him were the nobles (the conquered peoples they lost = hee-hee, weaklings = not dangerous), but he made all the nobles his friends, and then founded the territorial division into satrapies and prepared the transfer of power to his son. The very king of Mydia, who was last shown to be resentful and suspicious, did nothing against Cyrus, and disappeared from the narrative altogether, and reappeared only at the very end to marry his daughter to Cyrus. In the end it turns out that all the kings, except for the murdered Assyrian — just voluntarily bowed down to Cyrus. Well, that’s because he’s a holy man. And on this holiness holds the whole monarchy.

    And the recipe for an ideal ruler is simple — be an alpha-male, a Spartan with combat experience, and that’s pretty much it. You don’t need anything else. Just don’t behave like an egregious bastard. That is, suppress aggression. Of course, for 99.9% of real “I’m a man” Spartans it is very difficult, so perhaps the ideal rulers are so rare. But as much as it may seem like some nonsense, that’s really the whole recipe for Xenophonte. In sum, “Cyropaedia” is the story of how an aristocrat, perfect from birth, received a perfect Spartan upbringing (“Lacedaemonian Politics”), went through military campaigns that made him a “man”, and without making a single misfire in his entire life, and without even once facing a real difficulty to overcome it — created an empire in which he conquered everyone with his perfection and raised a whole nation of superhumans by his example. This sounds like an extended version of the panegyric “Agesilaus,” but I assure you, Cyrus is more like a living human being than the Spartan king-Jesus we’ll talk about next.

    Agesilaus — the Son of God who died for our sins.

    In the work “Agesilaus” Xenophontes writes a dithyramb to his friend, and at the same time patron and king of Sparta. It is clear that here the Spartan way of life receives no less praise than in the “Lacedaemonian Polity”. Agesilaus is a descendant of Heracles, and his father was a king, son of a king, grandson of a king, etc., etc., i.e. the origin is as aristocratic as possible! Even better than the descent of King Cyrus.

    In as much as their lineage is the most glorious in the state, so glorious is their state itself in Hellas.

    Besides the fact that the king of Sparta is the best man in the universe and the embodiment of all virtues, Xenophon decides to describe his great deeds as a commander in wars with Persia and other Greeks. Here we see the figure of a kind and religious commander whom even his enemies want to serve, literally as in the Cyropaedia.

    Speaking to his soldiers, he often advised them not to treat prisoners [Persians, barbarians, essentially slaves] as criminals, but to guard them, remembering that they too are human beings.

    We saw the attitude to slaves as people in the work “Oeconomicus”. But of course, for convenience, we will continue to quote only Aristotle’s words about “talking tools”. Yes, this is a wicked irony and a reminder of how selective quoting works to serve the historian’s own ideas. But that’s not the point. More importantly, in Xenophon’s account, Agesilaus did not even enslave the cities, which made it easier for them to surrender to him without a fight. True, he immediately gives an example of mocking treatment of Persian slaves bought at the market, who were supposedly so weak and flabby that their naked display in front of a crowd of soldiers should have convinced the army that all Persians are weak, and it would be very easy to defeat them. These things do not contradict each other in Xenophon’s mind, and in his other book, the Greek History, the real image of Agesilaus more often than not falls into such contradiction with the idealized picture that Xenophon, with all his effort, fails, and inadvertently reveals the cynical behavior of his patron.


    And so, when Agesilaus had already supposedly begun to defeat Persia, as Alexander would later do, suddenly trouble came from the very heart of Greece! Almost all major cities (Athens, Thebes, Corinth, etc.) opposed Sparta, and the king had to return home urgently. On the holy man went … In all his actions the king allegedly never once in his entire life did not make a single mistake … he is literally holier and more sinless than Jesus. And that’s not an exaggeration. In this respect he is like Cyrus, but the latter at least behaved like a human being in everyday life, while Agesilaus is the epitome of stoicism.

    When Agesilaus received the news that in the battle of Corinth eight Spartans and almost ten thousand enemieswere killed , he was not at all happy and, sighing, said: «Alas, what sorrow has befallen Hellas! For if the now dead had remained alive, they would have been quite enough to triumph over all the barbarians!”.

    But in general, battles and the biography of the king are given a lot of space in this book, and it’s not particularly interesting (you can read the history of Sparta on Wikipedia). At first the idea was to just list what would seem interesting from an ideological point of view here. But alas, there is nothing interesting here at all. This book is simply a listing of all areas of human life to show how in each of them Agesilaus was the best on the entire planet Earth. And he could have the most expensive clothes and the best house, but also the most ascetic modesty, etc., and therefore he would not live in such a house on principle, and would go to a camp tent (this is an exaggeration, and there was literally no such example, but the essence is about the same, the king simply had nothing bad, not only in spiritual but also in material terms). All in all, Agesilaus is one of the benchmarks of sycophancy. It doesn’t add anything that wasn’t already said in the Cyropaedia, but it just adds another example to follow.

    Hiero — a most unfortunate tyrant

    Xenophon’s dialog “Hiero” is a conversation between the tyrant and the poet Simonides (a kind of “sophist” among poets), where in the process it is revealed that the tyrant is no different from other mortals, and that he even suffers more and enjoys life less than anyone else. Everything from food consumption, to national popularity, is enumerated. And everywhere the tyrant finds himself on the losing end. On the whole, the dialog is very simple, and in a sense still manifests the theme of noble poverty, which is raised in the dialog “Symposium” and even in “Oeconomicus”.

    As in “Oeconomicus”, classical sensualism, the compass of pleasures and sufferings, and the theme of the five organs of sensation come to the fore here. It is in a sensualistic way that the benefits for the tyrant are evaluated, and Xenophontes nowhere says that this is something bad, this methodology satisfied him in “Oeconomicus”, and satisfies him now. Even though it is the approach of the Sophists and the hedonist Aristippus. As a result, Simonides (which is strange, given his biography as a “sophist”), having sympathized with the poor tyrant, gives him recommendations on how to become a virtuous and enlightened monarch and earn the respect of the citizens of Greece. But if in “Cyropaedia” idealized the Persian monarch, and in “Agesilaus” — the king of Sparta, here we are talking about a man inherently flawed. It is obvious that Hiero did not go through all the circles of Spartan upbringing.

    So, the recipe for success is not complicated. Simonides advises punishments to be delegated to others, and all honors to be done independently in order to win the love of the citizens. The first thing he emphasizes is competition, which should be supported in all affairs, both domestic and public. Xenophontes had already voiced this idea in the Cyropaedia, encouraging soldiers to compete, and it is also heard in his economic works, and not only in them.

    And farming, the most useful of all occupations, but also the most unaccustomed to the use of competition in it, will increase rapidly, if in villages and fields to announce awards for those who best cultivate the land, and the citizens, with a special zeal for this turned their energies, will do many other useful things. The revenue will be increased, and sound temperance in the absence of leisure will hasten its return. In the same way, bad tendencies are much less likely to grow in people engaged in business.

    True, he admits that trade can be useful for the city of merchants, and competition will give its benefit here too. After all, it is better to be engaged in the business of trade than to be engaged in nothing. In general, tip #1 — a good ruler should motivate people to work better. Tip #2 — make personal bodyguards-mercenaries as servants of the whole state and guardians of order and law. Tip #3 — spend personal funds for the public good; and this is, in fact, the basic advice in general:

    For the public good, Hiero, you should not hesitate to spend money from your personal wealth. In fact, I believe that whatever a husband on a tyrannical throne spends on the needs of the city should rather be classed as a necessary expense than his spending on his personal possessions. … First of all, what do you think will do you more honor — a house decorated for an exorbitant price, or the whole city with walls, temples, colonnades, squares and ports? And weapons — what will inspire more fear in your enemies: you yourself, dressed in the most brilliant armor, or the whole city in worthy armor? Take revenues — will they be more plentiful if only your fortune turns, or if you manage to make the fortunes of all citizens turn? … Your competition is with the other chiefs of the cities, and if you alone of all achieve the highest prosperity for the city you rule, be assured that you will emerge victorious from the noblest and grandest competition possible for mortals.

    And the reward for this will be the universal adoration not only of your own citizens, but of all the people of Greece, both living and posterity. Such a tyrant will not be despised or considered a bad man. But if he deserves to be in such a high position, then it turns out that in the eyes of the citizens he is no longer a tyrant at all, and his status will change radically. To be a tyrant is to rule badly and to hold power by force. And if everything is voluntary, it is not tyranny. Xenophonte didn’t even quite realize what he had done. He blurred the lines between tyranny and aristocratic monarchy by making the criterion of evaluation solely the partisanship of the leader.

    Consider the fatherland as your possession, citizens as your comrades, friends as your children, and do not distinguish your sons from your own soul, and you shall try to surpass them all by your own benefactions. For if thou overpower thy friends in doing good deeds, thine enemies will no longer be able to resist thee. And if you fulfill all these things, be assured that you will be the possessor of the noblest and most blessed acquisition possible for mortals: you will be happy without causing envy by your happiness.

    But I was most attracted to the fragments of dialog that speak of love and friendship. In Xenophonte’s “Symposium” Socrates’ company talk a lot about their inner-group relations, and including sexual overtones, so the theme of love here is colored in purely entertaining tones. This may serve as proof for Marxist readers that there was no understanding of romantic love in antiquity (an opinion that is based only on the idealization of the false “meme” that the Greeks, all as one, dissolved their personality in the civic collective, which is refuted by dozens of examples even older than Xenophonte). But in the dialog “Hiero” Xenophont left quite a few fragments about quite traditional, “heterosexual” love with romantic overtones. This and many other fragments from other sources, including ancient lyrics, show that in antiquity there were not only ideas about personality and individuality, but also about romantic love, which, according to Engels, supposedly emerged only in the Middle Ages, together with chivalric romances. However, the theme of romantic love in different angles sounds in almost all of Xenophon’s works, including historical books. Here are examples from “Hiero” on the theme of love:

    We all know, of course, that pleasure brings much more joy if it is accompanied by love. But it is love that least of all wants to dwell in a tyrant, for the joy of love lies in the pursuit not of what is available, but of what is the object of hope. And just as a man who does not know thirst, will not enjoy drinking, so he who has not experienced love, has not experienced the sweetest of sexual pleasures. … Take, for example, the reciprocal glances of the one who is seized by reciprocal love — they are pleasant; pleasant are his questions, pleasant and answers; but most pleasant and stimulating to love struggle and arguments. But to take pleasure against the will of the adolescent, is, in my opinion, more like robbery than a love affair. … When a person is loved by others, those who love him feel pleasure in seeing him near themselves; they gladly do him good, miss him in his absence and with the greatest willingness to welcome his return, share with him the joy of his successes and rush to his aid as soon as they notice that he has failed in something.

  • Xenophonte’s “Symposium”: a review

    Xenophonte’s “Symposium”: a review

    Author of the text: Friedrich Hohenstaufen

    Russian and Ukrainian versions

    In general, a set of dialogues called “Symposium” is a story about a group of virtuous friends who get into hilarious situations and make vulgar jokes about each other. Behind the jokes, there is sometimes an irony that points to the virtue of each character. But besides the banal self-glorification of Socrates’ friends, we are interested in the following points. Socrates here is against people using perfumes (as elsewhere in Xenophontes he was against the use of spices for food, cosmetics for women, decorating the home, etc. cf. “Domostroi”). But this in itself would not be interesting if he did not add that the natural odor of people is better, and that it differs from person to person to such an extent that one can distinguish a person’s occupation and origin by smell.

    — So, perhaps, this is true for the young; but for us, who are no longer engaged in gymnastic exercises, what should we smell?
    — Virtue, by Zeus,” replied Socrates.

    To smell virtue is indeed something new. While explaining to us where to find a “perfumer”, Socrates quotes the most “fascist” and conserative-reactionary poet of the past generations, an admirer of aristocrats, Theognides:

    From the noble you will learn goodness; but if with the bad.
    Thou wilt lose thy former wit.

    In addition, it is interesting that Xenophontes paints the founder of the school of the Cynics, Antisthenes, as the most resentful and angry student of Socrates. And, at the same time, the most serious, who promotes the theses of Kinism even in such a humorous setting that it looks quite ridiculous. He even confesses his love to Socrates, almost without irony, and the latter ignores him on purpose. Offended, he pokes fun at the teacher. Including on the subject of “bringing up women”, saying that Socrates teaches everyone this art, but his wife is grumpy. Socrates replies that:

    And people who want to become good riders, as I see, take not the most humble horses, but hot ones: they think that if they can tame them, they can easily cope with all of them.

    The analogies are bombastic, “a wife is like a horse to be ridden”. No less vivid are the examples with dancers, admiring whom Socrates himself wanted to become a dancer. His friends laughed at him, saying that it is not a serious matter for a “real man”, but Socrates insists that in principle dancing is not a bad thing and useful for health, so Socrates’ friends bend in this matter, although they still do not want to dance, because it is shameful. Compared to Plutarch, who condemned and ridiculed dancing without any “buts”, here Xenophontus also does not look like such a rigid conservative as we are used to seeing him.

    In Xenophontes, the character of Socrates even appreciates the beauty of bodies, without censuring it as debauchery, and takes part in all elements of the feast as a very ordinary citizen (in the book “Memories of Socrates” there are even more such “controversial” moments, where Socrates is not a caricature Jesus, but a living person). He makes really ironic jokes, instead of that pseudo-irony in the spirit of “you are all so smart, and I am so stupid”, which we see in Plato. This character is much deeper, and more like a real character than the caricatured Socrates of Plato’s dialogues.

    — What is this? — Socrates said. — Are you bragging like this, thinking yourself more handsome than even me?
    — ‘Yes, by Zeus,’ answered Critobulus, ‘or I would be uglier than all the Silenus in the Satyr dramas.

    His pupils can afford various invectives, from which Socrates has to refuse or joke: “But why, Socrates, do you scare us, your friends, away from handsome men, while you yourself, by Apollo, as I once saw, leaned your head against Critobulus’ head and your naked shoulder against his naked shoulder, when you both were looking for something in the same book at the schoolmaster’s?”. But still, even with all the atypical frivolities that make Xenophon more “liberal” than Plato, his writings are full of the fattest conservatism. His heroes literally memorize Homer by heart, condemn the bourgeois way of life in general, ridicule sophists, adore aristocracy and directly push carts with approval of slavery, racism, etc. This is what Xenophontus is good for, that he combines contradictory traits.

    Characters of the work, political-ideological context

    This is as far as the ideological content is concerned. But other, indirect parameters, i.e. the historical characters used here, are no less important. First of all, the figure of the organizer of the feast is important — it is Callius, the richest man in Greece. The attitude of Socrates’ circle to the “richest” is a well-known thing, so Callius acts as a clown in “Symposium”. Everyone makes fun of him, giving him praise, which he does not deserve, and he does not realize. It was said that he liked to host famous sophists and spent a lot of money on them, wishing to borrow wisdom from them and to be known as a scholar. This theme is played out in the “Pyre”. For example, when Callius invited Socrates to a feast, a dialog immediately broke out between them:

    Socrates: All you mock and despise us, because you gave a lot of money to Protagoras to learn wisdom from him, and Gorgias, and Prodicus, and many others; and you look at us as self-taught in philosophy.
    — ‘Yes,’ answered Callius, ‘I have before concealed from you that I could say many clever things, but now, if I have you, I will show you that I deserve your full attention.

    Needless to say, he could learn nothing good from the sophists, except that one should despise Socrates’ party. This theme is repeated once more in the middle of the text, when Socrates proves that Antisthenes-kinicus was an excellent panderer, he says:

    I know that you drew our Callius to the wise Prodicus, seeing that Callius was in love with philosophy, and Prodicus needed money; I know that you drew him to Hippias of Elida, from whom he had learned the art of remembering, and from then on he became even more in love, because he never forgets anything beautiful that he sees.

    Niceratus, the chief companion of Callius, is no better. He is the son of the famous commander Nicius (a moderate democrat), a lover of Homer, who knew his poems by heart. He was executed during the reign of the “Thirty Tyrants” in 404. At the same time was executed and Autolycus, the lover of Callius, in whose honor he and arranged a feast. But Lycon, Autolycus’ father and an impoverished aristocrat, who is also present at the feast, survived the tyranny, and later, with Meletus and Anitus, was Socrates’ prosecutor in his trial. This is the democratic part of the party, most of whom suffered at the hands of Socrates’ disciple, Critias, during his tyranny.

    But the future murderers of the democrats were also present at this feast. Harmidus was a relative of Plato and Critias, and an accomplice to tyranny. Originally he was rich, but at the time described, as a result of the devastation of Attica by the Spartans at the beginning of the Peloponnesian War, he lost his fortune (nevertheless, he was not offended by the Spartans, he took it with understanding). He was close to Socrates, who persuaded him to take part in public affairs. He was killed in a battle with the democrats in 403, in the process of overthrowing tyranny. Socrates’ friends Hermogenes and Critobulus are also present.

    Hermogenes was the half-brother of Callius, but unlike him he was poor and joined Socrates. In some sources, he is considered a disciple of Parmenides and a teacher of Plato (i.e. a link). Xenophontes’ book with reminiscences about Socrates was written according to Hermogenes’ testimonies. He was engaged in politics and after the execution of Socrates and the return of democracy. Critobulus is the son of Criton, one of Socrates’ best friends. In the dialogues he is portrayed as a man very handsome and proud of his beauty, inclined to hedonism. According to other students of Socrates, he led a bad way of life and learned nothing from Socrates (thus Socrates brought up dubious personalities not only in the person of Critias and Alkibiades, but also at least Critobulus, Aristippus and Antisthenes). However, his father, after Socrates’ death, suddenly disappeared from all radars and stopped practicing philosophy.

    So all these people, in the future enemies of each other, at this time could still communicate in a close circle. These are important moments for us, because they help us to understand both the trial of Socrates and the political views of his circle.

  • A review of Xenophonte’s «Oeconomicus»

    A review of Xenophonte’s «Oeconomicus»

    Author of the text: Friedrich Hohenstaufen

    Russian and Ukrainian versions

    Considering the book called “Oeconomicus”, we will focus mainly on what interests us in terms of revealing Xenophon’s ethical-political and philosophical outlook, and in addition we will consider a very atypical work “On Income”, but first — “Oeconomicus”. Philosophical elements appear here almost immediately. Speaking by the mouth of Socrates’ disciple Critobulus, we are advised to evaluate things as “gain” and “loss” through their benefit and harm, and then Xenophontes introduces a sensualistic criterion. Then he (Socrates) shows that people can be slaves of the passions, and this is worse than physical slavery and clearly harmful to the economy. But the hero, who proves himself to be an honorable man, is not afraid of this danger. Nevertheless, even though he is 100 times richer than Socrates, with his high position in Athens these funds are not enough, and he wants to learn how to better manage the household. Socrates, who has no farm and therefore has no experience, cannot ostensibly help in any way, but will still try to analyze what he has observed from others.

    In essence, he advises being a diligent worker. Work harder — better results. On the other hand, we are clearly advised to moderate our consumption, so that in the end, income exceeds consumption. Simply put, almost from the very beginning, the banal “Protestant” ethic is proposed. The house should be organized strictly according to feng shui, so that all things lie in their places, you need order, discipline, strictness, Sparta. But here he introduces the family, and assigns to the husband the task of a provider, and to the wife… an expendable. And the increase in wealth depends only on the wife. If she is bad, there will be ruin, if she is good, then regardless of the level of her husband’s income, she will be able to leave a profit (it does not matter how much, the main thing is that the budget was in the plus). Thus Xenophont removes from the man all responsibility for the household and shifts it to the woman. As a compensation he only adds that in some cases the husband himself is guilty of bad education of the wife (although it is assumed that the wife is simply unlearned and stubborn), but his analogy is at the level of:

    “If the sheep is bad, we usually blame the shepherd, and if the horse has faults, we blame the rider; as for the woman…”

    It is clear that Xenophon’s «Oeconomicus» is a typical philistine guide in the spirit of conservatism, both ethical and economic. Further it will only be confirmed by a number of examples. For example, it says here that craftsmanship is harmful to body and soul, and in general does not befit a noble man (a false meme, which we challenged in the article “Marx does not understand the Greeks”). And here he also extols farming, the Spartan way of life and condemns the building of defensive walls that create weak and cowardly citizens.

    «Shall we be ashamed to follow the example of the Persian king? He, it is said, considers one of the noblest and most necessary occupations to be agriculture and the art of war, and takes extreme care of both.»

    Xenophontes (through Socrates) uses the state structure of Persia as an example of good economic management at the level of a whole country, but it can also be used by analogy from individual farms. And it is desirable to do farming literally, with your own hands, to be a strong warrior and a real man. A separate block is the instruction “how to bring up a wife properly”, which is reduced to the fact that “God has adapted: the nature of woman for domestic labor and care, and the nature of man — for external”, and to the standard kitchen-children-home, sit and stay down. However, for that time this was the norm for “liberal” thinkers as well; but in the case of Xenophonte, it complements the image of a conservative quite well. Like Prudon in “Pornocracy,” he paints a world where women and men complement each other’s shortcomings. And Xenophontes’ basic analogy for how one should act in domestic matters, just like the socialists of the future, connects with the bees in the hive.

    Basically, he teaches his wife the same things that were discussed above — “Protestant” ethics, order and discipline. His house is not decorated on principle (in the dialog “Gieron” he is still fundamentally against spices for food), and his wife also does not use cosmetics and beautiful things on principle. Everything must be strict and primitive, as in Sparta, justifying it with the advantages of natural over artificial (roughly like the logic of those fighting against GMOs and for the Soviet GOST).

    In addition, Xenophontus tries to describe how to conduct business in agriculture, advises to choose a slave as a manager, who should be taught everything that you know yourself, and by his good disposition almost bring him into the family circle, so that he could perfectly cope with affairs in your absence (such “liberalism” with regard to managing slaves is also found in Roman manuals on agriculture, and to some extent it applies to managed slaves as well). In principle, Xenophontus is even less strict here than the Roman Cato, which is even somewhat surprising. Contrary to all the scaremongering of Marxism, slaves here are called “human beings.” But the analogies he uses to educate women, slaves, and children (and not always with the intent to demean) are analogies to animal training. On the one hand, this is crude Spartan conservatism, but on the other hand, he is not ashamed to put man and animal on the same level, although recognizing the differences between humans. Against the background of Christian morality, even of 21st century people, this could even be seen as an unprecedented level of liberalism.

    With all these means, which I myself apply, expecting to make people more obedient, I teach those whom I want to put in charge, and I also help them with this: clothes and shoes, which I have to give to the workers, I do not make all the same, but some worse, others better, so that it is possible to give to a good worker as a reward what is better, and to a bad one what is worse. It seems to me, Socrates,” he remarked, ”good workers have a feeling of disappointment when they see that the work is done by them and yet the same reward is given to those who are not willing to bear the labor or the danger at the right moment. That is why I myself by no means equalize the rewards of good workers with bad ones and praise the manager when he distributes the best things to the most deserving.

    It is not a fact that we are talking about slaves here (although it is hinted at by the fact that he dresses and shoes them himself, and other fragments where “workers” need supervisors, etc.), but this is not only a bourgeois principle of competition and fair remuneration for labor, but also another example of the “liberal” ideal. And then there are purely technical sections about soil properties, fertilizers, sowing, harvesting, etc. As a result, we see not even the most rigid for antiquity guidelines on household affairs, but clearly different from the recommendations of the Sophists, who were not opponents of walls, were not enemies of craft and trade, were not supporters of aristocracy and farmers, and preached neither moderation nor accumulation of capital (see “Anonymus Iamblichi”, “Dissoi logoi” and in general our cycle on the philosophy of the Sophists).

    On income, or Xenophonte as a liberal

    In his work “On Revenue”, Xenophontes asks whether Athens can maintain its luxurious standard of living without plundering the subordinate cities of its “allies”, purely on its own, in a mode of autarky. And will try to prove that yes, they can. After all, Athens is in a great climate zone and most importantly, has silver mines.

    One might also think that the city of Athenians is not without purpose located near the center of Hellas and even the entire universe.

    As we said in the article “Marxism-Xenophonticism”, this work of Xenophon is designed to offer an ideal plan to overcome the crisis. But in reality this plan was not put into action. Therefore, Soviet reconstructions of the Athenian economy based on this work are obviously wrong. So, according to this ideal plan, Athens needed to seriously expand the rights of metics  (non-citizens), keeping a special tax for them, which would have brought serious revenues. He proposes state patronage for merchants and shipbuilders. He suggests reducing bureaucracy to make business easier and make Athens an attractive center for trade. He also realizes that it takes large investments to establish large enterprises. But he believes that if the Athenians could chip in for large military campaigns, they can chip in for large businesses, so that they can receive a steady income as shareholders (as opposed to a net loss on the army). And even after that he proposes that strange utopian financial “pyramid” of buying slaves for the mines, as discussed in the article about Marx. From the above, it is clear that Xenophontus prefers to invest in business instead of subsidizing war. But he goes even further in terms of praising peace policy:

    It is obvious that, for all revenues to flow in abundance, peace is necessary. But in such a case, should not the office of peace keepers be established? After all, the election of such officials would encourage all people to come to our city more willingly and in greater numbers. If anyone thinks that by constantly pursuing a peaceful policy the state will become less strong, less glorious and less influential in Hellas, I must say that he is mistaken: For it is not without reason that it is said that the happiest states are those which live longest in peace; and of all states Athens has the greatest capacity for development in times of peace.

    Most of these are very liberal measures, as for a conservative, although they do concern public (not private) investment and public revenues. True here as well:

    You see, in the same way, private individuals, by banding together in companies and sharing all fortunes and failures with each other, are less exposed to danger in this risky enterprise. And of course you must not be afraid that with this method of mine development the State will embarrass private individuals or, on the contrary, that private individuals will embarrass the State.

    This is far from the first time that Xenophontes has written things that don’t fit the standard description of him as a hardened reactionary and fan of Sparta (though all of that is certainly true as well). Including economic issues, we have already seen in the work “Cyropaedia” how he proposed an international confederation based on economic grounds, and in the work “Hiero” he proposed to promote competition as much as possible for the effective development of the city’s economy.

  • The content of the tragedy “Alcestis” by Euripides

    The content of the tragedy “Alcestis” by Euripides

    Author of the text: Friedrich Hohenstaufen
    Written in 2021

    Russian and Ukrainian versions

    Of the surviving tragedies of Euripides, the oldest by chronology was the drama “Alcestis” staged in 438 BC. It was staged together with the now lost plays “Cretans”, “Telephus” and “Alkmeon in Psophida”. In that year at the competition tragedians this tetralogy took second place, and the first was taken by none other than Sophocles himself. Of the undelivered plays potentially interesting could be “Cretans” — the story of the Cretan princess Aeropa, secretly in love with a young warrior. Upon learning of this, the angry father ordered a Greek sailor to drown the princess in the sea, but he took pity on the girl and took her to Greece. Ancient authors tell us that the beautiful arias from this tragedy, in which Aerope poured out her failed love, were sung in Athens long after the poet himself had already died. The theme of romantic love, therefore, already in the earliest work of Euripides, comes to the surface in a very powerful stream, and Euripides was appreciated from the very beginning for his melodramatic nature. But we had better turn to the only surviving tragedy of this cycle, the myth of Alcestis. In a very brief form, the plot of the play is as follows: Alcestis agreed to sacrifice her life in order to save her husband, the king of Feres named Admet. But the hero Heracles, who was visiting Thera at the time, defeated the “demon of death” in battle and brought Alcestis back to the world of the living. The hero Admetus was a character who also appeared in the myths of the Caledonian Hunt, and even in the myths of the Argonauts, i.e. this is a very large figure, equal to the Athenian Theseus. From the backstory, which Euripides tells us, we know that the god Apollo himself served Admetus as a shepherd (he was punished by Zeus for his transgression with this slavery), and it was he who, in order to save the king, obtained from the Moires themselves that in case of the date of his death someone else would go to Hades. It is Alcestis who becomes this “other”.

    Despite the fact that female characters play major roles in most of Euripides’ plays, ancient comic poets (especially conservative ones like Aristophanes) tended to portray Euripides as a complete misogynist. We will return to this theme many times, but it is already worth saying here that on the whole this makes sense. Euripides is often justified by the fact that he wrote the feminist play Medea, which is full of compassion for women, and this is true (although Medea is not a good character). The mere fact that women are constantly cast in the lead roles should tell you something. And lovers of stoic and heroic pathos can even say that Euripides’ women are masculine, i.e. “sublime”, so he is not just not a misogynist, but praises women as equal to men. The image of Alcestis sacrificing herself for her husband is the first in a series of such examples. From this we could conclude that “misogyny” from the critics’ point of view consisted only in the fact that the female characters of Euripides were too “masculine” in their character, and this meant only that the poet did not like to portray “feminine” women (and dislike of femininity is the same as dislike of women as such). But in most cases, women sacrifice themselves for men, women are instructed, unless there is a force majeure case, to stay at home and fulfill all patriarchal norms. And in some plays one can even realize that by showing strong-willed women, Euripides is appealing to men not to be inferior to women. His motivation most often seems dubious and far from feminism and any progressive ideas (often women put the greatness of the state above their lives). And the emphases he places are also typical. Euripides will contrast the right women, who are a minority in society (or even only in his plays), with the “typical woman” from real life, and in this respect he expresses a quite contemptuous attitude towards the opposite sex. Even so, we still cannot say that Euripides was a stranger to sentimentality; for example, he was the first of the playwrights who treated the subject, who brought Alcestis‘ children on stage to bid farewell to their mother. Love for solid characters and stoic virtues does not cancel the fact that Euripides sees humanity in man, and recognizes the legitimacy of many mental weaknesses. However, it is also impossible to “justify” the poet by saying that he was definitely not a misogynist. In “Alcestis” and “Medea” notes of anti-feminism are not yet so noticeable, but in the following plays they will be more and more.


    As a work, “Alcestis” immediately breaks out of the already familiar range of plays, since it is a tragedy with comedic elements, although it is not presented as a “satyr drama”. That is to say, these are the first conscious tragicomic productions in history; and Euripides himself may be regarded as the antique counterpart of the bourgeois “bourgeois drama” which would supposedly emerge only in the Modern Age. This tragedy was staged in the greatest chronological proximity to Sophocles’ Antigone as well. Similarities in these writers, however, are found a little, and only with the three first chronologically Sophocles’ plays. In “The Trachiniae”, “Ajax” and “Antigone” we see Sophocles, who was still in extreme proximity to Pericles and his court, living in an atmosphere of sophistry ideas. In this period of Sophocles’ work, he was interested in the women’s question, the natural equality of people and the conditionality of slavery, the superiority of knowledge over faith, and the erection, on this ideological basis, almost full-fledged “Stoic” ethics. He promotes the theme of humanism and sympathy even towards slaves; he shows that women too are capable of fortitude and prudence, and that love (passion) leads not only Dejanira, but also the courageous Heracles! All these themes have only been hinted at by him, but have not yet been put in all seriousness, nor fully revealed. Just all this will be done by Euripides.

    As usual, we will consider first of all worldview moments, the place of Euripides’ poetry in the history of ideological development, philosophical and political agenda of Greece. In this respect, it is immediately striking that the aristocratic god Apollo is portrayed in the play in slightly negative tones. It is not enough for the god that he has saved a friend by giving the life of his wife in return. Now he goes to take Alcestis with a gun in his hands, risking to violate the divine laws, and all this just to please his friend again:

    (Demon of Death) What have you forgotten? Why are you wandering around
    Wandering, Phebus, and again
    From the underbottom.
    Why, offender, why do you take them away?
    Or is it not enough for you that Admetus
    that you prevented his death, that by art
    of the maidens of fate?
    Why dost thou take up thy bow with thy hand?
    Did not Pelias’ daughter herself
    who was willing to die for her husband?
    (Apollo) Dare: only truth and glory are with me.
    (Demon) Only truth? What’s this bow for?
    (Apollo) It’s a habit, demon.
    (Demon) To help houses like this one,
    At least against the truth, god, isn’t it?

    We are shown here a very dubious god who argues by force, and resorts to tricks to break laws and justice; although to his credit, against the background of the same Hercules, he does not use force. But it is hard to say that the god’s behavior here is morally approved. In the same dialog, Euripides goes further, recalling the political engagement of this deity:

    (Demon) Is your law designed for the rich?
    (Apollo ironically) What a fine mind… Who could have expected it?
    (Demon continuing) Until old age from Death to buy off….
    (Apollo silent) So, Alcestis me you will not give me?
    (Demon) Yes, I will not. You know my character …

    The fact that the play’s protagonist, Alcestis, is an admirable person is told almost head-on in the boldest of strokes; and one of the main reasons for this assessment is that she sacrifices herself to save her husband. The very fact of her self-sacrifice makes her “the best of women,” also because by doing so she demonstrates the highest degree of love and devotion. Therefore, when such an important character dies, Euripides shows us a whole ocean of emotions; the suffering of the husband and wife because of the forced separation, the grief of their children, and even a sense of horror at the premonition of death in Alcestis herself. Unlike other playwrights who tried to emphasize the pathos of the sacrificial scenes by demonstrating the stoic will of the characters, Alcestis (still holding her own) shows weakness and fear of the afterlife. Technically, from a classical perspective, this should have diminished the value of her sacrifice; but in fact Euripides only increases the audience’s compassion, and greatly improves the emotional dynamics of the scene. Alcestis gives her final instructions to her children and husband (including remembering to jealously forbid him to find a new wife, lest she plot against their children) and departs for Hades.

    The Alcestis bids farewell to her family.

    This whole scene is extremely overloaded with emotions. In some places it looks even better than Sophocles‘, but in other places, on the contrary, it is too much, which makes the performance begin to look unrealistic (cf. the stage behavior of 18th- and 19th-century society ladies, with the popular culture of “fainting”). At all times, from antiquity to our time, theorists and practitioners of art say that Euripides was a realist, while Sophocles idealized people, wanting to educate them in new, more “high” qualities. Therefore, Euripides was evaluated a little worse than the same Sophocles. But here even on the example of “Alcestis” we see exactly the same idealization of high and noble qualities of man. It is just that Euripides wished to cultivate somewhat different qualities, less “sublimely stoic” and more sensual-humanistic (we would say “epicurean”). The fact that Euripides was later considered a “lowly” poet is probably due to a perverse association with a number of false dichotomies (reason/feeling, good/evil, older/younger, male/female, white/black, virtue/dissoluteness, Romans/Greeks, Stoics/Epicureans, etc.). If we look at Alcestis, the characters of “exalted” characters are found here even more often than in the idealized works of Sophocles. The only question is the specific forms of this “sublimity”, and it varies.

    Returning to the first scene, to the conversation between Apollo and the demon of death, it is worth reminding that Apollo failed to defeat the demon, but in the best traditions of his image, this god gives a prediction. He says that Heracles will appear in the city and will take the girl to the world of the living. And so, after the scene with Alcestis‘ farewell, in the very next act Heracles arrives in the city. I.e. the motif of divine fate and determinism still penetrates Euripides’ work.

    Father-child conflict

    In the scene of Alcestis‘ funeral, we see another motif that distinguishes Euripides from all the previous plays of Aeschylus and Sophocles. Admetus’ father has come to bid farewell to Alcestis; but the son despises his old father, for the father, who already had little left, was unwilling to sacrifice himself to save his son; or since the role of sacrifice was chosen by Alcestis, the old man could have saved the girl by insisting on a substitute sacrifice. Since the father did not do this even for the sake of his own son, and by doing so he supposedly lost his “virtue”, his presence at the funeral is now perceived by Admetus as an insult to the memory of his wife, and to him personally (it should be understood that Admetus himself could not die, because Apollo arbitrarily decided to rewrite his fate, and someone must necessarily die in his place, but who exactly — it was not precisely prescribed, so there was still room for variation here). Not only the general idea of what is happening on stage, but also the narrative itself changes greatly. Sophocles never, even in moments when the “fathers” were extremely wrong, allowed their “children” such harsh expressions as we see below:

    Over the youth you ruined,
    Do you now come to weep? Condemned
    Before men enough, hardly
    You were even my father, old man.
    […]
    Your age was so short. What feat of sacrifice
    Thou couldst accomplish by thy sacrifice,
    What glory.
    Here
    Thou hast experienced all the happiness of man:
    Thou hast been king from the youngest nails,
    Thou hast had an heir. Behind thee
    All things would not have fallen to ruin. Thou darest not
    Thou darest say, surely, that I have insulted thy old age.
    I have insulted thy old age, that I have not been
    honorable. Oh, for my cares
    You and your mother have paid me handsomely.
    Please hurry up and have more children.
    More children, old man, or else who will be there
    to feed you, and if at last
    You die, who’ll clean up your corpse, who’ll carry it out?
    Who’s gonna take care of your corpse? Not me, not Admet.

    Of course, the society of “elders” from the choir, and the father himself, strongly object to such an impertinent tone. It could not have been otherwise:

    But what a tone, my son! Did you buy yourself a Lydian
    Or did you buy a Phrygian slave?
    I advise you to remember: a Thessalian,
    The free son of a free father.
    before thee. But your childish words
    cannot hurt me. I bore you
    I brought you up to give you your father’s house.
    To give thee, not that I should give thee,
    To buy you back from death with my life.

    The father’s argumentation is simple, the son cannot reproach him for his cowardice before death, because he himself is cowardly and allowed his wife to die in his place (a strong argument, but not really, if Admetus really had no choice because of Apollo, though the father does not know about it). Further reasoning in the dialog concerns whose life is more precious, the old man’s or the young man’s. And the question of “life-love” as such is raised separately here:

    You love life yourself, it seems. In your father
    Why don’t you want to recognize the same love?
    […]
    And you have the spirit to reproach others
    to reproach what you yourself are guilty of.
    Silence, child, we are all of us life-loving.
    I will answer to your scolding with sternness.

    The ideological motive of this dispute is obvious; it is all the more interesting because here the “old man” — the very one who is supposed to embody Sophocles’ “stoic” ideals — rationally justifies his vitality, even when his son demands that he be conventionally virtuous. Euripides generally agrees with the elder, since his son could not challenge any of his assertions, and began simply to press the old morality, the images of valiant death.

    (Admetus) But death will not bring you glory.
    (Feretus) No glory reaches the dead.

    By design, in the eyes of the theater’s conservative audience, the elder is supposed to be “downright” wrong, which in itself is a break in the pattern. And what is more, the chorus of elders chants that the young man should not argue with his father (which is generally “right” in the eyes of the audience); but this formal deference to the elders actually justifies a “lowly” attitude to notions of honor. Even in the very arrangement of roles there is a considerable irony over the “high” poetry of Euripides’ contemporaries. As for Euripides’ own position, it is ambiguous and will eventually lean to the “right”. He cannot dispute the arguments of the elder, but he does not want to fully sign under them either. For Euripides himself, the theme of “glorious death” is of great importance, and he will still try to justify this theme in his later works. Perhaps here, too, he sides with Admetus, but for some reason has made his father’s argument stronger. In that case, it’s a failure.

    Manifesto of Hedonism

    No sooner does the viewer recover from the violation of the “logic of virtue” that he has seen, than we are immediately shown Heracles feasting and visiting Admetus. And again strange things: everyone around knows about the mourning in the house of Admetus, massively dressed in black clothes, but Heracles does not prevent him from feasting! Why does everyone wear mourning? Sure, he even tried to leave, and yes, Admetus himself made his friend stay, out of hospitality, but does that justify such carelessness? Hercules in the story did not know that Alcestis was exactly dead (though he knew, or guessed, that she was near death!), and on this is built the attempt to justify him. But with or without justification, further events do not fit into any picture of the traditional hero’s appearance.

    Even the slave of Admetus (!) grieves, considering Heracles’ behavior inappropriate. And we remind you once again that Heracles in the plays of the previous authors, as well as in the Greek logic of myths in general, is an extremely “stoic” character, the embodiment of warrior virtue. Here, however, he is initially painted in rather negative colors, even against the background of a slave. And so, when Heracles finds that the slave serves him with obvious discontent; what does the hero decide to say about it? Does he try to find out what the cause is? No! “The embodiment of the virtues” Heracles lays out a little manifesto of hedonism to the slave!

    You! Why lookest thou sullenly, why art thou.
    What cares thee, slave? When thou hast served thy guests,
    Thou shalt not make them uncomfortable with a sad face,
    Be cheerful. Thou hast before thee a companion
    and thou hast puffed up thy face,
    and you frown, for the trouble of others…
    Come here, learn, you’ll be smarter:
    Do you know what our life is?
    Come,
    Don’t you know, slave? No one knows,
    If he’ll be alive in the morning. Our destiny
    No science can tell us the way,
    nor cunning can buy its secrets.
    Think it over and have fun. Behind the cup
    A day is yours, but tomorrow, someone else’s tomorrow?
    Thou of the gods art almost special, friend,
    The sweetest of mortal gods, Cypris.
    And all other things aside! My
    If I seem right to you, follow my words.
    If I seem right.
    Come with me,
    (clapping him on the shoulder)
    And we’ll adorn ourselves with wreaths
    From your gloomy thoughts the cheerful splash of wine.
    On your goblet, believe me, you’ll sail away.
    But to the pompous and gloomy, if thou take my judgment.
    Thou wilt accept my judgment, not life but torment.

    Is this not another insult to the whole “virtuous” public? But to somehow smooth things over for the further plot, we are reminded that Heracles did not know about Alcesta’s death; he himself is fiercely indignant when he learns about it from a slave, and even realizes that his behavior was improper. But has his position — «of the gods almost especially, friend, the sweetest to a mortal, Cypris”- ceased to be his position? Certainly not. The image of Hercules is greatly altered here.

    A love story

    Despite the fact that “deception is bad,” Hercules is not angry at his friend, and decides to help. In many ways, he does so because of the same principle of hospitality. Admetus, even in mourning, did not want to reject his friend and burden him with his troubles, and perhaps he was wrong here; but the guest was well received, and so must, as it were… repay the good reception. So Heracles goes to Hades, where he defeats the demon of death in battle (thus fulfilling Apollo’s prophecy from the beginning of the play), takes Alcestis, and places her in the hands of his friend.

    With heavy right hand struck
    He did not deprive me of my feast,
    He honored in me so noble a guest.
    In Thessaly, in all Hellas.
    Who can compare with him in hospitality?

    Euripides talks a lot about fate in these last scenes, as if trying to further justify the deed of Admetus (that he gave his wife instead of himself, did not prevent her), and shows us an amusing scene of exactly how Heracles hands Alcestis back. He doesn’t reveal her name first (!), as if playing a game with Admetus. He does this so that in front of his wife he can reaffirm his loyalty to her, and after that she would reveal her identity to him. Everything goes according to plan and we get a happy ending. The gods did not punish Admetus for his impertinent words towards his father; and Heracles did not lose his valor, even though he was clearly nihilistic. On the whole, everyone should be satisfied (Happy End), but Euripides still left quite a few ideological barbs in the direction of the “mainstream” of his time.

    Heracles brings back Alcestis

    What is separately striking is that we get very atypical characters and an atypical plot. The main characters are idealized lovers. Their tragedy is built on their personal, inner feelings, on their love. To make such a plot the central theme, and even so that no one died, is highly unusual for the theater of that time. So there is also an atypical image for the father, an atypical image of Hercules and an atypical image of Apollo! If we try to describe the main innovations of this play, they are as follows:

    • more expression and feeling than ever before;
    • innovations with the presentation of material (silent tearful scenes and musical intermissions between acts, flashbacks and hallucinatory images);
    • paying attention to characters’ feelings and less “high” pathos;
    • deconstructing old characters and trolling the aristocratic notions to which Sophocles and Aeschylus clung.
    • The image of the “noble slave” emerges, a man of high spirits, highly sympathetic to his masters.

    Another important difference between Euripides and Sophocles (even the early ones) was the development of an intrinsic motivation for suicide for their characters. In Sophocles, suicide is most often committed out of shame for some transgression, or out of fear of punishment; this emphasizes how terrible the transgression was, that it is even unbearable to live afterwards. In Euripides it is the opposite, the motivation is explained by his own desire and good motives, the desire to make a sacrifice to save someone, and by this to show how great was the love.

    But the central theme of the play, if not in substance, then in form, is of course the importance of hospitality. Even in parting, Heracles reminds Admetus once again: And you yourself, always be just and honor your guest.” This is, literally, the “moral of the fable.” But if we were to reveal the plot of the play through the theme of hospitality, then all other moments would have to be relegated to the background. And this theme is essentially irrelevant. We can only note that the behavior of the characters, built around the notions of etiquette — quite traditional and patriarchal, and by making this theme the main theme, Euripides brings to the forefront the notion of moral duty of Heracles. Without this point, it might seem that Euripides is quite the “sophist” and has strayed far from the morals of his contemporaries. Of course, this is not true, but he took the place of “dramatic philosopher” for a reason, so that the “sophistic” elements in his work are significant, and more significant than in any other famous tragedian.

  • Pre-Philosophy: The Nine Lyricists

    Pre-Philosophy: The Nine Lyricists

    Author of the text: Friedrich Hohenstaufen
    Written in 2019

    Russian and Ukrainian versions

    After the above-mentioned five semi-mythical characters and poets of the “Cyclic” — follows the epoch of the “sages” (which, by the way, is very funny, because the word “philosopher” means a lover of wisdom, and “sage” therefore stands above “philosopher”). But the same “Cyclic” poets had other lyricist contemporaries, so before I go on to the “sages,” I will not overlook these men. Some of the early poets were direct contemporaries of the later Nine Lyrics and Seven Wise Men, but these two groups will be separated into separate sections, and we will begin with the lyricists who were contemporaries of Cyclic poets.

    Lyric poetry

    Of the elegiac poets known to us, Callinus of Ephesus (ca. 685-630) is considered one of the oldest. The only thing that has survived from his work is the call to defend the homeland, specifically the defense of “land, children and wife”, as well as another rather archaic in meaning poem, retold in prose by us in this way:

    «You can’t escape fate, and often the fate of death befalls a man who has fled from the battlefield. No one pities the coward, no one honors him; the hero, on the contrary, is mourned by the whole nation, and during his lifetime they honor him as a deity”.

    The same theme sounds no less vividly in the elegies of the Spartan poet Tirtheus (note 665-610), who encouraged the Spartan soldiers in their war with Messenia. Tirtheus ridicules cowards and fugitives in the same way; but it is interesting that when he lists heroic qualities, using the best heroes from the epic as examples, he finds them insufficient.

    Pride will serve both for the city and the people
    He who, stepping wide, will advance to the first rank
    And, full of perseverance, will forget the shameful flight,
    and his life and his mighty soul.

    To die in the first ranks for his native city — this is the supreme feat, and the main quality of the hero. The elegies of Tirtheus also contained an exposition of the foundations of the Spartan state system; they contain praise of Spartan institutions, myths sanctifying the structure of the Spartan community, and appeals to preserve the “good order”. Not surprisingly, these elegies were sung by Spartans even hundreds of years after the author’s death. Tirteus is Lycurgus in verse. But Tirteus himself did not write in the Doric language of the Spartans; he wrote in the Ionian dialect, which was the only acceptable language for the poetry of all Greeks at that time.


    The poetry of Archilochus (ca. 680-630) is more personal and subjective against their background, although it is presented from the same conservative primitivism; he praises his personal life, his military adventures, and his attitude toward friends and enemies. Archilochus lived a life of war, for he lived in a time of constant warfare of his native island against the Thracian tribes, and most likely for this reason he honored Ares as his god. However, despite all this, he treats the tradition somewhat ironically. Thus, for example, Archilochus writes about his exploits in the high-pitched Homeric style, but in the same style he suddenly tells about how in his flight he had to throw his shield (an unforgivable impertinence within the framework of aristocratic ethics).

    In addition, he is considered the founder of the literary iambic, which originated from folk “songs of denunciation” and within which one could pour out invective and mock one’s opponents (cf. battle rap). Archilochus even prided himself on his ability to repay evil for wrongs done to him. He can safely be called the first “battle-rap” in poetry; for example, the girl who refused to marry him, he calmly denounced with epithets whore. But what is much more interesting from the ideological point of view — Archilochus already posed the problem of the changeability of existence, in which everything depends on “fate and chance” (and where are the Gods?), at the same time, he recognizes the importance of human effort. This is already a significant worldview shift; and it is worth noting separately how much Archilochus is in tune with the philosopher Heraclitus, long before he was born.


    The poet Semonides of Amorg, a contemporary of Archilochus (and with him Tirtheus and Callinus), went even further along the path of developing these conventional-progressive features. His didactic poems are dominated by pessimistic reflections on the deceitfulness of human hopes, on the threats hanging over man: old age, disease and death. In the divine management of the world he sees nothing but arbitrariness. The conclusion of all this is to enjoy the benefits of life as long as possible. Along with this, a primitive and patriarchal trolling of women can be found with him, where he categorizes female characters by comparing them to different animals, and thus deducing the very origin of women, as a human species, from different animals. Semonides therefore “went further” very conventionally, and the reasons for this are very pessimistic and “negative”. He has come to criticize tradition only because tradition is no longer good enough for his conservative spirit. But, philosophically speaking, even in this cynicism about women, one cannot help but notice that in his mind it is quite permissible for man to have descended from animals, by, we must suppose, some evolutionary change. We will not say this for sure, but there is nothing impossible in such evolutionism, because only in some 50-60 years evolutionary ideas will already be set forth in the philosophy of Anaximander of Miletus.

    The motifs of pleasure are further developed in the next generation, for example in the Ionian Mimnermus (ca. 635-570), whom the Greeks considered the first poet of love. He is a contemporary of Sappho and of the early “nine,” but little is preserved of him, and we only know that he preached meditations on the transience of life and the importance of pleasure; and that legend reduces him to one of the “seven sages.” The story goes that, it is said that when Mimnermus wrote that a life of sixty years, unmarred by disease and problems, would be considered ideally lived, the sage Solon replied to him that it was better to replace sixty with eighty (certainly wise, but we would say even better with a century). We also know that Mimnerm wrote a poem about the founding of the city of Smyrna, and about the struggle of this city against the Lydian kingdom, which once again proves how easily hedonism can be combined with “high”, in this case with patriotism and historical, paramilitary themes.

    The Nine Lyricists

    As forerunners of the “philosophical turn”, we shall begin, perhaps, with the “lyricists”. The above-mentioned Cyclic epic, together with the classical epic, were the basis not only for painting and theater of the classical era, but also for the lyric genre of poetry, and, in principle, for all Greek art taken as a whole. Under this collective name “The Nine Lyricists”, we have reached a canon, i.e. a collection of authors recognized as the best among the lyric poets of ancient Greece, which was put forward by philologists in Hellenistic Alexandria as a worthy model for critical study. Only four of them concern the pre-philosophical era, and specifically in this article we will only touch upon them (the others for later).

    The first “pre-philosophical” four contemporaries of Thales include: Alcman, Sappho, Alcaeus and Stesichorus.
    The remaining five include Ivicus, Anacreontes, Simonides, Pindar, and Bacchylides.

    So far our reviews have listed about 25 names, each of which for the Greeks was on a par with Pythagoras, and in some cases could be quoted even more highly. With all this material both the “Sages” and the “Lyricists” were well acquainted; it was the intellectual foundation for all of them. Of course there were few more significant names; even in the same field of poetry, a dozen more names of importance to the Greeks could be added. On top of this could be superimposed as many as twenty names of various great politicians, whom the Greeks honored even much later, even in Plato’s time; and this is not even counting the sculptors, architects, and musicians known by name. But if from all this mass of names, which every educated Greek had to know (Thales, for example), to sift out the unimportant ones, there would still be a dozen names, from which consisted the minimum foundation of knowledge for the new generation of sages. And for the philosophical generation itself, i.e. the generation of Pythagoras, our “seven sages” and at least four of the lyricists are added to this impressive list.

    All this I bring only for the modest purpose that when studying ancient philosophy and art, the reader should realize the scale. In the history of philosophy, it is customary to “start with Thales,” but in fact there is much more behind him than Homer’s mythology alone.

    Alcman and Stesichorus — the foundation of future tragedians

    First among the “nine” chronologically is Alcman (2nd half of the 7th century B.C.), who was almost certainly descended from slave parents; he most likely came from Sardis, the capital of Lydia. Alcman is the first poet known from surviving fragments to have written songs for chorus. But, oddly enough, he lived and worked in Sparta in the period after the 2nd Messenian War. In Sparta, where Apollo and the virgin goddess Artemis were particularly revered — maiden choirs were especially common. For them, in addition to texts, Alkman created melodies and developed dance movements. He wrote mainly paeans (hymns to the gods), proomia (introductions to epic recitations) and parthenia (songs for female chorus). It was in Sparta, where Alcman was deeply revered for several centuries, that a monument was erected to him. The text of one of his songs has come down to us; it is composed of separate parts linked by formulas that define the end of one story and the beginning of another:

    1. Glorification of the ancient heroes of Sparta, the brothers Dioscurus, then the sons of Hippocoontes, slain by Heracles;
    2. Reflections on the power of the gods and the frailty of human life, and the moral precepts derived therefrom;
    3. Glorification of the chorus itself, which performed the Parthenios, its leader, and the individual members who performed the dance.

    From the largest surviving passage we learn a few secondary-playing but interesting details:

    «All of them, brave ones, my song will not forget. Fate and Poros (wealth) have broken those men, — the oldest among the gods. Effort is in vain.»
    Or another motif: “Blessed is he who spends his days with a cheerful spirit, knowing no tears”.

    Of course, we have seen similar motifs before in Archilochus, Semonides, and Mimnermus (the latter, by the way, crossed paths with Alkman for forty years of his life); but still, don’t these words look like something out of post-classical antiquity? Isn’t this “decadent Hellenism”? And yet, against the background of the gods, even the greatest mortals are mere “nothing,” and this archaic thought, dominates in various forms throughout Alkman’s writings. Man is not the center of his plots, and it is probable that nothing depends on the will of the mortal. Nor does Alckmann bypass Homer’s plots, and he certainly does not bypass the “Trojan War” with its mythological characters. Moreover, in all “nine” taken as a whole, these motifs are found more often than in the early lyricists (who, importantly, still alive caught the Cyclic poets). This is most likely due to the fact that the wretched “Alexandrian criticism” chose these authors as the “nine”, and mainly because they wrote on the motifs of Homer, the favorite of all these critics, and not because they wrote really well.

    But still it is worth recognizing that although he lives in Sparta, but his worldview almost does not stand out in its conservatism from the average representations of the ancient Greek, from the same Hesiod or Cyclic poets. And of the distinctly good sides we may single out his philosophical views, the very fact of their existence. As we have already seen in the lines above, Poros (wealth) and Fate were considered to be his first gods. Why exactly Poros is not clear, because it is difficult to explain the formation of all things from it. It is true that Alkman seems to separate these personified gods and God as the absolute creator. Poros and Fate arose from something, and this something turns out to be the disordered and unprocessed matter of all things (cf. the philosopher Anaximander’s apeiron), which has the properties of copper. The gods arise out of this matter because before there arises “someone who masters” all things, a demiurge named Thetis. This creator creates the gods of the lower order. From Poros arose a god named Tecmor (and they are used synonymously in the beginning-end pair of opposites). Perhaps these two deities were also used as synonyms of the Sun and the Moon. But then according to Alcman, they were preceded by the god of darkness. We know nothing more, but it is enough to see at least ideas about matter, form and demiurge even before Thales of Miletus has appeared on light.

    One particular trait of Alkman’s is noteworthy — he boasts that he can eat anything, especially “thesame as the people”; he is not ashamed of it. Interestingly, he generally emphasizes eating, drinking, and, most of all, girls and love pleasures; so it is not surprising that much space in Alcman’s poems is taken up by the god Eros. But, together with what has been said before, all this seems rather strange for a poet of Sparta. Alkman’s poetry seems to preach democratic ideals. And the weirdness doesn’t end there. Alkman is credited with a very lively and modern in its spirit and style epigram about Castor and Polydeucus. Despite the fact that these are Spartan heroes, and that he himself is a Spartan poet, Alcman seems proud to be a non-Greek tiller of the soil, and emphasizes his urban and metropolitan origins in one of the poems where he recalls Sardis as his home.

    Alcman resurrects the subjects of the “hedonistic” singers of the past, and again he has glimpses of the shortness of life, the omnipotence of fate (ananke), and even passages a little strange for a Greek man, along the lines of “if only a woman were to become me!”. We even find in him the lines: experience is the foundation of knowledge”; though, of course, here he means mere worldly experience (and we shall see a similar quotation in the maxims of Pherekides). In Alcmanus we shall also find motives of pacifism (“The iron sword is not above the beautiful playing of the kyphar”). All this modern criticism is accustomed to see as a generation of the later Hellenistic epoch. The more interesting, and even more significant in such a context, these old lyricists and sages look to us.

    How such conventionally progressive motifs are combined with a pro-Spartan direction, which is a striking exception to many dozens of other cases, is a question that has yet to be resolved.

    Map showing the political situation in Greece on the eve of the Classical period

    Like Alcmanus, we can also find motifs of pacifism in Stesichorus of Sicily (630-556). Although he himself was not averse to writing about heroic wars, especially from the Homeric myths, in his conservative and military pathos he sometimes reaches very stoic maxims, such as “it is useless and not at all necessary to weep for those who have died”. And let it not go beyond the old morality of the ancestors, or poetry of Tirtheus, and quite logical for a patriarchal and paramilitary worldview, and let the Stoicism itself does not claim to a high degree of intellectuality. But, nevertheless, if Stoicism is a philosophy (and it is), then finding analogies in the past can be a useful thing, especially if in the future we find Stoic references to the same Stesichorus.

    So, the Byzantine collection “Suda” attributes to Stesichorus 26 books (more than all other Greek lyricists combined), in which the main place was occupied by lyrical and epic poems (in content adjacent to the epic of Homer and the Cyclics; in them Stesichorus gives the processing of old stories in new forms and new interpretation). To the Trojan cycle of Stesichorus belong: “Helen,” ‘The Destruction of Ilion,’ ‘Returns,’ and ”Oresteia.” To the Theban cycle include “Eryphila” (named after the wife of a member of Seven’s campaign against Thebes), and “Europaea”. Of other epic poems are known “Hunters of the Boar” (about the hunt for the Calydonian boar), “Geryoneida” (about the campaign of Heracles to the far west, whence he led away Geryone’s herds of bulls), “Scylla” (about Scylla, which Heracles killed on his return from Geryon), ‘Kerber’ (about Heracles’ feat with Kerber), ‘Cycnus’ (about Heracles’ duel with the son of Ares, Cycnus, who was turned into a swan).

    When processing the plots found in Homer’s poems, Stesichorus sometimes gives them new versions, borrowing material partly from living folk legends, partly from lost literary texts. Thus, the myth of Orestes is developed by Stesichorus differently from the version presented in the Odyssey: in Homer’s Orestes, having killed his mother, only fulfills the duty of revenge, while in Stesichorus’s he is tormented by the torments of conscience as a mother-killer. He also has a version of the myth that Helen was carried by the gods to Egypt during the siege of Troy. Both of these versions, as well as a large degree of emotionality of poetry — formed the basis of the tragedies of Euripides. Also the love motif in Stesichorus is quite strong; suffice it to say, it is from him that the first pastoral idylls are derived.

    The poetry of Stesichorus was highly valued in antiquity. Thus, Dionysius of Halicarnassus reports that Stesichorus surpassed Pindar and Simonides in the significance of his plots, and in other respects combined the merits of both. And such a tragedian as Aeschylus — created his “Oresteia” under the influence of “Oresteia” Stesichorus. It was even claimed that “the soul of Homer lives in Stesichorus”. And the famous late-antique literary critic Pseudo-Longin called Stesichorus “the most Homeric” of poets, and Quintilian said that Stesichorus “raised on his lyre the weight of epic verse,” and added that “if Stesichorus under the excess of talent did not overstep the measure, he could be considered a worthy rival of Homer”. But in all these characteristics he adheres rather to the “Cyclics,” and looks like the last representative of them, though in manner of performance it is still a new lyric.

    Alcaeus and Sappho — a Romance in verse.

    The two central figures of lyric poetry of the pre-philosophical period are undoubtedly Alcaeus and Sappho. They lived in the same place, belonged to the same conventional political grouping and were direct contemporaries, with only a slight difference in age, and I will start, however, with the better known Sappho (c. 630 — 570 BC). She differs sharply from all her predecessors and contemporaries, and even later on few people managed to reach her level of lyricism. Against the background of other poets of her time, she stands out strongly with her more practiced style; better conveys passions and emotions, more and deeper reveals the very feeling of love. She also begins to have near-philosophical maxims reminiscent of the famous “sages”:

    «Wealth alone is a bad companion without virtue around. If they are together, there is no greater bliss.»
    “I love luxury; splendor, beauty, like the shining of the sun, charm me…”.

    Unlike most poets (who were men) Sappho writes about “typical femininity” and the experiences of a girl, so, for example, she is angry that a good guy fell for a “hillbilly” who does not even “know how to wear dresses”. There are also “philosophical” musings; apparently about what kind of guys one might like more:

    «Who is beautiful — he alone pleases our sight,
    Whoever is good — he himself will seem beautiful”.

    A Pompeian fresco, possibly depicting Sappho.

    Sappho’s lyrics are based on traditional folkloric elements; they are dominated by motifs of love and separation, set against the backdrop of bright and joyful nature, babbling brooks, smoking incense in the sacred grove of the goddess. All her poems are imbued with kindness, they concern weddings, dances and other easy joys. Traditional forms of cult folklore are filled with personal experiences in Sappho, the main merit of her poems is considered intense passion, naked feeling, expressed with extreme simplicity and brightness. Love in the perception of Sappho — a terrible elemental force, «sweet and bitter monster, from which there is no defense. Sappho seeks to convey her understanding through a synthesis of inner sensation and concrete sensory perception (fire under the skin, ringing in the ears, etc.).


    One of her poems reveals the essence of the provinciality of the Greeks, their sense of their periphery, their secondary status after the Ancient East, which Herodotus would later reveal perfectly. Thus, Sappho praises the very Lydian Sardes (which played a great role for Alkman), where one of her friends went to live. Her father Scamandronimus was a “new” aristocrat; being a member of a noble family, he did not farm the land, but rather was a merchant. In the middle of the 7th century BC, the royal power in Mytilene was abolished and replaced by an oligarchy of the royal Penfelid family. Soon the power of the Penfelids also fell as a result of a conspiracy, and a struggle for supremacy broke out between the leading aristocratic families. In 618 BC the power in the city was seized by a certain Melanchrus, whom the ancient authors call the first tyrant of Mytilene. Soon Melanchrus, through the combined efforts of the poet Alcaeus, his brothers, and the future tyrant of Mytilene Pittacus (by the way, included in the list of “Sages”), was overthrown and killed. The tyrant of Mytilene became their ally Myrsil, whose policy was directed against certain representatives of the old Mytilene nobility, and many aristocrats (including the families of Sappho and Alcaeus), were forced to flee the city somewhere between 604 and 594 BC. Until the death of Myrsil — Sappho was in exile and lived in Syracuse (between 594 and 579 BC), after which she was able to return to her homeland. According to legend, it was at this time that Alcaeus became infatuated with her.


    Alcaeus himself (c. 625-560), a poet who was a contemporary and compatriot of Sappho and the tyrant Pittacus, was also born in Mytilene. When the royal power in Mytilene fell and the first “tyrant” of the city, Melanchrus, came to power, Alcaeus himself was about 7-13 years old, Sappho was about five years older than him. Soon after these events Alcaeus, just coming of age, entered military service; and at this time there was a war against Athens, in which Mytilene was defeated.

    In the battle Pittacus, a comrade of Alcaeus, distinguished himself greatly, and in a key battle of the war Alcaeus himself escaped by throwing down his shield (if this verse is not a mere imitation of Archilochus’ verses). And when, after the participation of Alcaeus and Pittacus in the coup, a certain Myrsilus became the new tyrant of Mytilene, the position of Pittacus himself (a former ally of Alcaeus and one of the “seven sages”) changed after a while; he sided with the new tyrant and was his co-emperor for some time. When this happened, Alcaeus immediately attacked Pittacus in his poems, which in a poet may be considered the most offensive. The reply was not long in coming, and was not at all poetic, so Alcaeus had to flee from the city. He (like Sappho) was in exile at least until the death of Myrsilus (between 594 and 579 BC).


    Alcaeus also has a place for Homeric myths and divine power, but this is no comparison with Stesichorus. And what distinguishes Alcaeus from his contemporaries is that he is openly opposed to the tyranny of Pittacus (which is anti-aristocratic in character), and is concretely political in his poetry.

    “Our fate is in the balance: everything will be overturned upside down if he, the madman, takes power in the city…”.

    or

    «The predator seeks to reign,
    «He wants to reign, he wants to rule,
    «He’ll turn everything upside down
    «the scales are tilted. What are we sleeping?»

    He also composed hymns, one of which, “To Apollo,” is dedicated to the patron god of aristocrats. Though, to be fair, in the lines about drinking, he doesn’t mind “swearing an oath to Dionysus” either. When his conspiracy against Pittacus failed and he was banished, he began a streak of “whining”.

    Most of the poems of his so-called “Stasiotica” (rebellious songs) should be attributed to this period of exile, in particular the most famous ode-allegory about the “ship-state” and the no less famous “ode of arms”. While in exile, the aristocrats did not forget their intention to restore the old order in Mytilene and continued to intrigue against the city government. Finally, the party of the aristocrats gained such strength that the threat of their return to Lesbos in the form of a military invasion became real. Mytilene succumbed to fear; in 589 the city elected an esimnet, who became Pittacus; he was given a term of office of 10 years, was to strengthen the city and lead the democrats in a likely conflict with the aristocrats, whose leader was Alcaeus. About 585 B.C. (when Thales predicted the famous eclipse) Alcaeus, who had become the head of his party and was supported by the gold of the Lydians — returned to the island, but was again defeated in new clashes. Pittacus did not punish his old comrade and released Alcaeus (noting, in the words of Heraclitus, that “it is better to forgive than to avenge”), and he passed from the historical stage, living out his life in silence, according to legend, going to Egypt.


    In most of his poems Alcaeus merges with the spirit of Alcman, and in some places even more radically in favor of amusement and revelry. In him one can find a strange panchline about the romance of sea travel, and an ironic attack against those who fear the sea (incidentally, Pittacus disliked the sea). And what is most interesting, this ideological defender of aristocratic valor, not only glorifies wine, but also describes in verse how he fled in battle and lost his armor and shield. What could be more shameful for an aristocratic supporter? And is his temporary victory with the help of a bribe from the Lydian king a worthy thing to mention in several different verses? Along with this, another point is interesting; it turns out that Alcaeus’ brother served in the army of King Nebuchadnezzar of Babylon, which Alcaeus mentions in one of the verses; an aristocrat, serving as a mercenary!

    Another thing is also striking, referring to the legendary king of Sparta (by the way Alcaeus also paid tribute to Castor and Polydevk), we again get an unexpected outcome for the image of Sparta’s admirers:

    Thus said Aristodamus
    The sensible word in Sparta:
    «In wealth is the whole man;
    He who is good but miserable is nothing”.

    True, despite the atypical for Sparta denial of asceticism, the motive of this saying is rather that wealth is a sign of aristocratism, and this is quite consonant with the pro-Spartan support of the “high-born”. As for the famous affair between Alcaeus and Sappho, there is little or no information about it, and his own poems are absolutely nothing, and say only that he is very embarrassed in front of her and that he is an embarrassed “hick”. So later on Sappho responds to his poems quite appropriately:

    «Be thy purpose beautiful and high,
    Be not shameful what thou wilt say, —
    Ashamed, thou wouldst not lower thine eyes,
    Thou wouldst say what thou wilt

    The beginning of an open ideological conflict

    In the 580s and beyond, the poet of greatest interest to us is a younger contemporary of Epimenides and Mimnermus; Thales and Sappho — the aristocratic poet Theognides of Megara, exiled from his hometown by the radical democratic “revolution”. Among the instructions of Theognides there is, along with the traditional aphorisms about piety, reverence for parents, etc., a large number of poems on topical political themes; they represent one of the most striking examples of the aristocrat’s hatred of democracy. It is a compound of all that is most conservative of the poetry of Tirtheus, Callinus, and Alcaeus.

    For Theognides, slavery exists by nature; men are divided from birth into the “good,” i.e., aristocrats, and the “mean.” “Good” are automatically inherent in all possible virtues: they are brave, straightforward, noble; ‘mean’ are inherent in all vices: baseness, rudeness, ingratitude. However, the “mean” get rich and become in power, while the “good” are ruined and therefore the “noble” gradually turns into a “low”. In relation to the “mean” for the “good” all means are allowed. Theognides is a preacher of violence and cruelty, even outright hatred of all these “freighters” and “ship’s blacks”. He wants “a strong heel tocrush the unreasonable nobility, bend it under the yoke”. But he treats the “noble” no better, because the “noble” themselves are mired in greed and money fetishism. Theognides sharply condemns the marriages of aristocrats to “inferior” people for the sake of their money. He also wholeheartedly condemned the conflicts of the various clans of the aristocracy among themselves, seeing in this the weakening of their conventional “party”.

    Theognides, with his belief in the innate moral qualities of the “good” man, expectedly became one of the favorite singers of the Greek aristocracy; it preserved his poems, supplementing the collection with thematic poems by unknown authors. Theognides fit perfectly into the context of the paramilitary lyrics of Tirtheus and Callinus, which were to dominate the other authors of this new collection.


    A notable contemporary of Theognides was the satirical poet Hipponactus of Ephesus (ca. 580-520). Taken together, they seem to complete the early poetic history of antiquity and echo the new, philosophical generation. By the time of Hipponactus’ death, for example, Heraclitus, though only a 20-year-old youth, was already living.

    Hipponactus came from an aristocratic family; but he was banished from the city for attacking the local rulers; so he moved to Clazomenes (a town nearby, where the philosopher Anaxagoras would later be born), where he led the miserable life of a “jester and joker.” The dates of his life suggest that Hipponactus caught the capture of Clazomenes by King Croesus, as well as the fall of Croesus himself and the advent of the Persian monarchy. From the work of Hipponactus about 170 passages have survived, in which he depicts the life and life of the urban lower classes, without stopping and before frank naturalism. Other passages depict small artisans and representatives of the social bottom, spending time in the city nooks, suspicious pubs, hapless peasant or cunning artist, belonging to the same layer of “the dregs of urban society”, all of them engaged in dark deeds, often resolving disputes with the help of scolding and beatings. Hipponactus portrays himself as a half-starved ragamuffin, expressing his hostility to the aristocratic worldview. In this respect, he already reminds us of the outlines of the Cynic worldview.

    Several of his poems parodying Homer and the Homeric epic are consistent with this social position. A special place is occupied here by one hexametric fragment in 4 verses, probably from a heroic-comic poem, praising in Homeric epithets the monstrous appetite of a certain Eurymedontiad. These two passages prove that Hipponactus was not alien to the literary tradition (in addition to the fact that the extant fragments of poems themselves testify to the high level of his poetic training). The image he created of a beggar-beggar is most likely a mask designed to “epathetize” his listeners.


    In connection with Hipponactus (perhaps someone from his direction, but a little later) there arises a parody of a heroic epic called “The War of Mice and Frogs” (“Batrachomyomachia”), which we recommend to read in full. The subject of this parody is both the aristocratic heroics of the epic, its Olympian gods, and the traditional devices of epic style, beginning with the obligatory invocation of the Muses in the introduction. The frog king Vzdulomorda, carrying the mouse Krohobor on his back across the swamp, was frightened by a water snake, dived to the bottom and sank the mouse. Krohobor belongs to a distinguished family, has a whole pedigree. A war therefore breaks out between the mice and the frogs. Both militias are armed according to the epic pattern; namely, we are shown the gradual appearance on the stage of the armament of both sides in all sorts of detail (naturally of the “helmet — walnut shell” level). The Olympian plan, i.e. the council of the gods, is also introduced. The parody of the gods is extremely sharp and probably already ideologically connected with the philosophical criticism of mythology. Athena refuses to help the mice for reasons of extremely insignificant offense:

    The peplos were chewed then, which I worked on for a long time,
    Soft fabric I wove on a thin base.
    They turned it into a sieve! And the mender, for the sin of it, has come,
    He’s asking for interest, which is always depressing to immortals.

    And in general, the gods better not interfere:

    Gods! Let’s not interfere in their fights! Let them fight themselves,
    Let none of us be wounded by their arrows.
    Their power is daring, even with immortals.

    If the author is not Hipponactus himself, he is certainly one of the main inspirations for this magnificent poem.


    Thus Hipponactus forms together with Theognides a kind of contrast of opposite extremes. Of course, even before the aristocrats had their ideological poetry, and a vivid expression of this political conflict was the struggle between Alcaeus and Pittacus, but until now the anti-aristocratic (i.e. in essence already democratic) side did not have consistent supporters, and the opposition had only an accidental character connected with the personality of a particular poet.

    Hipponactus is a conscious opponent of aristocracy.

    In the images of Theognides and Hipponactus, the conflict between the aristocracy and the people finds its extreme expression, but still in its simplest form. The “philosophical turn” that would give this conflict more gravity was just beginning to emerge. The Greeks themselves considered the beginning of this turn to be the sayings of the Seven Wise Men, among whom was the famous Thales of Miletus.

  • Pythagoras and the Pythagorean brotherhood

    Pythagoras and the Pythagorean brotherhood

    Author of the text: Friedrich Hohenstaufen
    Written in 2019

    Russian and Ukrainian versions

    The cycle “Ancient Philosophy: Formation of the Canon”:

    • Introduction (Thales, Anaximander).
    • First part (Pythagoras) — you are here.
    • Second part (Xenophanes).
    • Third part (Heraclitus).
    • Fourth part (Parmenides).
    • Fifth part (Summary).

    Now we know that the entire poetic culture, the Greek literary language itself, and with it the richest polities, including Miletus, the main colonial center of the Greeks, are all located on the Ionian coast. It is therefore no coincidence that this is where “philosophy begins”. However, already during the lifetime of Anaximenes, this abundance comes to an end. In 546 BC the Lydian kingdom was destroyed by the Persian king Cyrus, and his famous and sung by Greek poets capital Sardis fell. Croesus himself was most likely burned at the stake, and according to legend, already captured, he said the following words to Cyrus: “If you are victorious and your soldiers are plundering Sardis, they are plundering your property”. With this, Croesus supposedly stopped the plundering of his capital. There are also versions that Croesus was pardoned, and that he went to the court of the king as an advisor. Both versions, of course, are not very plausible, but legends about the fabulous wealth of his grandson (Pythias) — still hint that the family of the king subsequently received recognition from the new power. The Greeks of the Ionian coast also submitted to the new power.

    During this period, the cultural ties of the Near East were seriously expanded. For example, before his defeat, Croesus had time to conclude treaties of alliance with Babylonia and Egypt, as well as a treaty of assistance with Sparta. Organizing an international coalition was no longer a difficult problem (although it had not been a problem long before, even in the Bronze Age); soon the ties between regions were further intensified, now by the incorporation of all the civilized regions of antiquity into the new single state. As for the Greeks, after the defeat of Croesus, the Ionian polities also became part of the Achaemenid Persian Empire. Even shortly before the invasion, the ruler of Miletus tried to reorganize the Ionian union, as it is believed, under the influence of his political advisor Thales, as we have already discussed before. But there was little effect, for the alliance turned out to be purely nominal, and the same Thales advised at the last moment not to oppose Persia in order to keep the city intact. “Loyalism” of Thales can also be questioned, since the last traces of Thales and Anaximander (presumably the years of their death) are almost synchronous in time with the Persian invasion. It is quite possible not only their political influence on the life of the city, but also their attempts to organize resistance, which was followed by retaliatory repression in their direction. There is, of course, no direct evidence of this. But this is roughly how the “Miletian School” left the scene.

    The Ionian Union of 12 polities (14 on the map), a shaky association that existed under the protectorate of Lydia until its complete destruction by Persia

    The last representative of the Miletus school, and the only philosopher who lived in the region at this time, was the already known to us “philosopher of the air” Anaximenes. For a time, however, two other significant thinkers caught this era, Pythagoras of Samos and Xenophanes of Colophon. It was they, and not Thales or Anaximander, who were destined to lay the foundation for the development of the entire further philosophical tradition. In fact, it is true that Pythagoras and Xenophanes simply continued the ideas of the Miletians, but if we compare them, then even from the scanty passages that have come down to us, we can feel a significant difference. And if we think within the framework of the old Marxist classification — then both Pythagoras and Xenophanes will appear against the background of Anaximander as “idealists” against the background of “materialist” (of course, it is very conditional). Consequently, the foundation on which the further philosophy of antiquity was built was the foundation of the victory of early idealism. On the contrary, materialist philosophy had now to rise from literally nothing, overcoming the resistance not only of mythology and religion, but also of the “philosophical canon” itself. We will try to find out what this “canon” is in this article.

    Journey to the West

    After the Persian conquest of Ionia, the center of ancient philosophical thought moves to “Greater Greece” (Southern Italy). This was a backward agricultural region made up of colonies and predominantly inhabited by local natives with a more rural and archaic culture. It was here that refugees from the east evacuated. Of course, even here among the new polities there are regional leaders (Croton, Tarentum, Syracuse) capable of competing with the main polities of Greece; but all these exceptions are five-minute colonies that continue to exchange grain for handicrafts from the “center”.

    Just in one such center in Italy, Pythagoras (ca. 570-490 B.C.), the son of a master jeweler, founded his philosophical school. But Pythagoras would not leave the island of Samos until around 530 BC, when he must have been about 40 years old. Obviously, by this time some philosophical positions must have already formed in his mind. And since his home island was not far from Miletus, and the years of his life allow it, we can safely say that Pythagoras became personally acquainted with geometry through Thales. Besides, there is evidence from ancient authors about their personal meetings, and even about the influence of Anaximenes on the question of animating bodies. It is often admitted that the philosophy of Pythagoras was borrowed from the East, first of all from Egypt, where he was allegedly directed by Thales himself. But at that, purely biographically, the voyage to Egypt (and further to Babylon and even India) looks a bit strange, as it does not quite coincide with the dating of his life. But even a trip to India was not something impossible for that time; the only problem is that Pythagoras had a lot of time to do in Europe, and from somewhere he found more time than a man engaged in such distant expeditions could get.

    But, as we see, for acquaintance with Egypt it was not necessary for him to go there physically. Thales knew eastern sciences, and transferred them to Greece. Some elements of eastern cosmogony (the theory of creation of the world) are present in Anaximander. Therefore, in any case, whether he traveled somewhere or not, his knowledge may well have had Eastern roots.

    The Greek colonies in Italy

    The main premise on which we base our consideration of the Pythagoreans is this: by the time Pythagoras decides to leave his homeland, the basic foundation of his knowledge is entirely Miletian in character. In a sense, Pythagoras continues the tradition of the Miletian school, while founding his own. He synthesizes the teachings of Thales, Anaximander and Anaximenes (as we will see further on with specific examples) with the philosophy of Pherecydes and the religious ideas of the Greeks and Egyptians.

    Pythagoras also, like his predecessor philosophers, was interested in politics, even tried to take an active part in it. And if to generalize the political vector of Pythagoreanism — it is an extremely conservative philosophy. Pythagoras himself fled to Italy, because at that time a tyrant ruled on Samos. This can be interpreted as an example of libertinism, as a criticism of tyranny; but in the context of his era, tyrannies were a form of struggle of the townspeople against the large landed aristocracy. The protest against tyranny may indicate that Pythagoras was a supporter of the power of the aristocracy (for the same reason the philosopher Xenophanes emigrates, by the way). He realized that he had no political future in his homeland, and either he was expelled or he left there himself. Note that despite the ethical conservatism of the Miletian philosophers, politically and economically they were not opposed to tyrants; rather, even on the contrary, they catered to their rule. But as in philosophy, Pythagoras proved to be a true innovator even in political conservatism. When he arrives in Italy, he establishes there a special organization, the likes of which had never been seen before; a kind of secret political alliance. We will begin with this episode of his life, especially since he most likely based his philosophical school on the foundation of a political union.

    Pythagorean brotherhood

    Here it is important to emphasize once again that Miletus at that time was the largest city of the entire Greek world, the richest trade and maritime center. Of all the Greek colonies in the Black Sea — 95% belonged to this city. Against this background, Italy was an agricultural and colonial region, a backward province, at least at first. And what are the Orphic and Dionysian cults (well, let’s not forget the mysteries) but agricultural cults originating from the common people? Who is more likely to preach unity with nature — city dwellers or villagers? This is a rhetorical question, the answer to which is obvious. It should always be kept in mind that the question of the difference between the city and the countryside is a very important one, also for philosophy; it is so obvious that not only the ancient Greeks, but even the Sumerians and Egyptians did not avoid this question (see the Sumerian myth of how Enkidu became a man). As lifestyle influences one’s ideas, so too the surroundings of the sages from Miletus (i.e. the leading metropolis) and the life of Pythagoras (i.e. the rural outskirts) — left their imprints on their philosophy. Much of the strange legends about the “religion” of the Pythagoreans may well be the results of a syncretism of Eastern sciences and the common folk beliefs of the Greeks. It remains only to understand why quite educated Pythagoras became a spreader of superstition.


    Early sources, including Aristotle, tell us almost nothing about Pythagoras himself, but speak a lot about the “Pythagorean way of life” and numerous Pythagoreans. Unlike the Ionian philosophers, Pythagoras managed to create a full-fledged mass school, where both men and women were admitted, perhaps even from different classes (but most likely only aristocrats). In this respect his activity can be considered as the first example of Enlightenment. Of course, Pythagoras himself acquired his education while he was living near Miletus; but one must keep in mind that to succeed among the public, one must say what the public is interested in. And if the local population of Italy is interested in religious mysticism, they will have mysticism. If they want fantastic stories, they will have stories. Pythagoras positioned himself to be a constant source of delight and shock for the public. His most famous adventure (more of them have survived, as you can read about in primary sources) was that he built himself a room underground, and ordered his mother to spread rumors that he was dead. In doing so, she was to write down on a slate everything that happened upstairs, noting the time of events, and then bring it down to him. Later he returned upstairs, looking as skinny as a skeleton, and came to the people’s assembly, where he announced that he had come straight from Hades. At the assembly he read out everything that had happened during his absence. All those present were so excited that they rushed to weep and even believed that Pythagoras was a divine being. And he himself later emphasized in various ways that his nature was different from ordinary human nature, and was somewhere between men and gods.

    This calculation for the involvement of the masses could be the reason for the sectarian division of the school into several levels. Such measures are useful to separate the “mass” from the chosen sages, but at the same time not to close access to the uninitiated (otherwise it would be impossible to maintain the mass of the organization). Successful propagation requires inducing a sense of ownership in the followers, and Pythagoras did this successfully. Ancient sources report that the property of the Pythagoreans became common, and their daily routine was clearly regulated and included joint meals, walks, and study (cf. ancient Sparta). The adherents of the school swore that they would strive for the knowledge of truth, which implied, among other things, religious rites, ascetic lifestyle, and the study of philosophy. Knowledge in the community was passed on only to recognized members. Disclosure of information to the uninitiated entailed banishment. Pythagoreans used secret signs, thanks to which they could find fellow believers in different cities. Because of all this, their organization is compared to the prototype of Christian monasteries and Masonic lodges.

    The symbol of Pythagorean asceticism is the cup of Pythagoras

    The School of Pythagoras, founded around 525 B.C. (and destroyed 75 years later, around 450), is divided into ethical-political and scientific-philosophical communities. It is most likely that the latter is based on the foundation of the former, and that Pythagoras originally built something resembling a political party, united by ethics like a religious order. The fact that Pythagoras himself was a conservative in the field of politics, affects the positions of the whole Pythagorean union, and even the internal organization of the party. Explicit borrowings of Spartan orders, as well as a disdain for the lower classes and a love of hierarchical subordination, were dictated by this conservatism. Believing that the masses of people were too stupid — the Pythagoreans proposed, instead of the old democracy and monarchy — the rule of a group of wise men (i.e. themselves). Although in fact it was little different from aristocratic rule, Pythagoras was the first theorist of an enlightened meritocracy. And what is more important, unlike Plato, he succeeded!

    The first important event for the Pythagoreans was the war between Croton and Sybaris (later known for its legends of corruption and wastefulness). After the tyrant Telis seized power in Sybaris, his opponents fled to Croton. The Crotonian council under the influence of Pythagoras refused the embassy from Sybaris to extradite the fugitives and started a war to restore order. The Crotonian army, under the command of the Pythagorean Milon, about 510 B.C. defeated the Sybarites, and their city was sacked and destroyed with the utmost cruelty. After the victory, Croton became the most powerful among the cities of southern Italy, and the other polis became its forced allies. The role of the Pythagorean Union also increased. However, the power of the secret society of Pythagoreans caused discontent. Therefore, a certain Kilon used the discontent with the authoritarian policy of the Pythagoreans and, perhaps, the unfair division of the land taken away from the Sybarites (or perhaps it was simpler, as later with the Jews — people were not satisfied with the closedness of the sect, which led to rumors about eating babies, etc. things). Together with his supporters, Kilon attacked the Pythagoreans during their convention in Crotona, burned down the meeting place and killed many of them, and many fled for their lives. According to another, less widespread version, Kilon attacked the school after it had experienced an internal split, as a result of which the “democratic opposition” won. In this case, Kilon opposed democracy. Pythagoras himself, according to some versions, at the time of the congress was already absent (which may indicate the correctness of the last version of the split), he moved to the Italian city of Metapont, where he died around 490 BC.

    But this was only the beginning of the problems, because at first the Pythagoreans continued to hold good positions in most cities, and could hope for revenge even after the loss of their charismatic leader. And yet the internal crisis, splits between supporters of paternal customs and supporters of popular participation in politics — weakened the school. For reasons unknown to us, about 450 BC in Italy began mass pogroms with the subsequent expulsion of the Pythagoreans. This led to an exodus of the Pythagoreans to mainland Greece, after which their school disappeared for a while, dissolving into Platonism. Thus we can see that not only Thales and Anaximander, but also the Pythagorean school — took an active public position. Even in such early times philosophy was not a pure and abstract science of knowledge of the originals.

    Acusmatics and mathematics

    The purely philosophical school of the Pythagoreans was in close connection with the political school. There is no reason to believe that they were organizationally separated. We know that the philosophical school was divided into a lower and a higher level of initiation, known as akusmatics (“listeners”) and mathematicians (“disciples”). They, too, may have been closer to each other than it seems at first glance, especially if the mathematicians necessarily passed the akusmatikos stage. After Pythagoras’ death, two currents formed among his followers — the Pythagoreans proper (based on the mathematicians) and the Pythagorists (akusmatics). What Pythagorists-Akusmatics did later became the most famous part of Pythagoreanism, the so-called “Pythagorean way of life”. They built their lives with the help of “akusm” (verbal precepts), and all their teaching consisted in the repetition of Pythagoras’ sayings, which they treated as divine commandments. It was a school of worldly wisdom that was guided by aphorisms of the level of the Seven Sages, and if you think about it, even an order of magnitude worse. For example:

    “You shall not rake the fire with your knife; you shall not step over the scales; when you leave, you shall not look back; you shall put your shoes on your right foot first, and mine on your left foot first.”

    Since it was a mass part of the school, such “Pythagoreans” were much more common, and their extravagant behavior attracted more attention and became a kind of “meme”. Most of the legends about the Pythagoreans are connected explicitly with them. And if the akusmatics dealt with the religious and ritual aspects of the teachings, the mathematicians dealt with the studies of the four Pythagorean “math”: arithmetic, geometry, harmonic and astronomy. When we speak about Pythagorean philosophy, we always mean these last ones: i.e. the few elite of the Pythagorean club.

    The akusmatics did not strive to create something new and develop the doctrine, but considered as wise those who have learned and can apply in everyday life the greatest number of sayings attributed to Pythagoras. Besides, akusmatics did not consider mathematicians as “real Pythagoreans”, but said that they originated from Hippas, who changed the original Pythagorean tradition, revealed the secrets to the uninitiated, and began teaching for a fee (i.e. instead of sectarianism Pythagorean mathematicians were engaged in what would later be called sophistry). Most likely, the principles of the Acusmatists were also accepted to varying degrees among mathematicians, especially if these are two stages of development within a school. The only question is to what extent the Pythagoreans were dogmatic and religious in each case.

    This is the history of the emergence of the Pythagorean Union, their internal subordination and the political history of their rise and fall. But if the Pythagoreans were remembered by the ancient Greeks more by memes about eating beans, they entered the history of philosophy thanks to their mathematical teachings, to which we now turn.

    Mathematical philosophy

    If to believe the late Pythagorean Yamvlichus, Pythagoras once noticed, passing by the forge, that the coinciding blows of hammers of different weights produce different harmonic consonances. But the weight of the hammers can be measured, and thus a qualitative phenomenon (tonality of sound) is precisely determined through quantity. Hence he concluded that in general “number owns things”. Thus was born the view that the phenomena of nature can be translated into quantitative terms (or that quantitative changes pass into qualitative differences), and that these phenomena can be studied with the help of a mathematical language. This language itself was still very primitive at the time of Pythagoras, and many generations would pass before its application would begin to bear meaningful fruit. But it was thanks to Pythagoras that mathematics not only gained a new meaning for cognition of the hidden nature of things, but also received a new meaning as a discipline that exists separately from things. Thanks to this, Pythagoreans and mathematical scientists began to develop mathematics no longer as an empirical, but as an abstract science.

    After the story of the hammers at the forge, Pythagoras realized the importance of number in music. Due to the close connection with music, an aristocratic aestheticism was embedded in the very foundation of Pythagorean teaching. With the help of the philosophy of numbers Pythagoras undertook to explain not only the visible world, but even abstract concepts of beauty and love. Such mathematical expressions as “harmonic mean” and “harmonic progression” still remind us of the connection he established between music and arithmetic. The Pythagoreans even believed that music could purify people’s souls. The Pythagorean doctrine of the harmony of the spheres is also peculiar: the transparent spheres to which the planets are attached (cf. Anaximander’s cosmology) are separated from each other by gaps that relate to each other as musical intervals; the individual celestial bodies sound in their motion (due to friction against the etheric wall), and if we do not distinguish their consonance, it is only because it is heard incessantly. Hence we can conclude that in his theory of cognition, Pythagoras insisted on the importance of differences/contrasts for the possibility of perception. Such aestheticism applies not only to music, but to any matter at all. In Pythagoreanism, harmony and beauty affect absolutely everything. Through these concepts, justice, equality and many other purely political concepts are also defined. An important fact is that Pythagoras was the first thinker who called himself a philosopher, that is, a “lover of wisdom” (but not a sage, because wisdom belongs to God alone). He was also the first to call the universe a cosmos, that is, a “beautiful order.” And although music and aesthetics play a significant role in terms of the form of Pythagoras’ teachings, but the core of his philosophy was pure mathematics, and the main contribution to philosophy he made in this field.

    An introduction to the philosophical teachings of Pythagoras was well done for us by Aristotle in his Metaphysics, so we will cite his testimony in its entirety (important passages are highlighted):

    The so-called Pythagoreans, having engaged in mathematical sciences, first moved them forward and, having been educated on them, began to consider their beginnings as the beginnings of all things. In the field of these sciences numbers occupy from nature the first place, and they saw in numbers, it seemed to them, many similarities with what exists and happens, — more than in fire, earth and water. For example, such a property of numbers is justice, and such a property of the soul and mind, another — luck, and, we can say, in each of the other cases exactly the same. Besides, they saw in numbers the properties and relations inherent in harmonic combinations. Since, therefore, everything else was explicitly likened to numbers in its whole being, and numbers occupied the first place in all nature, they assumed the elements of numbers to be the elements of all things, andrecognized the whole universe as harmony and number.

    And all that they could show in numbers and harmonious combinations agreeing with the states and parts of the world and with the whole world order, they brought it together and adapted one to another; and if they lacked something or other, they endeavored to add it so that the whole structure was in perfect connection. Thus, for example, in view of the fact that the ten (decade), as it seems to them, is something perfect and contains in itself the whole nature of numbers, they count ten bodies carried in the sky, and since the visible bodies are only nine, so in the tenth place they place the opposite earth …. In any case, and at them, apparently, number is taken as the beginning and as matter for things, and as an expression for their states and properties, and the elements of number they consider even and odd, of which the first is indefinite, and the second definite; the one consists of both, it is both even and odd; the number itself is formed from the one, and the various numbers, as has been said, is the entire universe. Others of these same thinkers accept ten beginnings, going each time in the same row — limit and limitless, odd and even, one and many, right and left, male and female, resting and moving, straight and crooked, light and darkness, good and bad, quadrilateral and versatile. The Pythagoreans specified both how many opposites there are and what they are. In both cases, therefore, we learn that opposites are the beginnings of things; but how many of them — we learn from some Pythagoreans, and also — what they are. And as it is possible to reduce the beginnings accepted by Pythagoreans to the above-mentioned causes, it is not clearly dissected at them, but, apparently, they place their elements in the category of matter; for, according to them, from these elements, as from the parts inside, the essence is composed and formed.

    The Pythagoreans maintain that things exist by imitation of numbers; seeing in sensuous bodies many properties which are in number, they caused things to be numbers,-only these were not numbers endowed with independent existence, but, according to them, things are composed of numbers. And why was this so? Because the properties which are inherent in numbers are given in musical harmony, in the structure of the sky, and in many other things. Meanwhile, for those who accept mathematical number alone, there is no possibility, in connection with their premises, of asserting anything of the kind… And it is clear that mathematical objects do not possess a separate existence: if they did, their properties would not be found in concrete bodies. If we take the Pythagoreans, there is no fault on them in this matter; however, since they make physical bodies out of numbers, out of things that have no gravity and lightness, such things that have gravity and lightness, one gets the impression that they are talking about another heaven and other bodies than sensuous ones.

    In the above fragment, however, Aristotle has exaggerated. Yes, in the end everything does indeed come down to number, but physical processes are also explained by physical elements; and this is done in exactly the same way as with the philosophers from Miletus. If we turn away a little from the numerical dimension of Pythagoreanism, what we get next is a quite typical naturalistic system with material elements and tiny particles scattered in the void. In one of the extant retellings, Pythagoras says that there are five bodily figures, which are also called mathematical figures: from the cube arose the earth, from the pyramid — fire, from the octahedron — air, from the icosahedron — water, from the dodecahedron — the sphere of the universe (i.e. ether). Though it is clear that even Miletians operated with all elements, at least it is known that Anaximander and Anaximenes did it, but nevertheless innovations of Pythagoras here are obvious. He not only introduces the element of ether (it may be a special element for the very “sphere” on which the stars are attached), but actually concretizes apeiron. After all, mathematical numbers, from which all elements are distinguished, and now also all immaterial properties like nobility and love, are the literal analog of the “limitless” apeiron, which can now be handled with the help of the language of mathematics. Of course, mathematics has a supersensual character, and it is far from what Anaximander tried to do, but the logic here is roughly the same. It is likely that the theory of opposites was also internalized by Pythagoras through Anaximander. The idea of opposites plays a significant role in both of them, and against the background of the further development of this theory (see Heraclitus), they find much in common.

    It also reminds us of the old natural philosophy that according to Pythagoras everything that happens in the world repeats itself again after certain intervals of time, and that nothing new happens at all. This idea (if we are to believe in the authenticity of the passages of the poet Orpheus) — Pythagoras directly borrowed it from Orphic mythology, although he could also have found it in Anaximander. The cyclical nature of the world may hint at some ideas about determinism, but we can only learn about this from Pythagoras’ followers, not from him himself.


    But if Pythagoras simply developed the teachings of the Miletians, then why do many generations of researchers insist that he created a fundamentally new branch of philosophy? Of course, there are grounds for such an opinion. His rethinking of the role of aesthetics and mathematics alone would be enough to designate him as a separate school. But still the main feature of Pythagoras among philosophers was his mysticism, which perfectly overlaps with the classical “sectarianism” with special degrees of initiation of neophytes. Most importantly, he for the first time radically opposed soul and body, calling the latter a prison for the immortal soul. It was already pure idealism, and so mystical in nature that even allowed belief in rebirth (in particular, this is one of the reasons why the Pythagoreans practiced vegetarianism; suddenly your dead friend was incarnated in an animal?) The theory of the rebirth of the soul may also have been borrowed from the legendary Orpheus, as one of the variations of thoughts about the cyclical nature of the world. The very concept of rebirth already carries with it the idea that the soul can continue to exist after the death of the body, which means that it is independent of the body. In ancient Greece, it was this, the mystical side of Pythagoras’s teachings that caused the most discussion, and so he was associated with it in the first place. As Bertrand Russell quite rightly said about this idealism:

    With Pythagoras begins the whole conception of an eternal world accessible to the intellect and inaccessible to the senses. Had it not been for him, Christians would not have taught of Christ as the Word; had it not been for him, theologians would not have sought logical proofs of the existence of God and of immortality.

    Landscape with allegory of the four elements (1635) — author Frans Franken

    But even in spite of all the innovations and this special, mystical character of his teaching, Pythagoras and his disciples did not merely attempt to give a convenient interpretation of old ideas, but also provided answers to problems unsolved by their predecessors. They clearly see these problems, and correctly establish the main ones. Their focus is still the same problem of whole and parts, of god and nature (or theology and naturophilosophy), and of those opposites which contradict each other, and which, according to Pythagoras, must at the same time end in the establishment of harmony.

    «Researchers try only to indicate what the soul is like, about the body, which must receive the soul, they do not give any more explanations, as if it were possible for any soul to put on any body, as they say in the Pythagorean myths. It is the representatives of this view that say that the soul is a kind of harmony, and harmony is a mixture and combination of opposites and that the body is also made up of opposites.»

    (Aristotle — “On the Soul”).

    Of all the opposites, which Pythagoras puts at the basis of everything, the first pair are the limit and the limitless (apeiron). But the “limitless” cannot be a single beginning of things; otherwise nothing definite, no “limit” would be conceivable. On the other hand, the “limit” also presupposes something that is defined by it. Even here it becomes clear why it is number that is the basis of everything. For in speaking of the limit and the limit, we are already de facto engaged in counting scales. We meet these two basic principles in the Pythagorean cosmology. Here the world appears as a limited sphere, carried in the limitlessness (by the way, the Earth itself is spherical in Pythagoras). “The primordial unity, having arisen unknowingly from what,” says Aristotle, “ draws into itself the nearest parts of the limitlessness, limiting them by the force of the limit. Breathing into itself the parts of the limitless, the unity forms in itself a certain empty space or certain gaps, fragmenting the original unity into separate parts — extended units”. In order for the limitless to form a limit, it is necessary for chaotic matter to be organized into a harmonious order. Each of the worlds where instead of chaos we observe an intelligent organization of things has finally been explained. But the organization of order leads to the fact that individual objects are clearly separated from other objects, and this is only possible because of empty space. Breathing in the infinite void, the central unity gives birth to a series of celestial spheres, and sets them in motion. The doctrine that the world breathes air (or emptiness) into itself, as well as something of the doctrine of the celestial luminaries, the Pythagoreans learned from Anaximenes. The concept of emptiness was necessary to justify the motion of the elements “within something,” it also better explains the workings of contraction and expansion introduced by Anaximenes, and is necessary even at the level of geometry, as a space for the arrangement of points and lines. We have seen various hints of recognizing the void before, but never before has this issue become conceptually important. At last the void has received its full expression. Thanks to it, the picture of interaction of the elements acquires a character extremely close to the atomistic theory (each element consists not just of figures, but of tiny particles, whose figures set the “tone” of each element).

    The natural philosophy of the disciples of Pythagoras

    Pythagoreanism was certainly the most grandiose attempt to create a “theory of everything” that existed at the time. It is not surprising that we will find traces of Pythagorean influence throughout the history of philosophy. The Pythagorean school itself, in the broad sense of the word, lasted as long as the whole of ancient philosophy. It therefore embraces dozens of names in no way connected with Pythagoras. Here we will speak of “classical” Pythagoreanism, still bound by a direct chain of succession leading back to Pythagoras himself. And the major figures on our list are:

    • Hippas — Pythagorean apostate, leader of the “democratic opposition” and scientific line of Pythagoreanism. A philosopher who synthesized the views of Pythagoras and the Miletian school.
    • Alcmaeon — Physician-surgeon who empirically established that the brain is the center of concentration of the mind.
    • Philolaus — Pythagorean, systematizing the teachings of Pythagoras, Hippas and Alcmaeon, who later passed on the knowledge to Plato.

    Some of what we have said above about the philosophy of Pythagoras — we learn only from the writings of his disciples. We have selected only what seems most similar to the fundamental theses of the school, without which it is impossible to imagine either the teachings of Pythagoras himself or the opinions of his disciples. We shall now set forth the specific characteristics of each of the disciples separately, and summarize the results for the Pythagorean school taken as a whole.

    Hymn of the Pythagoreans to the Sun (1869) — by Fyodor Bronnikov

    The Pythagorean Judas

    As already mentioned, at some point Pythagoras had a “democratic” opposition within the sect. Some guy named Hippas of Metapontus (c. 530-480) violated the prohibition against non-disclosure of secrets, for which he was expelled from the elite club. Subsequently, the Pythagorean tradition used this name as a synonym for essential evil and treason. We have already mentioned this when we talked about the attitude of the Acusmatists to mathematicians as sophists who sold the wisdom of Pythagoras for money. In that case, not only “enlightenment”, but even sophistry, and the typical attitude towards it — arise within the Pythagorean union. Of course, this sounds strange, given the fact that the Pythagorean school was the largest school in Greek history, a massive school with extensive regional representation. This already automatically implies a great deal of openness. But most likely, the school admitted only people of noble origin (though not only specialized scholars), which was already a significant step forward; and Hippas brought this enlightenment trend to the next stage of development. Hippas was notorious in later centuries, but even the ancient Greeks suspected that most of Pythagoras’ achievements were actually Hippas’ discoveries, so powerful was he supposedly as a philosopher. Sometimes Hippas was even called the founder of the “mathematical” (i.e., purely scientific) branch of the school. But if this is true, then Pythagoras himself really belonged rather to the “akusmatists”, and all the best achievements of the school are the fruit of the activities of apostates.

    In addition to participating in the schism and “divulging secrets” Hippas became hated also because, besides proportions and commensurability of things, he revealed to the public the doctrine of incommensurability (or even irrational numbers). The Pythagoreans carefully concealed this phenomenon in mathematics, for they saw the source of the world’s orderliness and reasonableness in numbers. Numbers consist of identical units, and the world is based on a unit. And suddenly it turns out that at least two different units, irreducible to each other, are at the basis of the world. So the irrational, the irrational now finds itself at the heart of the world. The Pythagoreans did not know what to do about this; the phenomenon of incommensurability was destroying their worldview. Therefore, after the exile, Hippas was even cursed, and according to the legend of the Pythagoreans themselves, he sank in a shipwreck, allegedly as a punishment from the gods.


    Hippas is known as a democrat not only because he spread knowledge to all comers. He is also listed among the leaders in the political division of the Pythagorean community. As the later Pythagorean, Yamvlichus, writes about it:

    When they initiated the schism, the other inhabitants of Croton immediately began to join the distribution. From among the most oligarchic “thousand” Hippas, Diodorus and Theagus were in favor of all citizens of Crotona to participate in public office and the national assembly, and that the archons reported in their activities to the people’s representatives, elected by lot from among all citizens. They were opposed by the Pythagoreans Alkimachus, Dinarchus, Meton and Democedes, who opposed the overthrow of the fatherly system. Those who spoke in defense of the masses won.

    And so, the subsequent persecutions can be connected with the reaction of the local aristocracy against the attempts to introduce a democratic system. Perhaps the traditional Pythagoreans were able to resist at the expense of the alliance with the aristocracy, and the democrats became victims of the first wave of pogroms, as a result of which they were “expelled” from the ranks of the school, and as a result of which Hippas himself died. Otherwise, it’s hard to understand how the winner in an internal schism was suddenly victimized. Then it would appear that the conservative branch survived the first wave of pogroms, and was expelled from Italy after the second wave. It is extremely difficult to reconstruct the actual version, due to the lack of additional sources.

    In his philosophy Hippas is also sharply oppositional. As if returning to the bosom of the Miletian school, he taught that the beginning of all things was elemental, and that element was fire. At the same time, he agreed that number was also at the heart of nature, conducting quantitative experiments with sound in much the same way as Pythagoras did (only instead of hammers — iron disks). Apparently, for Hippas, number is not the beginning itself, but only a manifestation of the divine nature. Mathematics is the language God used to create the visible world. Or, as Hippas himself put it, “the distinguishing tool of the creator god.” His God, then, has reason and discernment; he is a creator in the most literal sense of the word “creation.” The creator god himself, as well as the soul of all beings, and even as the material universe, are all inherently fire. In opposition to Pythagoras, Hippas teaches that the universe is one and spatially finite (which does not invalidate its emptiness or its perpetual motion). The fire of which it is composed is transformed by densification and rarefaction. This synthesis looks as if it were an answer to the teaching of Pythagoras, its inner opposition, and an attempt to pass from the speculative beginnings to the unconditional material primary basis.

    Pythagorean medical school

    One of Pythagoras’ most famous disciples became the founder of the first medical school in Greater Greece (the Crotonian School). He is known as Alcmaeon (ca. 515-460 BC), and is listed as one of the first serious scientists in the modern sense. But it should be noted here that there was a major medical man named Calliphon who lived in Crotona even earlier, and who after the appearance of Pythagoras became a supporter of his teachings. Apparently he was the chief priest of Croton and a man of great importance in civil affairs. He also had a son who became a major medical man, whom Herodotus later called “the most skillful physician of his time,” his name was Democedes, probably a contemporary of Alcmaeon. In his youth he came to the island of Aegina, where, thanks to his talent and diligence, he soon gained fame as a skillful physician. Leaving Aegina, he went to Athens, and then worked at the court of the Samosian tyrant Polycrates. After his overthrow was sent to Sardes, then to his court he was summoned by Darius I. Having cured the king of a disease of the legs, and the queen Atossa — from a chest disease, Demoked got into great favor with the Persian king, who generously rewarded him for curing his ailments. From there he returned to his homeland, despite Darius’ entreaties to remain with him as his life-medic. Returning to his native Croton joined the party of aristocrats. There he joined the society of Pythagoreans, married the daughter of the famous Greek athlete Milon of Croton. However, during a revolt against the Pythagorean oligarchy, Demokedes died. Demokedes, along with Alcmaeon, was at the head of the oldest flourishing medical school in Greece. But we do not know the details of the teachings of Demokedes and his father, but we do know the details of Alcmaeon’s teachings.

    Alcmaeon’s theory of medicine was based on Pythagorean harmony and the theory of opposites. In the theory of opposites itself, Alcmaeon also made an important step forward. Whereas previously the set of opposites had always been limited and concretized (equally in both Anaximander and Pythagoras), he now speaks of an infinite number of very different opposites. Any idea about the simplest subject can give rise to its own antithesis. And by saying the phrase “most human things are binary ‘ — he not only took a step towards the future teaching of Heraclitus, but also opened the road towards sophistry (see ’Binary Speeches”). In the lists of philosophers who proposed different quantities of “beginnings” of things, it is said of Alcmaeon that he assumed two beginnings. What they are, we do not know, but we can assume that they could be “positive and negative”, well, or, following his theory of equilibrium, these beginnings could even be “democracy and monarchy”. The latter is of particular interest, because it allows us to conclude that, like Hippas, Alcmaeon belonged to the “democratic opposition” within the Pythagorean Union (and then he was hardly an associate of Democedes). According to his theory, human health is preserved through balance, for the domination of one opposite acts perniciously on the other, and therefore disease arises. If we believe the book “Opinions of Philosophers” (Pseudo-Plutarch), Alcmaeon called this equilibrium of the elements of the organism “democratic equality”, and called “monarchy” among them the cause of disease. It is curious to compare the theory of balance with ancient Chinese ideas about medicine, which also appealed to the balance of “yin-yang”, and made the same conclusions about the origin of diseases.

    Probably in Greek philosophy he was the first to say that man differs from other animals by the fact that only he thinks, while other animals feel but do not think (even now, when we know that this is wrong, the same division is given, for we still distinguish between “thinking in general” inherent in animals and thinking specifically human). According to his views — the primordial part of the soul is in the brain. He came to this conclusion through research (the same “empiricism” as Thales’ conclusions about magnetism) on the nervous system and tracing the sensitivity of impulses from the endings and closer to the center. This is the more interesting because the influence of Egyptian medicine on Greek medicine is obvious to us; Egypt was inordinately more advanced in every respect. However, the Egyptians considered the heart to be the center of emotion, personality and intellect. For this reason, in mummification, the hearts of the dead were preserved, while the brain was scraped out and discarded as a useless organ. This example illustrates the advantages of the emerging Greek empiricism.

    One might think that Alcmaeon, even more learned than any of his predecessors, a supporter of progressive views in politics and the enlightenment of the masses, should himself be less superstitious than the Pythagoreans. Except that in reality we see a metaphysician like Thales, Pythagoras, or Hippas. He holds that truth is available only to the gods, and that men are left to “the things of men,” which, as we saw above, can only be judged in two ways. He also separates the divine and human world (i.e., the whole and the parts), and logically he joins the Pythagorean dualism of body and soul. Alcmaeon’s understanding of the soul itself is typical for his time. Like his predecessors, he calls the soul self-moving by nature and possessing eternal motion; for this reason, it is immortal and godlike. Alkmeon directly compared the properties of the soul with the properties of the “supralunar” world, because the stars also have eternal motion. And from the divine nature of the luminaries he made a typical conclusion that the gods and the luminaries are one and the same.


    But still, as a physician, Alcmaeon was obliged to deal not only with philosophy, but also with natural philosophy. Not only the world above the moon, but also the world of the earth. From such reasoning, except for what has already been said about the location of the mind in our brain, he writes in a naturalistic sense about the five sense organs (we quote Theophrastus’ work “On Sensations”):

    Hear, he says, with the ears, because there is a void in them: it sounds (and the sound is produced by the cavity) and the air echoes. They smell with the nose, drawing pneuma to the brain at the moment of inhalation. Tastes are distinguished by the tongue: being warm and soft, it melts food by its warmth [= mellows out its “flavor juices”], and through its porosity and tenderness absorbs them, and transmits them through the pores to the brain. The eyes see through the surrounding moisture. That the eye contains fire is evident, for when the eye is struck, fire flashes [“sparks fly”]. They see by means of the shiny and transparent body in the eye, whenever it glows, and the clearer it is, the better. All the senses are in some way attached to the brain, and are therefore injured by its concussions and displacements, as it plugs the channels through which the sensations are transmitted. About touch, however, he said nothing.

    There are other descriptions of Alcmaeon’s opinions similar to this, which also include theories about the conception of a child, typologizations of animals according to the way in which offspring are born and fed, speculations about how gray hair arises, etc. But they are all described in a similar naturalistic sense. If we combine the positions of Hippas and Alcmaeon, and contrast them with Pythagoras himself, the result of consistent criticism is a de-mystified version of Heraclitus’ philosophy. This fact is extremely important for understanding the whole genesis of the history of philosophy.

    This is how Pythagoras taught his followers in terms of AI.

    Heirs of Pythagoras

    Of the minor Pythagoreans we can mention, for example, a woman named Theano, who wrote the works: “On Pythagoras”, “On Virtue to Hippodamus of Fury”, “Women’s Exhortations”, “Utterances of the Pythagoreans” and “On Piety”. Moreover, in this last one, strangely enough, she acts as an interpreter of Pythagoreanism in the physical sense! Namely, she says:

    «Many Hellenes, as I know, think, as if Pythagoras had said that everything is born of number. But this doctrine is perplexing: how is that which does not even exist thought to be generating? Meanwhile he said that everything does not arise from number, but according to number.»

    It turns out that even for Theano numbers do not really exist! But she saw Pythagoras personally, and in some versions is even considered his wife and mother of the next head of the Pythagorean school — Telawg. By the way, the latter was even considered to be Empedocles’ teacher before he left the school. Various surviving letters of Theano are devoted to domestic concerns: how a woman should bring up her children, how she should treat her servants, and how she should behave virtuously towards her husband (rather primitive recommendations about the necessity of obedience). Theano’s father named Brontine, who according to some versions was her husband (rather than her father) instead of Pythagoras, is believed to be the author of some Orphic poems, among them “On Nature” and “The Veil and the Net”. Various Orphic poems have also been attributed to many other Pythagoreans, which either confirms their direct dependence on the Orphics or means that Orphism was indeed fabricated by the Pythagoreans. But more likely, of course, is the former.

    It is also worth remembering the philosopher Hippon (c. 490-430 B.C.), who bore the nickname “godless”. According to one account, Hippon considered water to be the beginning of everything, according to others — water and fire, according to others — earth (note that in all versions these are not numbers); but the most authoritative version is considered to be the version with fire and water beginnings; at the same time they were considered to be synonymous with hot and cold, the struggle of which created everything in the world, which brought Hippon’s teaching closer to such philosophers as Anaximander, Anaximenes (and even Hippas, Xenophanes and Heraclitus). In this section, he complements “elemental” philosophy by standing between Thales and Heraclitus. Hippon devoted considerable attention to questions of biology and medicine, in particular to the problems of embryology, the origin of boys and girls from different kinds of sperm (in which he directly continued the themes touched upon by Alcmaeon); he tried to explain the origin of twins. He wrote also on matters of botany. Like Alcmaeon, he emphasized the significance of the number “seven” for the stages of human life (e.g. twice seven is the age of human adulthood). He identified the soul either with the brain or with water, since semen, which is accessible to our observation, is also composed of moisture, and meanwhile from it, he claimed, the soul is born. Hippon proved to be a very authoritative writer on embryology, and his opinions would long enter the canon of philosophy. In the example of Hippon we can see both the influence of Alcmaeon and that of Hippas. But still he appeared more interested in biology as a science, and did not develop the tendencies laid down into a doctrine analogous to the later philosophy of Heraclitus. He apparently tended to synthesize Pythagoreanism and the teachings of the Miletians, developing Hippas in this particular, “spontaneous” direction. Among the major Pythagorean biologists, whose opinions we will not describe in detail, there was also Menestor, and a rather original version of the argumentation in favor of emptiness (adopted by Democritus) was put forward by Xuphus.

    Such a number of “apostates” from the official line of Pythagoreanism, suggests that this is nothing more than a myth, and that Pythagoreanism was originally very heterogeneous, and has much more in common with the Miletian school than it appears. Hippon thus appears to be an exceptional case, for he is the only one of the whole group of pious philosophers who is called “godless.” The reasons for this appellation are unknown, and it may well be that they have nothing to do with real atheism, but in any case this characterization is not insignificant.

    A systematizer of Pythagoreanism

    The most famous Pythagorean, who goes much farther back in chronology, is Philolaus (ca. 470-400 B.C.). We are already getting a little ahead of ourselves by bringing out his figure; we will refer to Philolaus later when we talk about Plato and Democritus. To realize how far ahead we are, we may note that it is from Philolaus (or from his pupil, which is more likely) that Plato buys the Pythagorean books, and begins to form his own philosophy. Almost all of what we have stated as the philosophy of Pythagoras himself was actually stated by Philolaus, and therefore we will not recount the things we have already mentioned before (such as the reasoning about the limit and the limitless, the body as the tomb of the soul, etc.). Let us assume that the main line of Pythagoreanism is borrowed by Philolaus in full, being orthodox. But of the new opinions this one stands out particularly vividly:

    “In his view, everything is accomplished by necessity and according to the law of harmony.”

    Philolaus turns out to be the first Pythagorean to express strict determinism (this does not mean that others did not hold the same opinion). It is true that in different forms we have seen this thesis in literally all philosophers from Miletus. Despite being considered the main source on authentic “numerical” Pythagoreanism, and being, shall we say, a Pythagorean dogmatist, Philolaus (just like Hippas and Hippon), places fire in the middle of the universe, which no longer looks like a mere coincidence. This fire was placed around the center, which he calls Hestia (the hearth) of the universe, the house of Zeus, the mother and altar of the gods, the bond and measure of nature. But he also recognizes another fire — lying above everything and encompassing the universe. Something similar was already found in the fire philosophy of Hippas, where fire appeared in different hypostases, but here, however, Anaximander’s “fire” is clearly visible. The same fire that was outside the “celestial sphere” and seeped through the openings of the firmament as the visible stars. But Philolaus’ concept is important and even original, as the first image of a cosmology where the Sun would be at the center of the world, instead of the Earth. The abundant use of metaphors with the names of the gods, which has not yet been seen in the rest of the Pythagoreans, is striking.

    It is thanks to Philolaus that we still speak today of the figures of numbers (square, cube), and it was Philolaus who first clearly distinguished not only between body and soul, but also between God and nature, in terms of the hierarchy of power and subordination between them. If later sources are to be believed, he could even distinguish between form and matter, naturally considering matter as the subordinate element and form as the higher, incorporeal, eternal and divine. Of course, all this may be a Platonic hoax rather than an original source; but we will not deny such a possibility altogether. The subject matter of Philolaus’ treatise is extensive: from ontology he passes to gnoseology, cosmology and astronomy, touches upon other exact sciences, and ends with physiology and medicine. The latter he deals with in a very generalized sense, but nevertheless, it can be considered the completion of the systematization of the entire Pythagorean heritage, including even the teachings of the oppositionalists.

    Summarizing

    Alcmaeon, Theano, Hippon, and Philolaus are perfectly consistent with each other, and yet none of them, as we can see, look like what the Pythagoreans must have looked like according to common patterns. They all engage in classical natural philosophy, continuing the themes begun in Ionia, but attempting to use mathematics to understand the essence of the world. Yes, this led them essentially to a conscious idealistic interpretation of the dualism of soul and body, but we can easily find all the prerequisites for this among the Miletians as well. Of course, it is their idealistic side that they are remembered as a “meme”. Besides, Philolaus, systematizing the teachings of Pythagoras, laid special emphasis on idealism, and our subsequent ideas about the school are based primarily on Philolaus’ writings.


    Generally speaking, of the so-called “Dosocratics” it was Pythagoras and the Pythagoreans who were so influential that we will find their followers right up to the end of antiquity, even in the Roman Empire. But even in the early epoch the Pythagoreans were so numerous that it was impossible to do philosophy in Italy without crossing paths with them. Not only in Italy, but even in mainland Greece, their fame was immense and their influence truly omnipresent; and such traditionally hostile figures as Plato and Democritus could equally be considered half-Pythagorean. Still later, as we may have noticed, Aristotle had to argue with them. And in the course of further exposition we will constantly notice the influence of Pythagoras on almost every philosopher. Even Herodotus called Pythagoras “the greatest Hellenic sage”, and Hippocrates used Pythagorean medicines. About exclusive popularity of Pythagoras and his doctrine in ancient Hellas testify and data of numismatics. In 430-420 BC in the city of Abdera (the birthplace of Democritus and Protagoras) minted coins with the image of the philosopher and the legend “ΠΥΘΑΓΟΡΗΕ”. The case is unprecedented for this period, as it represents the first portrait on a coin, at least the first signed portrait.

    If we try to outline the place of Pythagoreanism on the level of the scheme, we see how this school, trying to solve the problem of the bifurcation of the world, in fact, only aggravated this bifurcation. The pantheism of the Miletians may not have been true pantheism, but they still tried to pretend that the world was essentially one. The Pythagoreans do not even doubt that the world is dual, but they hope to patch up this problem with the doctrine of “harmony”. By introducing a colossal number of innovations, they opened the way for the creation of numerous new schools of philosophy, and armed them with the tools to discover more contradictions in the pantheistic view of the world as a whole. It was from this angle that they were perceived by all contemporaries who attempted to recover the Philosophy of the Whole. But taking into account the influence of Pythagoras himself, all these attempts were built on a pronounced idealistic basis, in contrast to the still uncertain positions of the original Miletian school. In the scheme of Hegelian triads, this looks like thesis (the uncertain idealism and pantheism of Miletus) — antithesis (the certain idealism and dualism of Pythagoras) — synthesis (the certain idealism and pantheism of Pythagoras’ critics).


    Next part.

  • The formation of classical theology

    The formation of classical theology

    Pre-Philosophy Cycle:

    • The beginnings of philosophy in India and China.
    • Eastern influence (Phoenician, Egyptian and Babylonian philosophy).
    • Mythological stage (compressed mythology).
    • Heroic stage (compressed stories about heroes).
    • Homeric period, Cyclic poets and Orphism.
    • Context, role of tyrants and kings.
    • Nine Lyrics.
    • Seven Sages.
    • Formation of classical theology — you are here.
    • Pre-philosophy (final paper).
    • The Conflict of Pindar and Simonides (taken out of the series, will post elsewhere).

    As we have seen, the author of the “Telegonia”, Eugammon of Cyrene, was a contemporary of Thales, and thus a contemporary of a full-fledged philosophy, the so-called “Canon”. Some of the Cyclic poets developed at the same time as the early “Nine Lyricists” or “Seven Sages.” All of them, from Homer to Eugammon, systematized Greek mythology and religion. However, their works were disparate; they were written by different people and at different times. Moreover, if we accept that Homer did not exist as a real person, then the work of many wandering poets had to be collected, recorded and systematized into a unified whole by someone. The ancient Greeks even gave the names of these systematizers. We call the result of their work “classical theology.” In the following sections we will deal mainly with metaphysical, i.e., philosophical theology, but “classical” will always be implied somewhere in the background as the most traditional form of worldview in Greece.

    The Theology of Wonderworkers

    Philosophy in Crete, where all Greek civilization actually began, was represented by Epimenides (ca. 640-570), who is also sometimes listed as one of the “Seven Wise Men”. He was born in Festus, and later lived in Knossos; ancient tales portray him as a favorite of the gods and a successful soothsayer. According to Aristotle’s already rationalized interpretation, it is believed that Epimenides did not predict the future, but only clarified the dark past (i.e., he was a historian). He was considered the author of the books “Genealogy of the Curetes and Corybantes”, a large book “Theogony” (5 thousand verses), “The Construction of the Argo” and “Jason’s Voyage to Colchis (6.5 thousand verses together). In addition, he wrote a prose book “On Sacrifices”, historical and political work “On the Cretan polity” and “On Minos and Radamantes”. When the Athenians after the rebellion of Kylon wanted to cleanse themselves from “Kylon’s curse”, they invited Epimenides to offer purification sacrifices (596 BC); and then Epimenides performed the sacrifices, and as a reward took only a branch from the olive tree dedicated to Athena, after which he concluded a treaty of friendship between the Knossians and the Athenians. That is, he acted as a Cretan diplomat and politician. It is believed that he became friends with the sage Solon and influenced the reforms of the Athenian state system, and taught the citizens of Athens to be more pious and moderate in their lives, for which he was highly respected by ordinary Athenians.

    In short, Empimenides fits perfectly into the context of the work of the Cyclic poets and Orphic theology. Stories of miracles are also associated with him. According to legend, Epimenides fell asleep as a young man in the enchanted cave of Zeus on Mount Ida and awoke only after 57 years (and somewhere around this time he was visited in the cave by the philosopher Pythagoras, in the process of his move to Italy). This myth formed the basis of Goethe’s “The Awakening of Epimenides”. According to another version, while in the cave, he fasted and stayed in prolonged ecstatic states, being on a special diet, which was so simple that from such food he did not even have excrement. Epimenides was therefore often cited as an exemplary ascetic. In any case, he left the cave in possession of “great wisdoms.” Among such wisdoms, Epimenides is credited with a verse on the deceitfulness of the Cretans (quoted in the New Testament from the Apostle Paul in Titus 1:12), cited long ago in logicians as an example of a vicious circle; it reads “All Cretans are liars.” Since Epimenides was himself a native of Crete, this statement becomes problematic. If we assume that the statement is true, then it follows that Epimenides, a Cretan, being a liar, told the truth, which is a contradiction. Thus we can see the rudiments of dialectic and sophistry as early as in “pre-Phalesian” literature.

    It is also reported about a special cosmogonic doctrine, which terminologically and in its meaning adjoins the cosmogony of the Phoenicians; for example, according to Epimenides, the world had two beginnings — Aer and Night (which, if we believe the extant evidence, were considered important beginnings by such Phoenicians as Sanhunyaton and Mochus). And according to one version, Epimenides is also credited with the words quoted by the Apostle Paul in his speech in Athens (according to other versions, Paul quotes the philosopher Cleanthes, or the poet Pindar): “for by him we live and move and exist, just as some of your poets said, ‘we are his and his kind’.” In principle, the ideas about “air” and “night” converge perfectly with Orphic theology, represented also by Pherekides, whom we will consider a little below.


    Besides Epimenides, another poet who was a little more than a generation older than him came from Crete, Phaletes of Gortyna (ca. 700-640), a contemporary of such lyricists as Tirtheus, Semonides, and Callinus. He was invited to Sparta as the founder (or reformer?) of the Hymnopedia festival, and as a teacher who prepared Spartan choirs to perform at this most important festival for the Spartans (traditional dating: 665 BC). Already at the end of antiquity, Boethius in his work “Fundamentals of Music” reports that the Spartans preserved beautiful music for a long time thanks to the activity of Phaletes, who taught their children the art of music, having been invited from Crete for a great reward. In other words, Phaletes laid the foundations of Spartan musical education, the very existence of which explains the long and stable Spartan superiority in the musical sphere throughout the Greek world. Some ancient testimonies have been preserved that Phaletes, using music, pacified the internal turmoil in Lacedaemon. These are, first of all, Fr. 85 of the Stoic Diogenes of Babylon and the Herculaneum papyrus with the text of the treatise “On Music” by the Epicurean Philodemus of Gadara; it is also mentioned in Plutarch’s “Moralia”. All this is very similar to the activities of Epimenides, which he allegedly conducted half a century later, so perhaps the myths about them simply intermingled. By the way, the already mentioned conservative poet Tirtheus lived in the same Sparta at the same time as him, which brings these early poets very close together.

    Similar to Epimenides and Phaletes is also Aristeas of Prokonnese (c. 7th century BC), a traveler and “miracle worker” about whom Herodotus tells. He wrote the «Arismapic Poems”, an account of the Hyperboreans and Arimaspes in 3 books (and thus was a historian and geographer). He also rewrote Hesiod’s Theogony, in prose form. This moment is not unimportant, because it shows the freedom in dealing with the “great” authors, having almost religious significance for the ancient Greeks. In addition, prose translations always hint at the fact that the text has a wide mass reader; as we know, the aristocracy is quite comfortable with reading the verse form. The primitiveness of the Orphic and Pythagorean worldview is symbolized in some way by their belief in the existence of Abaris , another diviner and priest of Apollo. Abaris is thought to have come from Scythia, or directly from the land of the Hyperboreans. According to legend, he did without food, and flew on a magic arrow given to him by Apollo himself, which is why the Pythagoreans called Abaris “Air-breathing”. He allegedly traveled all over Greece, where he healed diseases with a word alone. He also built the temple of Kora the Savior (Persephone) and composed all kinds of sanctifying and purifying incantations, so that once stopped the plague raging in Sparta (this again coincides with the same stories of “purification” associated with Epimenides and Phaletes). Such an early belief in itinerant hermit miracle-workers, against the background of the primitive folk theology of the Orphics and Dionysians, makes the appearance of Jesus seven hundred years later not so surprising.

    Theology in the poems of Pherekidus

    Adjoining the Orphic cosmo-theogony is the worldview of Pherekides of Syros (c. 580-499). This contemporary of the philosopher Anaximander was the author of a book called Cosmogony. His home island of Syros, near Delos (the center of the Greek cult of Apollo), was in relative proximity to Athens, and judging from his years of life he may well have been personally acquainted with many of the region’s figures, such as Simonides. Authors such as Clement of Alexandria and Philo of Byblos state that “Pherekides received no instruction in philosophy from any teacher, but acquired his knowledge from the secret books of the Phoenicians.” It is stated that he then became a disciple of Pittacus and lived on Lesbos. It is also mentioned that he traveled in Hellas and Egypt. This makes him yet another Greek who was simply transferring knowledge from the East to Greek soil.

    Pherekides is considered one of the first Greek prose writers (Aristeas, Epimenides and Anaximander could argue with this). Pherekides’ largest book, entitled Cosmogony, adjoins Orphism in its content and resembles the work of Epimenides. In his Cosmogony, Pherekides recognized the eternity of the initial trinity of gods: Zas (a variation of Zeus, the etheric heights of the sky), Chthonia (the maiden name of Gaea, the subterranean depths), and Chronos (time). Zas becomes Zeus as the bridegroom of Chthonia, who as Zeus’ bride takes the name of Gaea (hence another title of his work, The Confusion of the Gods). And in other words we can say that under the action of time in the marriage of earth and sky all our visible world came into being. Pherekid proclaimed the eternity of the originals of the universe. It is known that Pherekid’s work began with the words “Zas and Chronos were always, and with them Chthonia”. Therefore, in his “Metaphysics” Aristotle not in vain calls Pherekidus among those ancient poets-theologians, “whose presentation is of a mixed character, since they do not speak of everything in the form of myth.” Pherekid also distinguished between three basic elements: fire, air, water — which Chronos created from his seed, and which further break down into five parts (according to Gompertz: the spaces of stars, sun, moon, air and sea), from which supernatural beings, a new generation of gods, arise. These are the Okeanides, Ophionides, Cronides, demigod-heroes and demon-spirits. Ophionides personified the dark chthonic forces. They are led by the serpent Ophion. They oppose Zeus, who after a brutal cosmic war overthrows them into Tartarus. In this struggle Zeus was supported by the Kronids, i.e. the Titans led by Kron. Obviously, Pherekid’s conception is more reminiscent of Orpheus’ work than Hesiod’s Theogony. The Theogony of Pherekidus also shows similarities with Orphic theogonies, such as the Orphic Hymns (created parallel to the Homeric Hymns, with the same purpose and similar content, but in a particular, “Orphic” style of telling the story of the gods). Both the Pherekid and Orphic hymns depicted primordial serpents and eternal Time as a god who creates from his own seed through masturbation. Such Orphic aspects also appear in Epimenides’ Theogony. Pherekid probably influenced the early Orphicists, or perhaps he was influenced by an earlier sect of Orphic practitioners; more likely Pherekid acted as one of the first systematizers of Orphism and the classical Olympian religion into a unified whole.

    Like many other of the poets and “sages” of the early period, Pherekidus is considered to be the author of “gnomes,” i.e., short sayings of wisdom, which in fact turn out to be rural sayings, and are most likely attributed to all these authors much later. Several of the most interesting ones can be distinguished from those of Pherekid:

    • Whoever wants to be virtuous is partly already virtuous.
    • Stupidity, laziness and vanity forever go hand in hand.
    • The best is the enemy of the good.
    • If poverty is the mother of crime, laziness is its grandmother.
    • Idleness is the mother of all vices and diseases.
    • Patience and labor give more than power and money.
    • Trusting your intuition is the first condition for great endeavors.
    • Instinct and reason tear the soul in different directions.
    • Knowledge not born of previous experience leads to mistakes and unnecessary suffering.
    • The diamond is polished by the diamond, and the mind is polished by the mind.
    • Geniuses stand on the shoulders of titans.
    • He who does not appreciate eternal life does not deserve it.

    Pherekides was famous for predicting the fall of the city of Messenia in the war with Sparta, shipwrecks, and especially earthquakes. Allegedly, he could predict an earthquake three days before it started, by the taste of water from a deep well (it was recently discovered that before the earthquake in the underground water really changes the concentration of gases and isotopic composition of chemical elements). Interestingly, earthquakes could also predict Anaximander of Miletus, and the structure of his cosmogony, according to Damascus, reveals similarities with the cosmogony of Anaximander. Indeed, in both of them the firmament breaks up into a number of autonomous spheres. The sundial (heliotropion) supposedly made by Pherekidus, according to Diogenes of Laertes, “survived on the island of Syros” even in his time. Finally, Heracles is said to have visited him in a dream and told him to tell the Spartans not to value silver and gold, and on the same night Heracles is said to have told the king of Sparta to listen to Pherekides in a dream. However, many of these miracles were also attributed to other legendary philosophers, such as Pythagoras or Epimenides.

    Pherekides was highly honored by his contemporaries (especially the Spartans) for his purity of life; and a “ήρωον” (“heroic” shrine) was erected near Magnesia in his honor. He is also known for having advanced the doctrine of metempsychos (transformations of souls). According to Cicero: «As far as is known from written tradition, Pherekides of Syros first said that the souls of men are eternal.” In connection with this teaching, he abstained from meat food, which also brings him closer to the Orphic tradition. This is why he was considered the teacher of Pythagoras, as noted by Diogenes of Laertes. It is claimed that after the death of Pittacus, Pythagoras’ uncle invited Pherekides to move to Samos and become the young man’s teacher.

    There are many conflicting legends that supposedly tell of the death of Pherekides. According to one story, the Spartans killed Pherekides and skinned him as a sacrifice, and their king kept the skin out of respect for Pherekides’ wisdom. However, the same story was told about Epimenides. Claudius Elianus in his “motley tales” wrote the following about the demise of Pherekidus:

    “Pherekides of Syros ended his days in terrible agony: he was infested with lice. Since it was terrible to look at him, Pherekid had to refuse to socialize with his friends; if anyone came to his house and asked how he was doing, Pherekid would stick his lice-ridden finger through the door slit and say that his whole body was like that. The Delosians say that their god, in anger at Pherekid, inflicted this affliction on him. After all, living with his disciples on Delos, he boasted of his wisdom, and especially of the fact that, never having made sacrifices, he nevertheless lived happily and carefree, no worse than people who sacrifice whole hecatombs. For these impudent speeches God punished him severely.

    The bust of Pherecydes on his home island of Syros

    Acusilaus and Theagenes

    One of the earliest systematizers of Hesiod’s theology was the historian and compiler of speeches, Acusilaus of Argos (c. 590-525). Although he was of Dorian origin, he wrote in the Ionian dialect. He was sometimes counted among the list of the “seven sages.” He wrote the book Genealogies, a prose historical work, which, however, already in antiquity was considered by many to be not authentic; it has not survived to this day. As the author of genealogies, Acusilaus is mentioned in the Byzantine dictionary “Suda”. The source of his genealogies was, according to the “Suda”, some bronze tables, which his father found in the ground. According to Clement of Alexandria, the historical work of Acusilaus was a prose transposition of Hesiod’s verses (cf. the miracle-worker Aristeas of Prokonnesos), but Josephus Flavius notes that Acusilaus made numerous corrections to Hesiod’s genealogies. Pseudo-Apollodorus refers 9 times to the versions of Acusilaus, noting both similarities with Hesiod and divergences with him. From the theogony of Akusilai, according to Dils-Krantz, only 5 testimonies and three fragments have been preserved, which in addition contain contradictions. Thus, very little is known about the teachings of the sage. According to Eudemus of Rhodes in the transmission of Damascus, Acusilaus believed the original to be the unrecognizable Chaos, from which Ereb (male) and Night (female) emerged. From the union of Erebus and Night were born Aether, Eros and Metis, and from them — many other gods. According to Plato, Acusilaus followed Hesiod in saying that Gaia and Eros were born after Chaos. Another source states that Aksusilai called Eros the son of Night and Aether. Be that as it may, it is obvious that Acusilaus was another systematizer of Hesiod’s and Orphic theology.

    Much later lived another writer and philosopher, Theagenes of Rhegium (c. 550-490), known as the first explorer and interpreter of Homer’s poetry, and the first to engage with Hellenic diction. Theagenes employed an allegorical method in explaining Homer’s poems and myths, defending his mythology against more rationalist attacks, perhaps in response to criticisms of early Greek philosophers such as Xenophanes. It has also sometimes been claimed that Pherekides of Syros anticipated Theagenes. And here is what the late antique Neopythagorean Porphyry says about it:

    The account of the gods is utterly embarrassing and unseemly: the myths which he [Homer] tells of the gods are obscene. Some find justification against this charge in the manner of expression, believing that it is all told allegorically about the nature of the elements. For example, by the antitheses of the gods [the antitheses of the elements are allegorically expressed]. Thus, dry, according to them, fights with wet, hot — with cold, light — with heavy. In addition, water quenches fire, and fire dries up water. Similarly, there is an opposition [~ hostility] between all the elements of which the universe is composed, and they are partly subject to annihilation at some point, while the whole endures eternally. Their [the elements’] “battles” he [Homer] and sets forth, calling fire Apollo, Helios and Hephaestus, water Poseidon and Scamander, the moon Artemis, the air Hera, etc. In a similar way he sometimes gives names to the gods and to the states [of mind]: reason (φρόνησις) is named Athena, folly Ares, lust Aphrodite, speech Hermes, and assigns them to them. Such is this way of justifying [Homer] on the part of style; it is very ancient and originates with Theagenes of Rhegium, who was the first to write about Homer.

    If indeed Theagenes reasoned about Homer in this way, then this allegorism is already entirely philosophical in character. And when Pherecydes is compared to him, this is what is meant, that even in Pherecydes simple philosophical elements and forces were hidden behind the images of the gods. And here it is really difficult to say whether Theagenes was systematizing Homer’s theology, or was turning Homer’s poetry into pure philosophy of nature. But we can clearly see that taking a step from Homer to philosophy was not at all difficult even for the ancient Greeks of the archaic epoch.

    Systematizing the theology of Onomacritus

    Probably shortly before the death of Theocritus, a compiler of oracle predictions named Onomacritus (c. 530-480), who lived at the court of the Athenian tyrant Pisistratus, prepared an edition of Homer’s poems, where they were first systematized and divided into “books” on the principle we still use today (so Theagenes of Rhegium probably did his research afterwards). The historian Herodotus tells us that Onomacritus was hired by Pisistratus to put together the prophecies of Museus, but Onomacritus allegedly inserted false predictions of his own composition into the text. This forgery was exposed by Las Hermiones (teacher of Pindar and opponent of Simonides), after which Onomacritus was banished from Athens by Pisistratus’ son, the tyrant Hipparchus, but he later reconciled with Pisistratus. According to the report of Pausanias Onomacritus was the first Orphic theologian and poet. His predecessors may be considered Epimenides, Abaris, and other mystics, as well as the work of Pherekides. Next to Onomacritus, Zopyrus of Heraclea, Nikias of Eleia, and the Pythagoreans Brontinus and Kerkops are mentioned in a similar role. All of them were considered to be the compilers of such mystical poems.

    Onomacritus in the Orphic verses [believed the beginning of all things] to be fire, water, and earth.

    It is true that the fact that he was engaged in publishing a corpus of Homer’s works makes him something more than just another systematizer of Orphic theology. He may be considered a systematizer of all Greek theology in general.


    In later times of Hellenistic Greece and Rome, the works of Orpheus, Museus and Linus were considered to have been created by the hand of Onomacritus (well and prolific Onomacritus in this case, whose works are searched for by the score of dozens, and the sources show that these three authors also refer to each other, which required an elaborate hoax). Therefore, there is a high probability that Orpheus and Linus are a solid modernization. At least, for the sake of saving the honor of Parmenides, any researcher will defend this point of view to the last, and otherwise most of the major philosophers of pre-Socratics will turn out to be banal relayers of Orphism ideas, and it will devalue the whole “breakthrough” of future philosophers. Yes, of course, the stories about the “seventh day” look too much like Christianity, and all the above about Linus looks like a retelling of Parmenides or Empedocles — and one can decide that the author of the forgery knew Christianity and early Greek philosophy.

    So it is officially believed that the “Orpheus” available to us, as well as the familiar to us “Homer” — is a generation of the era of Pisistratus, i.e. contemporaries of Heraclitus and Parmenides. Hence the great number of similarities. There is also an interesting testimony that “Heraclitus and Linus defined the great year as 10,800 years”. It is impossible to prove that Onomacritus, Zopyrus, Heraclitus and Parmenides did not use the same source. Nor is it possible to prove that philosophers copied from court theologians, or vice versa, that court theologians copied from philosophers. Therefore, we assume that a common source from the time of Homer — could well exist. We shall proceed on the presumption of confidence in the sources, and moderately admit the existence of the philosophy of Linus and Orpheus, just as in the case of Mochus of Sidon. As to what this common primary source might have been, we assume it to be the generalized philosophical views of the Phoenicians, Babylonians, and Egyptians.


    In any case, Onomacritus’ writings became a boundary, a “slice” in the development of ancient Greek religion. It is quite possible that to this “slice” the philosophical concepts already known at that time were added, strengthening some aspects of the original religion. But it is highly unlikely that literally all archaic sources were written by a single deceiver. Thus, sages named Epimenides, Aristeas, Pherekides, Acusilaus, Theagenes, and Onomacritus (and maybe Zopyrus, Nicius, Brontinus, and Kerkops) became systematizers of the theology of Homer, Hesiod, and the Orphics. It is quite obvious that most of the Nine Lyricists, the Seven Sages, and the philosophers of the Canon— shared their views, though the further we go into the future, the less influence of theology and the more common are secularized views, especially among philosophers.

  • On frank criticism and anger

    On frank criticism and anger

    The title of this article was chosen for a reason; it is connected with such a scholar of the Epicurean school as Zeno of Sidon (150-75 BC). Who was this Zeno? We know that he was a man of considerable influence, and that it was under his patronage that Epicureanism became the leading doctrine in Rome. Even Cicero (in “De natura deorum”) called Zeno the wittiest of all Epicureans. According to Diogenes of Laertes, he wrote extensively; and Proclus speaks of one work in which Zeno attacked the validity of mathematical proofs and criticized Euclidean geometry. Sometimes he was even called “the leading Epicurean” (Latin: Coryphaeus Epicureorum), and Cicero declares that Zeno despised other philosophers and even called Socrates “an Attic jester (scurram Atticum).” So the recognition of wit, coupled with all this, paints us a man of great amusement and irony.

    His own writings have not come down to us, but the surviving treatise of his pupil Philodemus is based on the lectures of Zeno, from whom some passages in the first book of Cicero’s De natura deorum are probably borrowed. Of his philosophy we may guess from the fragments of Philodemus entitled “On Revealed Criticism” and “On Anger,” from the titles of which the title of our own article is derived. We know that before Zeno the scholarch of the school was the “Garden TyrantApollodorus, but why he received this nickname we can only guess. The scanty information does not allow us to conclude that Zeno created his philosophy in a struggle with his predecessor; he himself was most likely not against a return to the classical hypercriticism and acrimony of Epicurus. But we know for sure that already Polistratus, the third scholarch of the school, after Hermarchus (d. 250 BC) tried to carry out a reform in the school, which stated that since the main goal of Epicureanism is the state of “ataraxia” (equanimity, tranquility of the soul), then all polemics should disturb this state, and therefore it is worthwhile to simply merge with the crowd in everything and stop all bickering. The abrupt disappearance of the Epicureans from the radar of the public agenda of the time may indicate that this reform lasted until the appearance of Apollodorus (under whom Epicureanism begins to penetrate Rome). The fact that Zeno of Sidon had to theorize about the state of anger; and that when Cicero mentioned the Epicurean Albucius, emphasizing: «This is the kind of promiscuity that has blossomed in the Epicurean garden! You are in the habit of getting hot-tempered. Zeno even used to swear. And what to say about Albucius?»suggests that this was indeed an important turn. And the fact that “Zenoeven scolded” speaks unequivocally of the way in which he could interpret criticism, and the anger it provoked.

    If we consider the question of the opinion of Epicurus himself, as well as of his closest disciples (Metrodorus, Hermarchus, Polyen, and Colotus), they were all openly determined to criticize their rivals. So there is nothing surprising in such a turn even from the point of view of “dogmatics.” The only question arises as to how legitimate was Polystratus’ reform of anger? This is what we will discuss in our paper.


    The central thesis of Epicureanism is that the goal of life is not just “the reduction of suffering” but pleasure. And although it is even interpreted as a result of the reduction of suffering, but still, if it were completely so, then the Cyrenaic philosophers would be right that such a blessed Epicurean sage would be no more alive than an ordinary stone. After all, both pleasure and suffering are some kind of movement in the soul (which should be understood by analogy with the movement of blood in vessels, but rather along nerves — see Lametri‘s theory of animal spirits). The absence of “bad” motion is not yet the cause of “good” motion; and pure rest is insensibility, and therefore not pleasure at all. Epicurus must have been aware of this criticism, since it arose in his youth, so that it was not for nothing that he himself emphasized not so much that he was delivered from suffering as that he received from life precisely that pleasure. Here it is also worth recalling that Epicurus quite considered pleasure in two kinds, as “passive” and “active”, and recognized in general both kinds, though with preference for the passive. But what is this active pleasure?

    “Serenity [ataraxia] and the absence of suffering of the body are the pleasures of rest [passive pleasures], and joy and mirth are regarded as the pleasures of motion [active pleasures].”

    So, we see — these are joy and mirth. A fairly moderate version of what might be considered active pleasures, but Epicurus in this form recognizes them too. So if anger causes a “negative” movement in the soul, how can one derive pleasure from it? This is where another of Epicurus’ theses comes partly to the rescue: ‘It is better to endure these certain sufferings in order to enjoy greater pleasures; it is useful to abstain from these certain pleasures in order not to endure greater sufferings‘.

    Or more simply put, if we paraphrase it to suit our topic, «one may endure the negative aspects of anger in order to enjoy tranquility of mind afterward. Or it is useful to disturb the tranquility, so that it will not be further disturbed in the future by the unexpected discovery that you have been wrong all your life”.

    Criticism of opponents allows us to realize some possible misconceptions of our own, which would inspire uncertainty in the soul, and therefore some anxiety, and therefore distance us from that very “ataraxia”. Only full knowledge of the nature of things (see our essay on Truth) is a reliable basis for peace of mind (this is the essence of the whole letter to Pythocles). It is not even the exact certainty of how a phenomenon, such as snow and hail, arises that is important, rather it is important that all “equally probable” explanations, no matter how many there are, have the same origin (the physics of atomistics). In that case, Epicurean physics will be right in its very essence, whatever the nature of the phenomena in its external manifestations actually is. A first-order truth need not establish a secondary truth; so relativity is combined with dogmatism. But the main pathos of this principled atomism was not to admit any “non-physical” explanations. By allowing the latter we open the way to superstition, and through them to all kinds of fears of the beyond, which prevents normal ataraxia (cf. — practically all Stoics except Panethius recognized astrology and the science of divination, etc.).

    However, we have gotten too far off topic. The occupation with physical questions and the defense of atomistics forces one to polemize (!) with the opponents of the atomistic theory. And these questions always shift from pure physics to metaphysics and theology as well. It turns out that it is necessary to refute opponents on all fronts at once, and it means that it is necessary to possess all kinds of knowledge in order to defeat enemies comprehensively.

    As one Epicurean says in Cicero — “Epicurus was not uneducated, but ignorant are those who think that even an old man should repeat as learned what a boy is ashamed not to know”. Thus, for example, Philodemus of Gadara, before denying the usefulness of the science of music (for which he could be called ignorant of music) — thoroughly goes through the work of the Stoic Diogenes of Babylonia. It is not a simple denial, but a denial already after assimilating and analyzing the views of the opponent. It was not the fault of the Epicureans that the systems of the time collapsed under the weight of their own imperfection.

    In the process of covering all knowledge in all subjects, you are forced to polemicize willy-nilly against all hitherto existing schools. This is the inevitable fate of the “polymath,” of any pretender to the role of Homo Universalis. The only question is how to synthesize all this knowledge into a consistent system; otherwise, “total criticism” will end in a simple denial of the correctness of everything at all (which is what the same “polymathic” skeptics have done). But what happens if you try to combine everything? Obviously, you’ll end up with the same little-revered and internally contradictory eclecticism (which Stoicism is to some extent). But the main goal is the absence of fears and anxiety; and in order not to be afraid, one must have a firm knowledge of everything; so skeptical doubt or pseudo-scientific eclecticism will obviously not fit here. Already at the level of this attitude it becomes obvious that the Epicurean’s aim is to become smarter on the way to ataraxia. After all, the main danger to the tranquility of the soul hides in stupidity, with which even Aristippus agreed.

    This is why Epicurus says that itisbetter to be miserable with reason than to be happy without reason”.

    Let’s imagine that there is both criticism and anger going on here

    So, the intellectualism of Epicureanism is generally explained. Yes, the sciences are not an end in themselves, but one cannot do without them; after all, what if I am wrong, and it turns out that I am destined for the afterlife, and that this could easily be proved in my lifetime? Hence the need for polemics. But don’t other schools have the same situation, perhaps with different goals? Why is it that the same Stoicism cannot claim to be intellectualism? And why is it that, concerning our topic, polemics cannot be conducted without anger and scolding?

    Answering the first question — it is enough to recall that Stoicism does not burden itself with unnecessary reflections on the nature of virtue. It is practically self-evident (and is actually drawn ready-made from society), and makes the picture of the world strictly black and white. Although to some extent this leaves the Stoic with a choice, it is not so difficult to make that choice when you already know what the obvious “evil” is. And if there is still some choice here, in general, necessity reigns over the world, and this also eliminates the need for any further reasoning. Everything that happens is right a priori. And in general, since “fate” in many respects has the features of a deity, everything is not just right, but is pre-conceived by the most perfect being (God/Reason) according to a certain plan, having assigned its goals to everything (teleology), which only need to be fulfilled in order not to violate the most perfect plan. This is how the study of physics-theology leads to the conclusion of what is “good” (yes, they do have an explanation, but it is extremely weak in its foundations). Good is everything that is necessary for God-Logos-the Whole; and he needs a priori everything that you observe. In principle, it needs even the existence of evil (see Chrysippus and Aurelius on this).

    And if the society has already defined what is good and what is evil, but its members themselves constantly allow evil — then the task is simple, to try to avoid evil as much as possible. That is, to take the conditional patriarchal norms as a given, and to bring their ideas about “virtue” to the maximum limit. Of course, reasoning about the Whole and its parts requires some prudence, and of course it is still desirable to read Heraclitus and reflect on it — but in the future the Stoic will not need to burden himself with the choice. Always do the “right” thing. It would seem very simple and convenient, why not use it? But the problem is that you are just as much a member of society, a “common man”, and also constantly allowing evil, one way or another. That’s why “meditations” are so important for Stoics; you have to remind yourself of your goals every day, you have to constantly monitor yourself, etc. etc., which only proves that the Stoic himself is unable to fulfill his own requirements, and that he has a hard time putting “Stoicism” on subconscious autopilot. But that is another story altogether. For now, the central thesis is that Stoicism is “theoretically” simple, a binary opposition and primitive logic stemming from teleology.

    But Epicureanism is quite another matter! It postulates indeterminism at the level of physics to further defend free will, but now at the level of our lives; and this opens up a much greater variation of choice. In addition — Epicureanism destroys the very logic of “absolute good and ‘absolute evil’ by introducing a theory of the origin of society and the state, as well as a theory of the emergence of knowledge from ‘experience’ (to argue against the skeptics, Stoia created a more elaborate sensationalism than even Epicurus, but it had no serious consequences for the Stoic view of the world, just a tool against the skeptics). In other words, “good and evil” are either subjective or socially conditioned, which does not make these views true (cf. Helvetius), and this widens the range of our choices even further. One could argue that here, too, the binary opposition (pleasure-suffering) governs choice, defining “good” and “evil”. But unlike Stoicism, it says that not all pleasure is good, and not all suffering is evil. There is no such variation in Stoicism, for vice cannot be good and virtue evil; it cannot by definition, not even in some trivial matter. What compels the Epicurean to make the “right” choice? Only the fullness of knowledge of all the nuances, not the fullness of knowledge of one trivial truth from the Logos. These are quite different levels of intellectualism, and this difference stems precisely from the degree of complexity of the basic concepts of good and evil.


    The second problem was: why can’t polemics be conducted without anger and profanity?

    Of course it can. But if we recall the title of Zeno-Philodemus’s work, it sounded in full as “On frank criticism”. Here it is obvious that if we try to behave courteously, the criticism will not have all frankness, its corners will be smoothed, and thus the goal (the assertion of one’s rightness and total destruction of the opponent) will not be achieved. And then why, one might ask, should we start a polemic? Ataraxia requires conviction in one’s own rightness. It is possible that frank criticism will force your opponent to answer frankly as well, and thus better show your own weaknesses. As Epicurus said, “In philosophical discussion, the victor gains more from the debate — in the respect that he multiplies knowledge.” And then what good are the smoothed corners for your own enlightenment?

    Still, even if we found justifications in the spirit of “allowing evil for the greater good,” the big question remains to what extent “criticism” and anger are permissible. But to be honest, in fact, this chain of reasoning was originally constructed incorrectly, with the expectation of philistine perceptions. Frankly speaking, anger and outright criticism are not even evil! If this is just one way of learning through polemics, then what is wrong with learning?

    “In all studies the fruit with labor comes at the end of them, but in philosophy pleasure runs alongside cognition: it is not after study that there is pleasure, but at the same time there is study and pleasure.”

    You gain knowledge, so why this suffering, by what? The sensation of anger? But if it is rousing, what is it not the very “activity and exhilaration,” i.e., the enjoyment of motion? Why can’t defeating your opponent and his stupidity, mixed with his own serious face and conviction of the truth of his delusions — cheer you up? As Epicurus says: “One should laugh and philosophize and at the same time engage in household chores and use all other faculties and never stop uttering the verbs of true philosophy”. What could be funnier than an opponent who is angry with you, just for breaking the conventional rules of etiquette? Who is willing to accuse you of ignorance and pigheadedness for some technicalities, while hammering away at the very heart of the matter! This was also the whole controversy of the enemies of Epicureanism about the attitude to rhetoric.

    Thus Plutarch complains, “They write that we should not orate.” And Quintilian says: “I am not at all surprised, concerning Epicurus, who shuns all teaching, judging from what he has written against rhetoric.” Believing that rhetoric is “sophistic science to make speeches and create evidence”, Epicurus considered oratory as a bad art (cacotechnian), valuing in it exclusively only one property (if it was caught there)clarity. If political speeches are admissible, then here “nature itself is what directs speeches, not any art”. Therefore, polemics can and should be crude, because substance is more important than form. Nevertheless, it was for the form that Epicurus was criticized by everyone, especially by Cicero, a lover of rhetoric.


    So, it’s natural to get angry when criticized openly. And to be a frank critic is pleasant and useful at the same time. So, within the framework of philosophical discussion, anger is more than permissible, especially if it is mixed with cheerful mood and laughter. In fact, it is not even anger at all, but only a “form of anger”, only “angry words”, which may not even hide the affect itself. The opponents of Epicureanism could not (and still cannot) understand this at all. In today’s youth culture it is called “doing on a whim”; and it may well be pure pleasure! Even the Stoic Seneca, in his work On Anger (which may well refer here to our Zeno) writes:

    «Heraclitus whenever he left the house and saw around him so many badly living, or rather to say badly dying people, began to cry and pity all the passers-by he met, even if they were cheerful and happy … About Democritus, on the contrary, they say that he never appeared in public without a smile: to that non-serious it seemed to him everything that seriously engaged in all around. But where is the place for anger? You either have to laugh at everything or cry.»

    But what is more interesting is that Democritus was the basis of the physics of Epicurus, while Heraclitus is the basis of the physics of Stoicism! And yet Seneca opts for Democritus. But maybe Epicurus’ ethics is not entirely taken from Aristippus either? After all, Democritus was as much an advocate of “tranquility of soul” as Epicurus himself; but no one deprives him of his right to laughter and contempt, not even a respected Stoic like Seneca. Whereas the acrimonious Epicurus is censured by everyone.

    So “anger” in our case is not anger at all, and even if it were negative, it would be a very minor evil in the context of all that is going on. Therefore, anger and criticism are not merely not hindrances to Epicureanism, but are one of its tools on the way to achieving ataraxia, and partly (as in the case of Democritus) even the result of ataraxia! With this attitude one can challenge one’s opponents without disturbing one’s own serenity. The question of anger and criticism is so central to Epicureanism that the entire fate of the school depended on its resolution at some point. By excluding anger, as Polistratus tried to do, he excluded at the same time the very essence of Epicureanism — the craving for knowledge, the elimination of stupidity. He deprived the school of the possibility of choice, determining everything by the pre-established traditions of society, and by doing so he deprived us of much of the pleasure, which almost doomed the school to extinction and oblivion.

  • Pre-philosophy: the influence of the East

    Pre-philosophy: the influence of the East

    History begins in the East

    The Greeks themselves believed that philosophy, as well as other varieties of high culture, came from the more ancient and developed Middle East. It was considered very prestigious if you are connected with something more ancient, because as it is known “it was better before”, and veterans should be respected. The reason for this lies not only in the archaic view “ancient means good”, but also in the very genealogy of Greek civilization. The origin of philosophy in the East is by no means a mythologem of the Greeks. We already know the examples in Egypt and Babylonia; but the question of the importance of ancient Phoenicia in the genesis of Greek civilization is still very little touched upon, or rather underestimated and even depreciated, in historical science.

    Of course, we know, and it is constantly said, that the Phoenicians before the Greeks monopolized navigation and began the colonization of the West; including, incidentally, the Phoenician colonization of Greece itself. We know that these colonies, as well as the “metropolis” of Phoenicia itself, were always located on the seashore and were commercial in character. All this applies equally to the Greeks, but the Phoenicians began their maritime expansion much earlier. In addition to what has already been said, the Phoenicians also had a state-city structure (by the way, this structure at an early stage of development had the cities of Babylonia, and for some time even in Egypt, and probably, in general, all over the world), again, earlier than the Greeks. Already here one would think that the influence on the Greeks must be undoubted; and as we shall see further on — it is even much deeper and stronger than it is usually considered.

    Phoenician colonies in Greece during the Dark Ages

    This “Phoenician question” is not emphasized much, if only because all of the above is considered to be the reason for the unique development of Greece. Considering Phoenicia itself from this point of view, as it were, forces us to conclude that the reasons for the success of the Greeks are different from the generally accepted ones. Such an approach forces us to take all the overlapping places out of the brackets of our equation. And this deprives us of most of the usual and very reasonable explanations. And then in our investigation of the “phenomenon of the Greeks” we lose the trail, we are left almost empty-handed, which is extremely inconvenient.

    But one could go the other way, and insist that the Greeks’ explanations of success still work properly; in that case, the Phoenicians must have at least started down the same path that the Greeks started a little later. And if Phoenicia had rich trading and maritime polities, had alphabetic writing, etc., which is certain — where is their high culture? Where are their philosophers? Why do we know so little about the Phoenicians? I will not answer these questions, as I myself do not know the final answer to them; there is very little information about the Phoenicians.

    We know that even in their heyday they were monarchical and oligarchic states with a large property stratification. The degree of their proximity to ancient civilizations, which set the tone of social life in the entire eastern region, is of no small importance in explaining the failure of the Phoenicians. Such proximity rather inhibited cultural development. We can only hope for future archaeological discoveries that we will find at least a few authentic Phoenician literary works. On the basis of what is available now, little can be said for certain. In my opinion, however, it seems to me that all evidence points to the Phoenicians having a very advanced culture (if only because of the probable influence of Minoan Crete), ahead of Egypt and Babylonia, or at least not inferior to them.

    In this article I only want to briefly characterize the circumstantial evidence for Greek-Phoenician connections, without regard to exactly how advanced the culture of the Phoenicians was.

    “Phoenician” myths

    The most interesting for us are the legendary characters that Greek mythology itself associated with its origins. Phoenicia’s own history, religion and mythology are a second order matter, given their fragmentary nature and lack of a prescribed connection with the Greeks. The Greeks, however, see the matter this way. The king of Tyre and Sidon (the largest cities of the Phoenicians) named Agenor was the son of Libya, the daughter of the king of Egypt named Epaphus (and the son of Zeus from Io). Thus the Phoenicians are painted as “grandsons of the Egyptians and children of Africa”. Agenor’s father was the sea god Poseidon himself, from whom Livia gave birth to a second child, Agenor’s twin named Bel. Bel later became king of Egypt, like his grandfather Epaphus. The whole myth is one continuous reference, speaking of the Egyptian origin of Phoenicia and Greece. This Agenor had many children, but for Greek mythology the most famous and significant were Cadmus and Europa.

    Once Zeus having turned into a bull kidnapped Europa, who liked him, and lay with her on the island of Crete, where she remained to live further, becoming the mother of Minos, Radamanthus and Sarpedon. As a whole, her destiny has developed even well, in fact it has taken in a wife the tsar of Crete, and as there were no children from this marriage, the further governors of island became descendants of Zeus and Europe. However, Phoenician relatives knew nothing about it, so worried Agenor sent four of her brothers in search of his daughter, forbidding them to return home without their sister.

    The brothers, by the way, never found her, but in the process of searching they traveled all over Greece.

    After an unsuccessful search, the chief of Agenor’s sons, the Phoenician Cadmus, was forced to settle in Greece. Legend attributes to him the founding of the city of Thebes in Boeotia (where Europa was also honored). In his wanderings Cadmus also visited Rhodes, also bearing traces of Phoenician colonization, where he offered sacrifice to Athena Lindia. “The Arabs who crossed with Cadmus» settled on the island of Euboea, which is also interesting, because it is the same island from which the history of Greek colonization will begin, the location of the famous trading polities of Chalcis and Eretria.

    The Greeks associated the advent of the Copper Age with the appearance of Cadmus; he is also the legendary inventor of Hellenic writing (historical fact, the Phoenicians brought the alphabet to the Greeks). Sailing from the East to Greece, he stopped on the island of Santorini (Thera, Fira) and left some of his companions there. Later, Teras (Thera) arrived on this island, after whom the island was named. This island is known today as the brightest place of preservation of cultural monuments of the Minoan civilization. It is here, on Teras, the oldest (XVIII century BC) Greek writings were found. And recently (in 2003) a letter from the king of the state of Ahhiyawa (that is, apparently, the Mycenaean power) to the king Hattusilis III (c. 1250 BC) was found. This Greek king mentions that his ancestor Cadmus had given away his daughter to the king of Assouba, and certain islands came under the control of Ahijava. The king of the Hittites responded by claiming that the islands belonged to him. This conflict over the Asia Minor coast chronologically coincides with the dating of the Trojan War. And if this is so, the Achaeans directly derived their descent from the Phoenician Cadmus.

    In general, the role of the figure of Cadmus for the Greeks cannot be overestimated. Cadmus was not the only one who went in search of Europe and continued to live outside of Phoenicia. Having made sure that it was impossible to find his sister, his brothers settled in different countries, founding other royal dynasties.


    The first of the brothers (Thasos) settled in Thrace, founding there the city of Thasos on the island of the same name (the colonization of this area is historically confirmed, there is also the Phoenician colony of Abdera nearby). Another brother of Cadmus, Phoenix , is the founder of “Phoenicia” (a certain united Phoenician kingdom); according to another version, he went to Africa and stayed there, which is why Africans are called Punyans (mythological explanation of the colonization of Carthage). Cilicus, in the manner of his brother Thasos, called the land he conquered Cilicia. Earlier its inhabitants were called Hypacheans. According to the later philosopher Eugemerus (a fan of “grounding” myths), this is the ruler of Cilicia, defeated by Zeus. Sometimes his children are called Phasos and Thebes (a reference to Thebes?).

    So there is a brother and a sister, both Phoenicians, and both of extraordinary importance to the genealogy of the Greeks. Cadmus is the ancestor of the Achaean kings, and Thebes is one of the most important cities of antiquity. Europa is the queen of Crete, the mother of the first of the most powerful “Greek” kings. The Minoans and Mycenaeans, as we know, were in conflict; but for later Greeks, they are almost one culture, their great past, and both appear to be linked to Phoenicia.


    Now, for completeness of the context, let’s go a little on the “line of Europe”. One of the sons of Zeus and Europa was Rhadamanthus, who was famous for his justice, as it was he who, according to legends, gave the Cretans laws. At some point, he probably killed his brother (Minos), for which he was banished from the state. While in exile, Rhadamanthus settled in Ocalea in Boeotia (near Thebes, which is obviously not accidental) and married Alkmena, the mother of Heracles (already the widow of Amphitryon). The name of Rhadamanthus became nominal as a strict judge. So it is not surprising that after his death he, as a reward for his justice, became, along with Minos and Eak, a judge in the afterlife (according to another version — on the “Islands of the Blessed” together with the titan Kronos). His instructions were set forth in Hesiod’s poem “Great Works” (by the way, Hesiod came from Boeotia, and Phoenician roots are not excluded). Later Hellenistic rationalization of myths already stated that there was a historical ancient Rhadamanthus, who first united the cities of Crete and civilized it, established laws, claiming that he received them from Zeus. And Minos, who ruled later, only imitated Rhadamanthus.

    The story of Heracles’ mother is also not accidental, because the kings of Sparta traced their ancestry back to him, and the Spartans themselves believed that they owed their laws to Crete (so we see here a triangle of Crete-Sparta-Thebes). Later, archaeologists found recorded laws on Crete, but not from the Minoan period — and those actually turned out to be similar to the Spartan laws. The philosopher Socrates, according to Plato, considered these laws to be the best, and put Sparta and Crete on the same level in this matter. So, perhaps it is not accidental that the Spartans did not want to build walls, as it was accepted long before them in the Minoan civilization.


    King Minos is the most famous of the sons of Europa — he is the legendary founder of the Minoan civilization and the father of “thalassocracy” (maritime hegemony, as Samos or Athens would later be). He is father to Androgeus, Deucalion, Glaucus, Catreus, Eurymedon, etc.

    Minos drove the Carians out of the Cyclades and established colonies there, placing his sons as rulers, and succeeded in capturing Megara and extending power to the mainland. When his son Androgeus was murdered in Athens, Minos forced King Aegeus to pay tribute, 7 young men and 7 maidens every year, or every nine years. It was believed that these captives were condemned to be eaten by the Minotaur who lived in the Labyrinth. This lasted until the hero Theseus (son of King Aegeus) killed the Minotaur. Archaeology has confirmed that the palaces of the Cretans were built with a labyrinth-like layout; and not only was the Bull their religious symbol, but there were traces of ritual cannibalism of children.

    Crete and the spread of its cultural and political influence.

    Subsequently, the great-grandson of Europe and grandson of Minos — Idomeneus, will be one of the main allies of Agamemnon and Menelaus in the campaign against Troy, and put up one of the most significant flotillas. It turns out that even in Trojan times — Crete is one of the strongest parts of Greece. But all these ruling dynasties raise themselves to the Phoenicians, and according to mythology it was the Phoenicians who showed the Cretans the beauty of the state system, established laws (the good for which the Greeks later called even mediocre fools “Sages”), and the Greek alphabet was quite consciously raised by the Greeks themselves to the Phoenicians.

    Phoenician pre-philosophy

    Diogenes of Laertes has a lengthy mention that philosophy could theoretically have arisen much earlier in the East. He himself, however, does not think so, for he feels contempt for barbarians; but he says about the existence of Eastern doctrines that were older than Greek ones (not worthy of the name of philosophy, apparently), and he himself trusts this information. The general picture is approximately as follows:

    “… the Persians had magicians, the Babylonians and Assyrians had Chaldeans, the Indians had Himosophists, the Celts and Gauls had the so-called Druids and Semnotheans (Aristotle [probably his student] writes about this in his book On Magic and Sotion in Book XXIII of the Successions); the Phoenician was Oh, the Thracian was Zamolxis, the Libyan was Atlanteus.”

    Mochus of Sidon was an ancient Phoenician philosopher from Sidon, who lived at the end of the 2nd millennium B.C. The exact time of Moh’s life is unknown, Greek authors usually define it as “the era of the Trojan War”; but this is most likely just one of the synonyms for the phrase “long ago”. Only the recognition of Mochus as the oldest of the Phoenician sages is certain — Diogenes of Laertes calls him a proto-philosopher, placing him next to the legendary Atlantean.

    Mochus was an astronomer and historian (as were members of the Greek school in Miletus), but is best known as a “physiologist,” that is, a researcher into the nature of things (the main theme of all early Greek philosophers). Moss formulated his own conception of the creation of the world, according to which the “primary elements” were Aether and Air. He also believed that, like language, which consists of letters, the world also consists of indivisible particles, thus becoming the “father” of the atomistic theory, later revised in different versions by Pythagoras and Democritus.

    In addition to these achievements, Mochus is considered the founder of a philosophical school, the first in his time, which included Chalcolus and Darda, mentioned in the Bible. According to the late antique philosopher Yamvlichus, Pythagoras also communicated with representatives of the school of Mochus, which means that it continued to exist at the same time as the school in Miletus. Unless, of course, all this is not one continuous modernization of late antique authors, which is very, very likely.

    Mochus is mentioned in his works by Strabo, Josephus Flavius, Sextus Empiricus, Diogenes of Laertes, Tatian, Eusebius of Caesarea, and Suda; i.e., this is by no means an isolated mention, although all of them probably simply depend on the Stoic Posidonius, who first mentioned the Phoenician from the sources available to us, and he did so probably because Posidonius himself came from the same Sidon.


    The “Libyan” Atlante, not a titan but the first king of Atlantis, is also associated with Phoenicia. He was the son of Poseidon and the mortal woman Cleito. Similar versions are found in the works of Eusebius and Diodorus; in these accounts Atlanteus’ father was Uranus and his mother was Gaia. His grandfather was Elium “king of Phoenicia” (this was the name by which the Phoenicians called the Most High God), who lived in Byblos with his wife Berut (a hypostasis of Baal). Here Atlanteus was raised by his sister, Basilia (the legendary first queen of Atlantis). Most of the information about the thought tradition of the Phoenicians has come down through the text of an ancient Phoenician author from Beirut named Sanhuniaton, who lived, according to Eusebius, “when Semiramis was queen of Assyria”.

    Major Phoenician cities

    In three books he expounded the main points of the Phoenician religion, which he drew from the columns of the sacred temples before they were perverted by the priests of later ages. The content of his work in Phoenician was transmitted in Greek by Philo of Byblos in his History of Phoenicia, fragments of which are quoted by the church historian Eusebius in his Chronicle. In particular, Eusebius cites Sanhuniaton as evidence that most pagan gods were based on real historical figures. It turns out that already in those times Phoenician historians were grounding mythology and engaging in rationalistic interpretations.

    In Sankhuniaton’s account all titans, including Cronus, come from Phoenicia, and they, the titans, founded it themselves. This surprisingly lies on the Greek legends about the war of gods and titans, for then we get a version of the interpretation of the myth, where the gods (Greeks) are children of titans (Phoenicians), against whom they soon rebelled and defeated their fathers in the struggle (maybe an illustration of conflicts for colonies?). The most important thing for us is that this Phoenician writer also existed before Greek philosophy, and if Moh’s atomism can be deduced from his texts (and this is theoretically, with a stretch, possible) — then Greek philosophy loses a lot of its originality. Although it is always possible, of course, to doubt the authenticity of Sankhuniaton’s texts and all the testimonies about Moha, and to see in them the modernization of the Hellenistic era.

    “These Phoenicians, who came to Hellas with Cadmus, settled in the land and brought to the Hellenes many sciences and arts and, among other things, a written language, previously, I believe, unknown to the Hellenes.” (c) Herodotus

    In addition to the Phoenicians, Diogenes of Laertes mentions the sage Zamolxis, the main deity of the Thracian cult. The most characteristic elements of the cult of Zamolxis (andreon and feasts, occultation in the “underground dwelling” and epiphany after four years, the “acquisition of immortality” of the soul and the doctrine of a happy life in the afterlife) bring it closer to Greek mystery. It was from Thrace that came the Greek cults of Dionysus, associated with the Eleusinian Mysteries, so prevalent among conservative rural farmers, and generally recognized as having influenced the philosophy of Pythagoras. According to Strabo, Zamolxis himself was a slave of Pythagoras, from whom he learned “certain celestial sciences.” It was also believed that Zamolxis (like Pythagoras) traveled to Egypt, then known as the land of magicians, and learned “some things” from the Egyptians. Back in his homeland, Zamolxis managed to convince a ruler to take him on as an advisor (much like the Pythagoreans convinced rulers in Italy) because of his ability to communicate the wishes of the gods. At first Zamolxis was a priest of the most revered god of the Dacians, but later he succeeded in getting himself honored as a god (which also reminds us of Pythagoras).

    In the dialog “Charmides,” Socrates describes his meeting with one of the herbalists of “the Thracian ruler Zamolxis, who possessed the skill of conferring immortality,” and reports:

    «This Thracian physician narrated what he had learned from his ruler, who was a god. Zamolxis, the physician reported, taught that one should not treat the eyes without curing the head, and the head without paying attention to the body, and the body without making the soul well. Therefore, concluded the Thracian healer, the remedy for many diseases is unknown to Greek healers, because they do not pay attention to the body as a whole.»

    And even this maxim strongly resembles the philosophy of Pythagoras and Pythagorean physicians such as Alcmaeon.


    I will not go into more details, but it is obvious that Egypt and Babylon had a direct influence on (->) Phoenicia, which itself had an influence (->) on Greece. All early Greek wisdom is just repeating what had already existed centuries before them, there is virtually nothing new there. The first worldview revolution took place around 900-700 BC in Babylonia and Phoenicia, the Greeks had already adopted it in a ready form around 650-600 in the person of the same Thales. All Greek historians almost unanimously attribute the invention of geometry to Egyptian surveyors (from where Pythagoras’ voyage to Egypt came), but they immediately separated geometry and theoretical mathematics, and also separately distinguished astronomy.

    Thus, mathematics was attributed to the Phoenicians, and astronomy to the Chaldeans (Babylon). But later Hellenistic historians considered the practical origin of all sciences to be a more reasonable explanation. Therefore, for them the development of astronomy by the Phoenicians looked much more logical, since they surpassed everyone in navigation to such an extent that they sailed at night in the open sea, and for this they needed developed astronomy (unlike mainland Babylon).

    If all this is true, then the development of astronomy and mathematics (here the argument also went through the practical need of traders in bookkeeping) should coincide with the heyday of Phoenician colonization, and this is 900-700 BC, and here also lies another argument. After the Macedonian conquest of Persia — Greek scholars had access to many temple archives, and they compiled a regular calendar of lunar and solar eclipses (what so progressed Thales of Miletus). The calendar starts around 760, arguing that the Babylonians began regular accounting only from that time (in fact, such things could have been done much earlier). Thales made his eclipse prediction in 585, just a century and a half later. Also, it was Thales who was considered the founder of Greek mathematics, and it was only later that the young man Pythagoras learned from him.


    But the most interesting thing is not even this, but the fact that the ancient tradition itself considered Thales a Phoenician by blood, and Pythagoras, who studied under him, was also a descendant of Phoenician merchants, and even the more generally recognized teacher of Pythagoras, the poet Pherekides, was also considered, if not a Phoenician, then a man who “got his wisdom from the secret Phoenician books”. As mentioned above, Thebes (Boeotia) was proud of its Phoenician mythological history, but it was from Boeotia that the poets Hesiod and Linus originated. Here is what Diodorus of Sicily wrote about Linus:

    «It is said that Linus was the first of the Hellenes to discover the laws of rhythm and singing, as well as to apply for the first time to Hellenic speech the special scripts brought by Cadmus from Phoenicia, while establishing the name and defining the lettering for each sign. These letters are commonly called Phoenician, because the Hellenes borrowed them from the Phoenicians … Linus reached extraordinary heights in the field of poetry and melody, he had many pupils”.

    The remnants of Linus’ writings fit very well into the cultural context of Thales and Pherekides, and even go beyond them, even touching on the philosophy of Parmenides. Other legendary hero-poets, Orpheus and Museus, were considered contemporaries of Linus (incidentally, this is around 900-800 BCE, just when the Phoenician cultural upheaval began), and they also have passages highly reminiscent of Parmenides’ philosophy (which greatly devalues his innovation). As mentioned above, even atomism may have been invented in Phoenicia, though this is no great tragedy for Democritus, for before him atomism was actually preached by Pythagoras as well. But as in the case of Moh of Sidon — all this can be safely denied, seeing here late antique insertions and modernization.

    The other eastern influences

    We have only to mention Diogenes of Laertes’ excerpts on the philosophy of Egypt, Persia and India to finish our cursory review of the pre-philosophy of the East: «The hymnosophists and druids spoke in mysterious sayings, taught to honor the gods, to do no evil and to exercise courage; the hymnosophists even despised death, as Clitarchus testifies in Book XII. Nothing special, except a slight hint at the importance of ethics and, perhaps (but not fact), a philosophical solution to the problem of death, which is considered an achievement of early Hellenism. And here we see practically Stoicism in embryo.

    «The Chaldeans practiced astronomy and divination. The magi spent their time in the service of the gods, sacrifices and prayers, believing that the gods listen only to them; speculated about the essence and origin of the gods, considering fire, earth and water as gods; rejected images of the gods, especially the distinction between male and female gods. They composed works on justice, asserted that to give the dead to fire — unholy, and cohabit with mother or daughter — not unholy (so writes Sotion in Book XXIII), engaged in divination, divination and asserted that the gods are to them in person, and in general, the air is full of visions [mystical theory of Democritus], the flow or soaring of which is discernible to the keen eye. They did not wear gold and jewelry, their clothes were white, their bed served them the earth, food — vegetables, cheese and coarse bread, staff — a reed; with a reed they pierced and brought to the mouth pieces of cheese at meals. They did not practise sorcery, as Aristotle testifies in “On Magic” and Dion in Book V of the “History”; the latter adds that, judging from the name, Zoroaster was a star-worshiper, and in this Hermodorus agrees with him. Aristotle, in Book I of “On Philosophy,” holds that the Magi are more ancient than the Egyptians, that they recognize two primordials, a good demon and an evil demon, and that the former are called Zeus and Oromazd, and the latter Hades and Ahriman; Hermippus (in Book I of “On the Magi”), Eudoxus (in “A Tour of the Earth”) and Theopompus (in Book VIII of “The History of Philip”) also agree with this, and the latter adds that, according to the teachings of the Magi, people will rise from the dead, will become immortal and that only by the spells of the Magi and the creature is kept alive; the same thing is told by Eudemus of Rhodes. And Hecataeus informs us that the gods themselves, in their opinion, had a beginning. Clearchus of Sol in his book “On Education” considers the Gymnosophists to be disciples of the magicians, and others raise even the Jews to the magicians”.

    Here already very striking is the knowledge of all the above-mentioned Greeks that Persian and Indian philosophy have the same roots (Vedic religion), and strangely enough, they consider the Indian offshoot as later, or less “orthodox” from the point of view of the Proto-Indo-Iranian religion. It is not difficult to see that this description alone is worth more than what the Greeks themselves enthusiastically tell us about their “seven sages.” But the Persian “magicians” are not inferior to the Egyptian priests.

    «The Egyptians in their philosophy reasoned about the gods and about justice. They maintained that the beginning of all things is substance, from it are distinguished the four elements , and in completion are all kinds of living beings. They consider the sun and the moon as gods, the first under the name of Osiris, the second under the name of Isis, and the beetle, the serpent, the kite and other animals serve as allusions to them (so say Manephon in “A Brief Natural History” and Hecateus in Book I of “On Egyptian Philosophy”), to which the Egyptians and erect idols and temples, because they do not know the appearance of the god. They believe that the world is spherical, that it is born and mortal; that thestars consist of fire , and this fire, moderating, gives life to everything that is on earth; that eclipses of the moon come from the fact that the moon falls into the shadow of the earth; that the soul outlives its body and moves into others; that rain is obtained from transformed air; these and other of their doctrines about nature are reported by Hecataeus and Aristagoras. And in their concern for justice they have established laws at their place and attributed them to Hermes himself. They consider animals useful to man as gods; it is also said that they invented geometry, astronomy and arithmetic. This is what is known about the discovery of philosophy.»

    So Linus, Hesiod, the philosophers of Miletus, Pherecydes and Pythagoras all belong to plus or minus one tradition, the roots of which are partly in the Phoenicians and partly in Egypt and Babylonia, if we are to believe the doxography. As time goes on, the version of eastern influence finds more and more confirmation, and hopefully all these strings will still be tied together at some point on the basis of more convincing sources than we have now.

    What does all this mean?

    At least, all the early Greek wisdom (the so-called pre-Socratics) — only repeats the already existing before them for centuries, there is almost nothing new. But, in any case, in defense of the Greeks we can say that their lag is minimal. And since there are no names left from the Eastern sages, nothing has changed for us in fact; our heroes are still heroes, just deprived of the title of discoverers.

    Heraclitus is striking and stands somewhat apart. The East was too focused on the Whole, on unity; so were the ancient Greek sages. But Heraclitus outlined a conceptual breakthrough (although in a general sense he also shared the concept of the Whole), and in this case, Parmenides’ reaction to him is nothing more than an archaic attempt to “return to the roots”. A separate achievement is the effect of scale. The wisdom of the Near East and Greece is one, but in the East the sages perceived it as a whole, while in Greece this unified “wisdom” was broken into parts and cultivated by “schools”. As a result, there was a total concretization of essentially the same material (Empedocles, Anaxagoras). And when all this mountain of additions tried to cover again as a whole, somehow to systematize — there appeared encyclopedic doctrines (Sophists, Democritus, Aristotle), which had never existed before. Such emergence of separate schools and new systems occurred synchronously with the Greeks in India and China, but the Greeks, nevertheless, were able to go further than their competitors, and this phenomenon still requires clarification of the reasons.


    The futility of trying to go further in the knowledge of physical and logical theories leads to a focus on ethics. In fact, the primacy of the Greeks in this area is also called into question. There is evidence that well-developed ethical systems could have existed in pre-Socratic times, or even earlier (if we take into account the “teachings” of the Old Kingdom, etc.). To a great extent this question also depends on the decision about the historical dating of the book of Ecclesiastes and the book of Job. But, in any case, “Eastern Ethics”, even in its most radical version, is still more conservative than Hellenistic ethics, so we can say that the Greeks are still innovators in this matter.

    Besides, it is the division of the “whole” wisdom into parts, and the subsequent view of the “whole” from the parts’ side, that sets a quite unique specificity. From a purely formal point of view, even the teachings of the Stoics and Epicureans do not differ much, and sometimes even coincide verbatim. But precisely because of the different starting points, in fact, the “same thing” in its form, and subject matter, leads to quite different worldviews. Such elaborate detail and subtlety of difference clearly could not have been available to philosophers in the pre-Socratic era.

    And yet, the picture of early Greek philosophy is seriously altered. It changes seriously, even if we want to consider the history of Greek philosophy in isolation from the world context, in and of itself. And this is what we will try to talk about in the following essays.